Bugzy Malone is a rap sensation, an actor, a clothing designer, and – in his words – a man who is ‘capable of anything’.
On the brink of his biggest UK tour to date, which includes a massive homecoming gig at Manchester’s AO Arena, Bugzy’s rise to the big leagues didn’t come easy.
He had to break into an industry that was stubbornly focused on London, escape a life of ‘struggle’, and put in serious graft.
He’s at the highest point of his career so far – and yet, this will be his final tour.
In an exclusive interview with The Manc, we hear about Bugzy’s retirement from the touring circuit, his memories of finding fame in Manchester, and how he got into ‘the shape of his life’.
ADVERTISEMENT
‘People call me the king of the north’
Growing up in Crumpsall, Bugzy Malone is a born-and-bred, loud and proud Mancunian.
He’s been dubbed ‘King of the North’ – also the name of his chart-topping EP – which is a title he takes seriously.
ADVERTISEMENT
“I see it as my duty to give a good account of myself for the north so people can come after me and be taken seriously,” he tells us.
“I was the first Manchester artist to get taken seriously in what was a London-centric industry, in my genre of music anyway – obviously there was Oasis and things like that.
Bugzy Malone
“We’ve laid a foundation here for other rappers from the north of England to go into the industry and make a serious impact.”
ADVERTISEMENT
He name-checks a couple of rising stars from our region – Moston-born Aitch and ‘very talented’ rapper Meekz Manny.
“All I would really say to them guys is ‘Keep going’,” he says.
“The talent’s there in Manchester but the belief system’s not.
“I’m hoping this tour will demonstrate that it can happen – it’s been six years and here I am performing at the arena in my hometown.”
‘Who better to headline the Manchester Arena than me?’
Bugzy Malone will be the first solo grime artist to headline Manchester’s enormous AO Arena.
ADVERTISEMENT
It’s a big undertaking to perform in front of a crowd of 21,000 but he’s match-ready.
“For the first rapper from my genre to headline the Manchester Arena, who better than me to do it?” he asks.
2.7M VIEWS IN 5 DAYS & TRENDING #1 😅 All i’m saying is if WARMODE hits 3 Million views by Thursday night, FUCK IT i’m bringing my Lambo out on stage the night of the Manchester arena tour show on Dec 4th!!! 💪🏾😤#RunItUppic.twitter.com/9NYiXlEIxV
“As you know, Manchester’s a unit. To stand there with my audience, who are a real loyal bunch of individuals.
“They’re my people – the people I was getting on the bus with, the people I was sat on the tram with, the people I was walking in the Arndale with. That’s a real deep connection.
“You can’t beat the atmosphere at a Manchester show.”
ADVERTISEMENT
He promises that there are ‘serious surprises’ in store on the Resurrection tour, adding: “There are people coming out on stage to perform with me that’s going to blow people’s minds that they’re coming out on tour with me.”
‘Parklife was a big moment’
The AO Arena gig is a big deal, but it’s not the first time the star has been faced with a huge hometown crowd.
He was one of the headliners of Parklife festival back in 2018, a performance that stands out for him.
“I went there nervous,” he admits. “You do wonder if anyone will care when you rock up on stage.
Bugzy Malone on stage at Parklife in 2018. Credit: Andy Hughes
“But I remember I couldn’t see to the back of the audience, it was just thousands of people out on the field.
ADVERTISEMENT
“The reaction was insane. When I rolled up on stage it was just a complete shutdown.
“That for me stands out as a big moment and a moment when I knew that my hometown was behind me and I’d built to a big place.”
‘You’re not supposed to go shopping when your face is in the window’
Bugzy’s fame has grown exponentially since his days of freestyling on YouTube (he’s now amassed more than 320m views), and the journey has come full circle.
He says he remembers window-shopping at JD (though he was always ‘nervous’ browsing in Selfridges, which is ‘a bit posh’) with his mates as a teenager.
Then the first time he was recognised and asked for a photograph was also in a JD.
ADVERTISEMENT
And now, his face is in the windows.
He says: “There are things that I miss from when I wasn’t famous – Manchester is a real community-based place and I was a kid who was just everywhere all the time.
In 2019, with the B. Malone trainers he designed. Credit: Twitter @thebugzymalone
“You start becoming a little bit famous and that becomes harder to navigate.
“For the first year I’d be looking at my friends like ‘This is mad isn’t it?’ but eventually you start to understand the connection with you and your fans.
“And then flipping heck, eventually we had the clothing [his range B.Malone] in JD.
ADVERTISEMENT
“I was still in the habit of running in there for a pair of trainers but one time I was shopping and there was a big picture of me.
“It started to not look right and not feel right. The perception is that you’re not supposed to be in there buying a pair of Nikes when your face is in the window.”
‘Touring is too big of an obligation’
While he’s promised to keep making music, and working the festival circuit, there won’t be a tour of this scale again.
He’s just not got the time with his fingers in so many pies, and refuses to do anything half-heartedly.
“I’ve just got to a stage now where my time’s just really taken up with the bigger picture of where I’m going and where I’m expanding to, so instead of half-heartedly doing anything, I thought I’ll go and do some festivals and connect with people there, but in terms of a tour, it’s a little bit too big of an obligation.
“People will get 100% of me, but next year, the year after, if I’ve got three or four films lined up and big business ventures flowing, I can’t promise that.
“And that’s what’s important for me. As long as I put 100% in, I’m happy.”
Bugzy appeared in Guy Ritchie’s The Gentlemen alongside Hugh Grant and Matthew McConaughey, and has recently been filming alongside Jason Statham in Doha, again on a Guy Ritchie project, due to for release in January.
Acting is time-consuming, he’s discovering, saying: “It all involves a lot of commitment to rehearsals and a lot of commitment to training.
ADVERTISEMENT
“I’m a secret agent now,” he jokes, “I had to look cool, you know?
“I’m in the film with Jason Statham and as you know, he’s in crazy shape, so I had to put myself through my paces to get into the shape of my life.
“I turned up in the Middle East for that film and I was in solid shape, I won’t lie to you, and it’ll be the same process for the tour.
“It makes you a sharper individual.
“I’ve got myself to a level of fitness now where I’m capable of anything.”
ADVERTISEMENT
‘It takes hard work and dedication to transcend the position you start in’
Bugzy Malone in The Gentlemen. Credit: Twitter @thebugzymalone
Bugzy repeatedly circles back to the message of inspiring future generations.
“I have an investment in people that come from a similar situation to me, which was basically struggle,” he says.
“It takes hard work and dedication to transcend the position you start in.
“You’ve got to figure out who you want to be and build yourself up.
“Any ventures that I’ve got going on, it’s a new opportunity to speak to my audience and teach lessons.
ADVERTISEMENT
“Everything I do is about the narrative of get up out of bed and create yourself some freedom – financially and psychologically.”
Bugzy Malone will play at the AO Arena on Saturday, December 4. Final tickets are now on sale through Gigs and Tours.
Featured image: Publicity picture
Feature
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Lonnie Bowes
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
Daisy Jackson -
19th November 2021 
