Oh yes, it’s that time again – time for our favourite thing: sharing a bunch of great tunes with our mates, i.e. you lot and, of course, they all happen to artists from the wonderful world that is the Manchester music scene.
Be it a band, solo artist or any other configuration you like, we spend a good chunk of our time every month digging through the best stuff coming out of this city and the surrounding boroughs.
Luckily, there’s so much talent around these parts that we never struggle for choice, the only tough bit is singling out a mere handful every few weeks.
It’s tough work, we know, but we keep calm and carry on, for you. You’re welcome. Anyway, enough of that, let’s get stuck into the Manchester artists who’ve released new music or those who’ve simply stood out to us of late.
Five Manc bands and solo artists on our radar recently
1. Antony Szmierek
First up is the local king of spoken word and multi-talented Antony Szmierek from Hyde, whose melodic poetry spans multiple genres from hip-hop and electronic to alternative and even indie notes here and there, but always comes back to one core linchpin: the lyrics.
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Bursting onto the scene with his debut EP, Poems To Dance To, back in 2023 – a title that still pretty much sums up his whole style – we’ve got a lot of love for the teacher who’s split his time between mentoring children with special needs and chasing his dream. Now he gets to go full speed on the latter.
The obvious love for literature runs throughout all of his material but it’s always delivered in such an effortlessly relatable, casual and almost conversational manner, as if you’re just sat in listening to his stream of consciousness. ‘Heaven Is Other People’, ‘The Words to Auld Lang Syne’ and ‘Rounders’ are our entry points, but you’ll get a little something different from all of them – and you’ll definitely dance.
Over to Stockport next and no, we won’t be listening to any ‘it’s Cheshire nonsense’ today because we firmly want to put The Rolling People in our camp as there’s something just so familiar about them even though they’ve only just started putting out music.
The Stopfordian four-piece delivers good defiant British rock with very few frills, often fast-paced and Oasis-sounding in riffs, whilst other times reminding us of Shed Seven and drawing other contemporary comparisons such as The Crooks or resembling Tom Concannon of The Stanleys in vocals only just a touch gruffer.
These lads are still only in college but given how big they sound already, we’re expecting great things from them. For your first listen, there isn’t tonnes to get through but we’d go for ‘Grateful For Nothing’, ‘I’ll Be There’ and their latest single which has seen some love on Radio X, ‘Before It’s Gone’.
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They also appeared on one of StreamGM’s most recent episodes of Spill The Sound.
3. Pip Millett
Another big genre swing now and we’re going to the R&B meets funk and soul stylings of the ever-so-smooth Pip Millett, who might just be one of our favourite artists in Manchester at the minute, let alone outright vocalists.
Having hit another boom following her most recent COLOURS performance, we do not forgive if you’re only coming across her (tut-tut) but she’s been pretty prolific when it comes to releasing music ever since 2018 and has already collaborated with Maverick Sabre, Chase and Status, Ghetts and more.
We reckon you won’t find many better singers in Greater Manchester right now and if you enjoy female artists like Jorja Smith, Joy Crookes and Miraa May, you’ll love ‘r Pip. Start with ‘Heavenly Mother’, ‘June’ ‘Slow’ and go from there. We truly think she’s going full global soon enough so enjoy here whilst she’s still kind of our little secret.
Back to the guitar-driven stuff now and another solo artist who’s been putting in the hard yards for some time now but is finally starting to reap the rewards. It’s everyone’s favourite curly-haired busker, Alex Spencer.
The young lad from Droylsden has gradually gone from chatting with us lot on Market Street and playing City Square at the Etihad before games to now playing for the players themselves, supporting the likes of fellow Manc rising star Seb Lowe on tour and booking his biggest headline shows yet.
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He’s having quite the journey for someone who only just finished his GCSEs back in June 2023 and now that he’s signed to the same label as The Lottery Winners and The Coral, he can really push on. ‘Do What I Wanna’ and ‘Love And Let Go’ are probably his most well-rounded tracks, but we’ve still got a soft spot for his debut ‘A Night To Waste’ as we know the graft that went into getting to that point.
THE LOVE FOR FEAR WILL KILL THE FUTURE HAS BEEN CRAZYY! Thankyou so much❤️🩶🔥
Here’s the lyric video for it and its finally on YouTube for everyone asking!
Now to our final act and we have only two moods left: head-bobbing while our hair drapes to the ground or lying up on our backs as we stare up at a starry sky. That’s our best description of how the shoegaze approach of Manchester alt-rock outfit cruush makes us feel.
That new wave space in music can sometimes be a hard-to-define corner of modern music and that’s often why we love it so much but, in the case of this fuzzy-sounding local foursome, those distorted guitars and and floating vocals are textbook.
You get notes of everything from Wolf Alice and Slowdive to My Bloody Valentine and even Drop Nineteens if the lead singer was a girl. They’re everything you want from modern shoegaze and whether it’s ‘Ladybird Song’, ‘Stick in the Mud’ or ‘All My Plants Are Dead’, they never deviate too far from a winning formula we know and love.
Aww, and that’s all she wrote for another month. It always goes so quick.
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We know you’re gutted, we are too but don’t worry, the thing about these regular series and having such a rich pool to fish from is that we’ll be back with more up-and-coming Manchester artists come the end of May – god, isn’t finding new music just the best?
Keep soaking in those tunes, folks, and be sure to let us know who you’ve been enjoying lately in the comments. We thank you in advance.
Oh, and of course, if you haven’t caught up on our picks from last month, look no further.
Featured Images — Pip Millett (via Facebook)/cruush (via IG)/Press Image
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Nao at New Century, Manchester – A room full of 1,000 ‘Happy People’
Thomas Melia
Attending a Nao gig is worth waiting ‘Another Lifetime’ for… especially when she performs directly from the venue’s bar.
As someone who has followed this artist for quite a few years, finally getting to see her do what she does best on stage and not through a screen is immense.
Last time she stopped off in Manchester she graced Albert Hall,this time she’s opted for another historic venue, New Century.Nao clearly knows how to choose her venues wisely.
Recently, the Nottingham star released her album Jupiter. So recent in fact, that it only reached our ears two weeks ago. The Manchester crowd certainly did their homework, knowing every lyric off by heart.
The first taste of this LP skyrocketed into our ears in October when the singer-songwriter dropped ‘Wildflowers’, so it’s only fitting this marks the opening of this setlist.
This single’s accompanying music video saw her swarmed in a field of red-hue wild grass and it’s made its way to our vibrant city, decorating the Manchester stage.
Credit: The Manc Group
To follow this, she plays two tracks both taken from her other planetary project Saturn. ‘If You Ever’ is a great fire-starter ahead of a cracking night of live music.
It’s almost like someone flips a switch as the audience immediately understands the assignment, feeling every rhythm in their body, rapping The Lumineers name-dropping ‘Make It Out Alive’ verbatim.
Credit: The Manc Group
Four songs in and ‘Happy People’ gets a turn at exciting the crowd. This uplifting and guitar-plucking number is one you can’t help but move to and New Century proves just that.
Nao’s personality flutters over the wild grass adorning the stage and radiates into the flurry of fans. One of these fans has travelled all the way from Portugal and ‘Tommy’, the Manchester legend, who’s attended every city centre tour date, both of which Nao pointed out.
When the 37-year-old star sings her two Mura Masa produced bangers, that bouncy floor at New Century isn’t ready for what’s about to unfold.
Initiating the two-track ensemble the “Woa woa woa woa woa” filled, ‘Complicated’, excites and emits an electric energy, definitely helped by Nao’s necessary yet unexpected dance break.
Credit: The Manc Group
With the second anthemic instalment of the night ‘Firefly’, Nao sings, “Just say you’ll be my firefly” and with vocals this hypnotic, the crowd would do anything she asked of them.
An encore usually means giving a three minute rendition of your biggest hit. Well for Nao this isn’t enough. Instead she takes things one step further, climbing onto the venue’s bar for a stripped back version of ‘Another Lifetime’ and after those vocals my legs were liquid jelly.
Ending the night on even more of a high, Nao sings ‘Drive and Disconnect’ a standout in her discography and a much-loved track, proved by the fact she brings fans on stage to close the night with her.
Credit: The Manc Group
Don’t meet your idols, they say, but when your idol is even better live than on her studio recordings, it’s hard to stay away. Thank you Nao for blessing Manchester once again and me for the very first time.
Gracie Abrams at Co-op Live, Manchester – a night of raw emotion
Dec Kelly
Gracie Abrams’ ‘The Secret of Us’ tour is more than just a concert – it’s a raw, emotive journey through the heart of her music.
From the moment she steps onto the Co-op Live stage in Manchester, Gracie Abrams commands the room with an aura of vulnerability, wearing a shimmering silver sequined dress that mirrors her own luminous energy.
The simplicity of the stage setup – just her, her band, and a microphone – lets the music take centre stage, free from distractions.
The UK leg of the tour is a testament to Gracie’s growth as an artist. Each song feels like an intimate conversation, with Gracie sharing her innermost thoughts through poetic lyrics and hauntingly beautiful vocals.
In an era when pop music can feel superficial, Gracie’s authenticity stands out, making her more than just another pop star – she’s an artist with a story to tell.
As the crowd sings along, it’s impossible to ignore the sea of teenage girls, many of them wearing bows in their hair, all passionately shouting and singing along to lyrics about heartbreak and longing.
It’s as if the collective voice of the crowd is woven into Gracie’s own, amplifying the depth of each song’s emotion.
The connection between Gracie and her fans is palpable – her music serves as a soundtrack to their shared experiences, a bond that makes every lyric feel personal and every note resonate deep within.
Gracie’s candid performance style draws the audience in even further, as she opens up about her songwriting process and the emotions behind her music.
This transparency transforms the show from a performance into a shared experience. It feels less like you’re watching an artist perform and more like you’re navigating life’s highs and lows together.
Gracie Abrams at the Co-op Live in Manchester. Credit: The Manc Group
When she takes a seat at the piano for ‘I Gave You I Gave You’, the emotion in her voice is undeniable. The stripped-back setting only amplifies the intensity, making the moment feel incredibly intimate. The crowd is spellbound, feeling like they’re witnessing something deeply personal.
Gracie’s influences are clear, particularly from pop sensation Taylor Swift. Like Swift, Gracie has cultivated a deeply personal connection with her fans. During the show, she delighted the crowd by performing ‘Block Me Out’, a song she wrote years ago, offering a glimpse into her evolution as an artist.
Gracie also pays tribute to Taylor Swift by performing ‘Us’, a track on which Swift herself features.
This moment of homage sparks an intriguing question: has Taylor Swift become the “godmother” of this new wave of pop artists, like Gracie and Sabrina Carpenter? Whether by design or not, it’s undeniable that Taylor’s influence has shaped their artistry, leaving an indelible mark on the way they create and connect with their audiences.
One of the night’s highlights is Gracie’s connection with the audience. She FaceTimes a fan’s friend, Monica, during the show, adding a personal touch that makes the concert feel like an intimate gathering.
Her playful sense of humor shines through as she jokes with fans about bows, showcasing her warmth and relatability.
While the night is emotionally anchored by slower, melancholic tracks, a shift in tone could’ve provided a welcome break.
Nevertheless, Gracie’s ability to hold the audience’s attention with her heartfelt delivery is unmatched.
Her upbeat songs, like ‘That’s so true’ bring the crowd to life, but it’s the slower, introspective moments that truly define the night.
The tour had its challenges, with the cancellation of shows in Leeds and Nottingham, leaving some fans disappointed. However, Gracie and her team ensured the spirit of the tour remained intact.
In both cities, the opening act, Dora Jar, performed intimate gigs, giving fans a chance to experience something special. This thoughtful gesture reinforced the strong connection Gracie fosters with her audience.
Despite a few setbacks, it’s clear that Gracie Abrams and her team are fully dedicated to their craft.
Her authenticity, charm, and emotional depth make this tour an unforgettable experience – one that will resonate long after the final note fades.
With a passionate fan base and a future filled with promise, Gracie Abrams is an artist whose music will continue to speak to the soul for years to come.
Danny Jones -
30th April 2024 
