Audio

Girls Aloud at AO Arena, Manchester – a glittering, nostalgic tribute to Sarah Harding

The Girls Aloud Show delivered.

Daisy Jackson Daisy Jackson - 24th May 2024

It’s been a decade since Girls Aloud went on a hiatus that seemed like it may never end, but end it has, and The Girls Aloud Show has touched down for three nights in Manchester.

A lot has happened since the girl band formed on Popstars: The Rivals way back in 2002, including the tragic death of band member Sarah Harding at just 39 years old.

Girls Aloud promised that this huge arena anniversary tour would honour their late bandmate, and if Sarah was into 10/10, near-flawless pop concerts, they’ve done her justice.

It’s plainly obvious that hours and hours of rehearsal have gone into The Girls Aloud Show. They don’t put a foot wrong in the AO Arena, even if those silly inflatable red dresses played up again.

Even when a song falls a little flat, their performance sails on the wings of the choreography (their all-male troupe of dancers are phenomenal) and the production, and minor imperfections are quickly glossed over by the rest of the girls’ glorious pop catalogue.

‘Now look over here! Look at the shiny costumes and the harmonies here!’ they seem to say whenever the audience gets fidgety, quickly moving onto another chart-topping banger.

There are a lot to get through – the gig is split into four acts, with a setlist that includes Love Machine, Biology, Something Kinda Ooooh, and Jump, and costumes that range from skin-tight glittering bodysuits to full-length gowns that may have been pinched straight out of The Supremes’ wardrobes.

Girls Aloud performing in Manchester at the AO Arena. Credit: The Manc Group
Girls Aloud performing in Manchester at the AO Arena. Credit: The Manc Group
Girls Aloud performing in Manchester at the AO Arena. Credit: The Manc Group

The second act, which harks back to their slightly more urban debut album, is a personal highlight. I’ve long maintained that Sound of the Underground is one of the greatest pop songs ever written – but chuck in four scantily clad pop starlets riding airborne motorbikes and it just gets even better.

Did I walk in thinking I knew all the words to every Girls Aloud song ever released? No I did not, but these catchy little bops are apparently neatly filed in my brain ready to come tumbling out with a single wink from Cheryl Cole.

I know everyone has a favourite girlband member, and on stage each one plays to their own persona, whether that’s the impeccably graceful Nicola or the effortlessly cool Kimberly.

And while on paper Cheryl is the most successful of the lot, this is now 2024 and I think we can all agree that Nadine Coyle is CARRYING this tour. She is an actress. She oozes charisma and camp, beaming the whole time, and looks like she is having the time of her life. It’s totally infectious and the crowd laps her up.

Sarah Harding is incorporated into the Girls Aloud tour throughout the show. Credit: The Manc Group
Sarah Harding is incorporated into the Girls Aloud tour throughout the show. Credit: The Manc Group

Of course, it’s a bittersweet celebration without Sarah. She is woven into the fabric of this band and into their live tour too. As hits like Can’t Speak French and Something New play, the original music videos play behind them. And with songs like A Whole Lotta History and I’ll Stand By You, her vocals take the lead along with a moving montage of the young late star, to rapturous applause.

If you’re surprised that Girls Aloud sold out this many arenas in this day and age, you are grossly underestimating the hold they had over British women in the noughties. We all used to buy false eyelashes modelled on their eyes, for god’s sake (personally, a big fan of Kimberley’s), and washed our hair with shampoos with their faces on the bottles.

21 years later and this is proven to be timeless pop music, and the styling of several acts of the show reflects that. Parts feel like they’re from a different era, from the tiny feather bustle stuck to Nadine’s sparkling bodysuit to the dancers in top hats and tails.

And things never feel more ageless than with The Promise, which closes the show.

Some of us may remember the music video, where all five Girls Aloud members time-travelled back to the 1960s, their makeup taking some influence from Twiggy and their hair growing exponentially larger (this was surely about the same time that Cheryl got her L’Oréal contract). The essence of that has been brought to their live show.

They shimmy behind microphone stands and perform choreography with their arms in sparkling gowns.

And then comes the real tear-jerker – this song was always Sarah Harding’s to own, and no one could quite fill those shoes. So instead of replacing her verse, she remains the star.

Sarah’s face beams across the arena, and her original vocals bellow over a tearful crowd, while the other girls turn to watch their late friend shine once again.

The night wraps up in an explosion of colour and sparkle. A properly fitting way to honour Sarah.

Girls Aloud have two more shows in Manchester at the AO Arena to come – read our full gig guide here.

Girls Aloud setlist

Act I
Untouchable
The Show
Something New
Love Machine
Can’t Speak French
Biology
Whole Lotta History
Act II
Wake Me Up
Sound of the Underground
Girl Overboard
No Good Advice
Graffiti My Soul
Long Hot Summer
I’ll Stand by You (Pretenders cover)
ACT III
Sexy! No No No…
On the Metro
Jump (For My Love)
Call the Shots
Something Kinda Ooooh
Encore:
The Promise

Featured image: The Manc Group

Audio

Revenue from Manchester’s ‘big gigs’ to go towards supporting local grassroots music venues

Emily Sergeant Emily Sergeant

Manchester City Council is set to earmark almost £250,000 to support grassroots music venues in the city.

Following on from the success of the city’s huge summer of music, which in recent weeks has seen hundreds of thousands of fans converge in the city to see massive names like Olivia Rodrigo, Billie Eilish, Charlie XCX, Elbow, and Robbie Williams, as well as other talents like Fontaines D.C. and Sam Fender still yet to come.

Oh yeah, and there was also that small matter of Oasis reuniting for five nostalgia-drenched gigs in Manchester’s Heaton Park earlier last month.

Over the course of the summer, it has been estimated that Manchester will have attracted a whopping 1.3 million music tourists, which is being described as a ‘tremendous’ boost for the city’s economy as a whole, especially the hospitality industry.

Concert crowd
Revenue made from Manchester’s ‘big gigs’ this summer is to go towards supporting local grassroots music venues / Credit: Eldhose Kuriyan | Joshua Hanson (via Unsplash)

These huge events are also generating income for the Council too, either by being hosted in the city’s largest parks with commercial arrangements for their use, or through the business rates paid by major venues – and it’s this income that has been earmarked to go towards supporting grassroots music venues throughout the city.

As well as reinvesting part of this revenue into parks and greenspaces, the Council is planning to set aside £245,000 to be made available in financial support for Manchester’s grassroots venues.

While exact details are in the process of being finalised, the intention is that the scheme will be administered by the Music Venue Trust to ensure that the money gets to where it is needed as ‘quickly and effectively’ as possible.

It’s estimated that Manchester will have welcomed 1.3 million music tourists before summer’s out / Credit: Nathan Mullet (via Unsplash)

“Manchester is a big noise in the music world,” commented Councillor Bev Craig, who is the Leader of Manchester City Council, “and this summer, all eyes have been on the city as we’ve hosted some huge concerts and seen unprecedented success in our large venues.

“But while the biggest gigs might dominate the headlines, we know they are only possible because they are part of a wider ecosystem, with grassroots venues providing the launchpads for acts to develop and grow.

“We know that across the country, grassroots venues are struggling. That’s why we want to ensure that our grassroots venues can share some of the benefit from the success of those big events.

“We’re blessed in Manchester with an array of great smaller venues.

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“They are there to be enjoyed and I’d encouraged anyone who values them to get out and support them.”

Featured Image – Rahul Kukreja (via Unsplash)

Audio

Five Manchester artists we’ve been listening to this month | July 2025

Danny Jones Danny Jones New Manchester music artists July 2025

Hello again, it’s us: The Manc, or more specifically, our Audio North arm – back to talk about the music coming out of Greater Manchester that we’ve been listening to over the past month.

If you’re new here, it really is as simple as that, and whether they’re revered veterans of the region’s music scene or what we think might be the next up-and-coming thing, as long as it’s from ’round our way, we’ll give it a chance.

Five native artists, three recommended tracks from each and hopefully hours of exciting new listening if you play your cards right.

Headphones and playlists at the ready. Here’s what we had on in July.

Manchester music we’ve been into recently

1. poor effort

We’re kicking things off with an experimental project from Salford-born and Manchester-based musician and writer, Matty Dagger, whose new outing in the spoken word space immediately caught our attention when it came down the grapevine. It’s a bit alternative, a bit punk and very Manc. We love it.

Some might say it’s reminiscent of Yard Act and Sleaford Mods, which would be fair, but more specifically, our first listens gave us Stockport’s very own Hello Cosmos with a sprinkling of Oldham’s Seb Lowe (both previous monthly picks). The lyrical/vocal delivery is charmingly casual and anecdotal.

Dagger’s poor effort couldn’t be anything less than; there seems to be a very considered approach to the more electronic style of spoken word and poetry-driven music. You can complete the discography already, but we’d start with ‘you’re wrong, i’m right (symphony)’, ‘HMRC’, and then ‘City of Hope’.

Cool visual aesthetics going on too.

2. Victoria Jane

Next up is a big knee-jerking turn in genre and overall temperament, as if Dagger has been making us pay microscopic attention to every word and Greater Mancunian reference, this local musician hooked us in with her somewhat quieter but inviting timbre of voice and smooth, almost sleepy melodies at times.

Victoria Jane may have been born in London, having previously collaborated as part of the Vibbar collective, but having moved to 0161 as a kid and falling in love with Man United, she’s always immersed herself in the Northern way. The R’n’B act also presents BBC Radio 1 ‘Future Soul’ show.

Her work really hits all the notes you want, from smooth and soulful singing, to not quite voice cracks but soft, intentional breaks that often feel nigh on agonising – as if she’s into you and welcoming you to slump back the other way. ‘The One’, ‘Voicenote Freestyle’ and ‘On My Own’ are our picks.

3. Phellotape

Number three is, admittedly, another big whiplash when it comes to overall experience, but it’s one of the most unique musical discoveries we’ve made in a hit minute. This musical duo is called Phellotape, conceived by double bassist Alice Phelps and multi-instrumentalist producer Thomas ‘Twem’ Twemlow.

They met while playing in the queer alt-rock outfit, The Irrepressibles, but this project could be branded as anything from alternative and/or experimental to maybe even art pop. All we know is the multi-talented mix of instruments within almost every section, and pulling from numerous styles is pretty staggering.

Rather fittingly, there are only two recorded tracks to their name so far; ‘Rain’ is a quiet, atmospheric song that puts you in mind of London Grammar with a mix of the xx and Massive Attack, while ‘Hungry Ghost’ is quite easily one of the most interesting tunes we’ve heard in the past decade. No exaggeration.

4. 10cc

Fancing something more familiar for number four? Well, as a born and bred Stopfordian myself, every now and again I go back and admire some of the incredible names that recorded at the town’s famous Strawberry Studios – one of which is Stockport‘s very own 10cc. Great name, great band.

The moment I heard my then-teenage brother play ‘Donna’, I was baffled as to why he was playing what I then just dismissed as “old music”, before it quickly got stuck in my head. Is it their best tune? No. Does it still hold a special place in my head and heart? Yes. Do they have other standouts? Absolutely.

For the record, while most people recognise the likes of the controversial ‘Dreadlock Holiday’, I’d argue ‘Good Morning Judge’ is their best track and the first time I listened to it, I thought it was one of the coolest sounding intros ever. Still do. ‘I’m Not In Love’ with them, but they are a core childhood memory.

A hugely undercelebrated of Greater Manchester music history (Credit: AVRO/Dirk Annemans (via Wikimedia Commons)

5. Oasis

Speaking of legends who evoke nothing but feelings of hometown pride, legacy and pure admiration, it’d be the most see-through lie ever to pretend that we haven’t spent most of this last month listening to the almighty Oasis amid their comeback tour.

We had the pleasure of being there at Heaton Park and up on ‘Gallagher Hill’, which now has its own precious place in British music history, and July as a whole still feels akin to a fever dream and similar to what we imagine Glastonbury is like for those nearby when it takes over their entire universe.

July 2025 really was “biblical” and we don’t think we’ll ever get over it, so, last but not least, we’d thought we’d give a special shout-out to some of our favourite tracks that didn’t make the setlist. ‘Don’t Go Away’, ‘Shock of the Lightning’, ‘Round Are Way’. Done.

As The Masterplan proved, everything from the so-called ‘filler’ album tracks to those B-sides is better than most other bands could dream of. As you were x

Oasis are clearly doing something very deliberate for the as-yet-unconfirmed Live ’25 reunion album
We can’t NOT get carried away as long as Live ’25 reunion season goes on, a.k.a. ‘Manchester Music Christmas’.

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Featured Images — University of Salford/Soundcloud/Jamie Soule (supplied)

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