A brand new gig venue with a late-night bar and restaurant and a plunge pool is opening in Manchester city centre next month.
Canvas will throw open the doors to its ‘next-generation’ music venue at the new Circle Square development just off Oxford Road.
The new three-storey hangout will have live music, club nights, a members’ lounge, and a bar and restaurant open until 4am, seven days a week.
It comes from the team behind two legendary London venues, The Pickle Factory and Oval Space, as well as the MAMA Group, which operated Lovebox and Wilderness festivals as well as the Manchester Ritz, G-A-Y and Hammersmith Apollo.
Canvas comes from the team behind Oval Space in London. Credit: Supplied
Canvas will also welcome creative music, art, wellness and technology programmes.
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The 600-capacity gig space itself will host live concerts, album launches and listening parties.
It will be kitted out with cutting-edge technology to deliver a world-class sound and visual experience, with video mapping and projectors enveloping audiences.
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Canvas will host panel talks for members. Credit: Supplied
It hopes to create a ‘blank space’ for emerging and underground talent.
The Canvas members’ lounge will invite members to participate in events, panel discussions and wellness classes, and will host some of Manchester’s most enterprising young professionals.
Later this summer, a plunge pool and sauna will be added for members to find their own serenity in the city.
At Your Beat dance classes will take place in a dark room filled with colourful lights and pumping tunes.
Memberships will be held in the form of a Canvas token (an NFT) which will include benefits like free access to gigs and club nights, discounts on food and drink, and part-ownership of the members’ club platform.
They’re priced at £15 per month for under 30s, with a different option for older members.
A food and drink lounge will serve global small plates – curated by Miam Miam Glou Glou – all day, before switching to a late night bar after 10.30pm.
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Diners can expect breakfasts like the Persian (Merguez sausage, hummus, spinach, harissa and poached egg) and the Cali (avocado, chilli, lime and egg) with sides of fresh juices, breakfast cocktails and health shots.
The rest of the day, small plates will incorporate dishes including sumac lamp chops, disco fries, and Korean barbecued chicken, plus slow-cooked chicken thighs, steak bavette, and road plum duck leg.
It will also serve sandwiches between 12pm and 5pm every day.
Cocktails will champion ‘a new breed of bartending’, like the Jasmine Margarita (El Jimador Blanco, Muyu Jasmine, silver needle and citrus), the Jungle Bird (Bacardi Cuatro, Appleton 8, Campari, pineapple, galangal and tamarind cordial) and Cafe Torino (Mr Black Coffee Amaro, Martini Rubino and soda).
Dean James, co-owner and co-founder, said: “We’re thrilled to finally open our doors at Canvas. With authenticity at the forefront of everything we do, our key ambition is to provide the most innovative space where emerging music and new talent can grow.
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“We’re incredibly proud of our diverseness; in both what we do and who we are – from our growing Canvas community, right through to our teams.
“By giving people a platform to share and collaborate, Canvas has a really unique way of bringing together artists and audiences from underrepresented backgrounds. We try hard to avoid being polarised – I think it’s this passion that keeps us ahead of the curve and relevant to what our communities actually want adjoin to.
“Through the development of Canvas membership programmes, our long-term vision is to forge an environment that young creatives and grass-roots talent are not only excited to be a part of, but we also hope that they share in a sense of ownership with us too.”
Featured image: Supplied
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Daisy Jackson -
12th May 2022 
