A brand new gig venue with a late-night bar and restaurant and a plunge pool is opening in Manchester city centre next month.
Canvas will throw open the doors to its ‘next-generation’ music venue at the new Circle Square development just off Oxford Road.
The new three-storey hangout will have live music, club nights, a members’ lounge, and a bar and restaurant open until 4am, seven days a week.
It comes from the team behind two legendary London venues, The Pickle Factory and Oval Space, as well as the MAMA Group, which operated Lovebox and Wilderness festivals as well as the Manchester Ritz, G-A-Y and Hammersmith Apollo.
Canvas comes from the team behind Oval Space in London. Credit: Supplied
Canvas will also welcome creative music, art, wellness and technology programmes.
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The 600-capacity gig space itself will host live concerts, album launches and listening parties.
It will be kitted out with cutting-edge technology to deliver a world-class sound and visual experience, with video mapping and projectors enveloping audiences.
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Canvas will host panel talks for members. Credit: Supplied
It hopes to create a ‘blank space’ for emerging and underground talent.
The Canvas members’ lounge will invite members to participate in events, panel discussions and wellness classes, and will host some of Manchester’s most enterprising young professionals.
Later this summer, a plunge pool and sauna will be added for members to find their own serenity in the city.
At Your Beat dance classes will take place in a dark room filled with colourful lights and pumping tunes.
Memberships will be held in the form of a Canvas token (an NFT) which will include benefits like free access to gigs and club nights, discounts on food and drink, and part-ownership of the members’ club platform.
They’re priced at £15 per month for under 30s, with a different option for older members.
A food and drink lounge will serve global small plates – curated by Miam Miam Glou Glou – all day, before switching to a late night bar after 10.30pm.
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Diners can expect breakfasts like the Persian (Merguez sausage, hummus, spinach, harissa and poached egg) and the Cali (avocado, chilli, lime and egg) with sides of fresh juices, breakfast cocktails and health shots.
The rest of the day, small plates will incorporate dishes including sumac lamp chops, disco fries, and Korean barbecued chicken, plus slow-cooked chicken thighs, steak bavette, and road plum duck leg.
It will also serve sandwiches between 12pm and 5pm every day.
Cocktails will champion ‘a new breed of bartending’, like the Jasmine Margarita (El Jimador Blanco, Muyu Jasmine, silver needle and citrus), the Jungle Bird (Bacardi Cuatro, Appleton 8, Campari, pineapple, galangal and tamarind cordial) and Cafe Torino (Mr Black Coffee Amaro, Martini Rubino and soda).
Dean James, co-owner and co-founder, said: “We’re thrilled to finally open our doors at Canvas. With authenticity at the forefront of everything we do, our key ambition is to provide the most innovative space where emerging music and new talent can grow.
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“We’re incredibly proud of our diverseness; in both what we do and who we are – from our growing Canvas community, right through to our teams.
“By giving people a platform to share and collaborate, Canvas has a really unique way of bringing together artists and audiences from underrepresented backgrounds. We try hard to avoid being polarised – I think it’s this passion that keeps us ahead of the curve and relevant to what our communities actually want adjoin to.
“Through the development of Canvas membership programmes, our long-term vision is to forge an environment that young creatives and grass-roots talent are not only excited to be a part of, but we also hope that they share in a sense of ownership with us too.”
Featured image: Supplied
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The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Daisy Jackson -
12th May 2022 
