Mancs were surprised last week by a very special, intimate appearance from grime superstar Bugzy Malone at JD.
The rap sensation hosted a private lock-in event at JD in Manchester, just ahead of his massive homecoming gig at the AO Arena.
Fans got to get up close and personal with Bugzy at the event, where he took part in a Q&A with fellow rapper Specs Gonzalez.
The Resurrection Tour is Bugzy’s last – he’s confirmed that he’ll step back from the touring circuit to focus on music, his acting career, and (of course) his budding fashion line, B.Malone.
Speaking of the sold-out tour at the JD event, Bugzy said: “It’s an emotional thing, you get what I’m saying, it’s The Ressurection Tour and it’s my final tour.
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“A lot of people have gone out their way to support me and it’s a big deal to me.”
He said that performing at the Arena in front of a crowd of 20,000 was, quite simply, ‘sick’, adding: “People that are fans of me are connected to me, so when I get to stand up and perform in front of pure people that I’m connected to, it’s a bit spiritual. It’s mad.”
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He’s a proud Mancunian too, saying: “People never used to take Manchester seriously and then when I started breaking records and making serious money, they take us seriously now.
“So now I’m breaking down doors in the clothing industry so that people behind me can come through and get took seriously.
“People underestimate Manchester, it’s a talented place. There’ll be waves and waves that come through.”
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His foray into fashion has seen him launch his own clothing line, B.Malone, which is stocked in JD.
On the day of the in-store lock-in, he was unveiling his new Skeleton kicks, inspired by the anatomy of a scorpion.
Bugzy said: “Fashion’s obviously something I’m interested in. As I kid I used to like drawing and all that. I’m just trying to do things that I enjoy and that I’m passionate about.
“My fans, the people that message me on Instagram that I connect with, I feel like a lot of them are like younger versions of me, so I try and design them something that they’re going to like, from my perspective.”
He also touched on his accident, which saw him seriously injured after a quad bike crash in early 2020.
It changed his mindset, he said, telling the crowd: “I’m not afraid to die. I’m willing to give it everything to go where I’m trying to go.
“I think sometimes we get a little bit shy in life when you’re trying to believe in yourself whereas now, I don’t give a f***.”
Featured image: JD Official
Music
Bez and Shaun Ryder are starring in a new gangster movie – nope, not kidding
Danny Jones
No, you didn’t misread the headline and you’re not on acid: Manchester music legends Bez and Shaun Ryder are set to feature in a brand-new gangster film.
Yes, the ones from the Happy Mondays – why are you having such trouble processing this?
Seriously though, we did a little double-take ourselves when we came across this news, but the familiar Manc faces look to be among the ensemble of a brand-new gangster movie by Irish writer, actor, producer and filmmaker, Ciaron Davies.
And this is just a little leak or rumour that may have been blown out of proportion: you can take it from the horse’s mouth as Happy Mondays frontman, Ryder, recently shared the news on social media.
As you can see, the new film is called Geezers and is billed as a “British crime caper” written and directed by Davies, featuring Shaun as hard-man Robbie and Bez as ‘Monk’. If you saw Ryder shaking off that snake biting his hand like it was nothing then you already know he’s hard as nails.
Although it’s not strictly listed as a comedy per se, ‘caper’ would suggest plenty of humour and light-heartedness, so we’re thinking more like The Gentleman, Italian Job, or maybe even Four Lions, rather than a serious crime thriller.
Now, while we’ve seen both of the Salfordians on screen before not only in the likes of music videos, interviews, panel shows and even as two of the funniest guests to ever go on Celebrity Gogglebox, this latest venture will serve as their respective acting debuts.
According to the IMDb page, the synopsis of the film is as follows: “Crime caper about a stolen bag of money. Caught in the crossfire are ‘The Geezers’ a bunch of wannabe criminals who have bitten off more than they can chew. With 24 hours to grab the cash, London may just go up in smoke tonight.”
Shame it’s not set on the mean streets of Manchester, or better yet Salford, but you’ve still very much caught our interest.
You can see the first promotional poster for the film down below.
As for Davies, he has been involved with a number of small-budget TV film projects, as well as appearing in shorts and even video games, so it’s fair to say that getting 62-year-old Ryder and his ever-energetic hype man, 60, involved is quite the coup for his movie-making career.
Although the film has no release date just yet, we know that filming locations having included parts of Warrington and Pinewood Studios, will be produced by Loose Gripp Films and distributed by publishers High Fliers.
Given the high-octane nature of Geezers and its genre, the feature will involve lots of action, stunts, violence and even martial arts – though how much kung-fu these two will have learned for the project remains to be seen…
All we know is that the film is supposedly “coming soon” and if you don’t want to see Bez and Shaun Ryder doing their best impression of a Guy Ritchie gangster movie then you’re lying to yourself. Praying for a Rowetta cameo to put the cherry on top.
Featured Images — Shaun Ryder (via X)/Loose Gripp Films/IMDb
Music
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.