It’s been a decade since Girls Aloud went on a hiatus that seemed like it may never end, but end it has, and The Girls Aloud Show has touched down for three nights in Manchester.
A lot has happened since the girl band formed on Popstars: The Rivals way back in 2002, including the tragic death of band member Sarah Harding at just 39 years old.
Girls Aloud promised that this huge arena anniversary tour would honour their late bandmate, and if Sarah was into 10/10, near-flawless pop concerts, they’ve done her justice.
It’s plainly obvious that hours and hours of rehearsal have gone into The Girls Aloud Show. They don’t put a foot wrong in the AO Arena, even if those silly inflatable red dresses played up again.
Even when a song falls a little flat, their performance sails on the wings of the choreography (their all-male troupe of dancers are phenomenal) and the production, and minor imperfections are quickly glossed over by the rest of the girls’ glorious pop catalogue.
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‘Now look over here! Look at the shiny costumes and the harmonies here!’ they seem to say whenever the audience gets fidgety, quickly moving onto another chart-topping banger.
There are a lot to get through – the gig is split into four acts, with a setlist that includes Love Machine, Biology, Something Kinda Ooooh, and Jump, and costumes that range from skin-tight glittering bodysuits to full-length gowns that may have been pinched straight out of The Supremes’ wardrobes.
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Girls Aloud performing in Manchester at the AO Arena. Credit: The Manc Group
The second act, which harks back to their slightly more urban debut album, is a personal highlight. I’ve long maintained that Sound of the Underground is one of the greatest pop songs ever written – but chuck in four scantily clad pop starlets riding airborne motorbikes and it just gets even better.
Did I walk in thinking I knew all the words to every Girls Aloud song ever released? No I did not, but these catchy little bops are apparently neatly filed in my brain ready to come tumbling out with a single wink from Cheryl Cole.
I know everyone has a favourite girlband member, and on stage each one plays to their own persona, whether that’s the impeccably graceful Nicola or the effortlessly cool Kimberly.
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And while on paper Cheryl is the most successful of the lot, this is now 2024 and I think we can all agree that Nadine Coyle is CARRYING this tour. She is an actress. She oozes charisma and camp, beaming the whole time, and looks like she is having the time of her life. It’s totally infectious and the crowd laps her up.
Sarah Harding is incorporated into the Girls Aloud tour throughout the show. Credit: The Manc Group
Of course, it’s a bittersweet celebration without Sarah. She is woven into the fabric of this band and into their live tour too. As hits like Can’t Speak French and Something New play, the original music videos play behind them. And with songs like A Whole Lotta History and I’ll Stand By You, her vocals take the lead along with a moving montage of the young late star, to rapturous applause.
If you’re surprised that Girls Aloud sold out this many arenas in this day and age, you are grossly underestimating the hold they had over British women in the noughties. We all used to buy false eyelashes modelled on their eyes, for god’s sake (personally, a big fan of Kimberley’s), and washed our hair with shampoos with their faces on the bottles.
21 years later and this is proven to be timeless pop music, and the styling of several acts of the show reflects that. Parts feel like they’re from a different era, from the tiny feather bustle stuck to Nadine’s sparkling bodysuit to the dancers in top hats and tails.
And things never feel more ageless than with The Promise, which closes the show.
Some of us may remember the music video, where all five Girls Aloud members time-travelled back to the 1960s, their makeup taking some influence from Twiggy and their hair growing exponentially larger (this was surely about the same time that Cheryl got her L’Oréal contract). The essence of that has been brought to their live show.
They shimmy behind microphone stands and perform choreography with their arms in sparkling gowns.
And then comes the real tear-jerker – this song was always Sarah Harding’s to own, and no one could quite fill those shoes. So instead of replacing her verse, she remains the star.
Sarah’s face beams across the arena, and her original vocals bellow over a tearful crowd, while the other girls turn to watch their late friend shine once again.
The night wraps up in an explosion of colour and sparkle. A properly fitting way to honour Sarah.
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Girls Aloud have two more shows in Manchester at the AO Arena to come – read our full gig guide here.
Girls Aloud setlist
Act I Untouchable The Show Something New Love Machine Can’t Speak French Biology Whole Lotta History Act II Wake Me Up Sound of the Underground Girl Overboard No Good Advice Graffiti My Soul Long Hot Summer I’ll Stand by You (Pretenders cover) ACT III Sexy! No No No… On the Metro Jump (For My Love) Call the Shots Something Kinda Ooooh Encore: The Promise
Featured image: The Manc Group
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The Wombats at AO Arena, Manchester – the noughties indie disco never REALLY died
Daisy Jackson
If at some point in your life you sported an extreme side-swept fringe, knee-high socks, and a battered leather jacket you scoured the vintage shops for for months, you know what it means to have a noughties indie disco come to town – and that indie disco is courtesy of one of the genre’s greats, The Wombats.
The Liverpool three-piece were at the AO Arena in Manchester on Saturday evening, in support of their sixth studio album Oh! The Ocean.
The hair’s calmed down a lot (they were the MASTERS of whipping their ‘do all the way back from the crown of their head to their eyebrows) but the energy of The Wombats has done the opposite.
For a relatively chill indie band they’ve got a reputation for causing widespread mosh pits, and Manchester delivers them in spades.
It’s not just your regular elbow-to-the-face, lose-your-mates-for-a-bit, risk-your-ribcage moshpits either. At one point hundreds of people sit on the floor and pretend to row a giant, grimy boat. At another point there’s a confusing moment where three pits all congregate and everyone stares at each other for a split second before letting loose again.
They’ve got a lot of music to get through in the two decades they’ve been together, but it’s the debut stuff that has a weird effect on all the 30-somethings in the crowd.
Kill The Director, Moving to New York and Let’s Dance to Joy Division are all the sort of songs that transcend grimy basement nightclub all the way to the UK’s best arena with the same frenetic energy.
The Wombats have also pulled together one of the strongest support line-ups seen in recent years, which in turn pulls in one of the busiest standing sections I’ve ever seen, from the minute the doors open.
First is Red Rum Club, our pals from across the way in Liverpool, with their signature indie sound elevated by trumpet player Joe the Blow.
Then it’s over to local lads Everything Everything, in their matching acid-washed denim and art rock hits.
As for The Wombats – it’s not every artist who can get the goosebumps going within the first two songs – but chucking in Moving To New York as your second song will do just that.
Say what you want about the scousers but their comedic timing is unmatched too, whether it’s ribbing each other on stage or stressing that the lyrics of their song are ‘getting college girl drunk, not college girls drunk – a very important difference’.
There are, including vocals, eight instruments between three of them. Most would summon some sessions musicians, but not The Wombats.
They’re rock solid as a trio, but the whole show is carried along by their urge for playfulness – from the stage invasion by wombat mascots carrying confetti cannons, to dropping giant colourful balloons from the sky as they wrap up the night with Greek Tragedy.
There’s something pretty memorable about the sight of people determinedly carrying a gigantic pink balloon overhead onto the tram.
JLS announce huge UK tour including Manchester gig
Daisy Jackson
Boy band JLS have just announced a huge Manchester gig as part of a new UK tour.
The Everybody in Love singers will be heading out on a new tour, The Club Is Alive Tour, this autumn.
Aston Merrygold, Oritsé Williams, Marvin Humes, and JB Gill shared the exiting news of the new tour dates this afternoon.
JLS will be performing at cities including Manchester, Leeds, and Sheffield, as they head to arenas right across the UK.
And support will come from fellow noughties legend Example, who’s behind massive songs like Last Ones Standing, Kickstarts, and Changed The Way You Kiss Me.
JLS formed on the X Factor back in 2008, when they placed as runners-up to Alexandra Burke.
Then they went on to release five chart-topping angles and hit singles like Everybody in Love, She Makes Me Wanna, and One Shot.
The group parted ways in 2013 but reunited for a huge Beat Again tour in 2021.
And now they’re back again, heading to the Co-op Live this November.
Announcing the news this afternoon, they said: “It’s official! We’re hitting the road this year for “The Club Is Alive Tour” with our very special guests Example.
“Get all the info on JLSofficial.com and make sure to click the link and sign up for presale access to tickets. If you miss that, tickets will go on sale to the public on March 28th at 10 AM.”