Our favourite time of the year is about to kick off, as Highest Point launches us head-first into festival season.
The massive open-air music event begins tomorrow and promises another bumper weekend of music, food and activities, as well as a whole day dedicated to families.
Set in one of the most picturesque locations of any northern festival, Highest Point will lure in around 35,000 music-lovers over the next few days.
It paves the way for the summer of live music across the north west, including Parklife, Bluedot, and Kendal Calling, plus the Sounds of the City series at Castlefield Bowl.
Highest Point Festival was first set up in 2018 as a tribute to the late Chris Glaba, who started A Wing alongside Richard Dyer and Jamie Scahill but tragically lost his short battle with cancer in 2016.
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Now, it says its ultimate goal is to ‘create a legacy music festival, to join all of the other amazing events that happen in the city, that the people of Lancaster can be proud of’.
So if you’re digging out your best festival fit and getting ready for a weekend of dancing in the fields, here’s what you need to know about Highest Point Festival 2023.
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When and where is Highest Point Festival 2023?
Highest Point Festival. Credit: Robin Zahler
This year’s festival will run between Thursday 11 and Sunday 14 May, back at the beautiful setting of Williamson Park in Lancaster.
The entrance to the park is located on Wyresdale Road, LA1 3EA.
If you’re using public transport, get the train to Lancaster and then either walk the 30 minutes to the park or take a 10-minute taxi.
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Road closures are in operation so if you’re driving, follow the signs to the customer car park at North West Auctions, Wyresdale Road, LA1 3JQ.
Who’s on the line-up for Highest Point Festival 2023?
Headliners at Highest Point 2023 will include Bastille, Anne-Marie, Sub Focus, Freya Ridings, Friendly Fires, Craig Charles, and Wigan’s very own chart-toppers The Lottery Winners.
There’ll also be a special launch night on Thursday, headlined by Hacienda Classical.
The music is split across six stages – the main stage, the Chris Glaba Memorial Stage, The Sundial, The Woods, The Dell Inn and Bushrocker HiFi at the Waterfall.
Keep reading for the full line-up, including who’s playing which day.
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Highest Point Festival 2023 tickets
Highest Point Festival. Credit: Robin Zahler
Tickets for Highest Point 2023 are priced as the following:
Adults: £145 for weekend tickets, £39.50 Thursday, £69.50 each for Friday and Saturday.
Teen tickets: £80 for weekend, £20 for Thursday, £35 each for Friday and Saturday, .
Festival food will take the shape of a regional street food offering.
The full line up of street food stalls features Supper by Sanah, Cubbins, Kitchen Tap, Pizzarana, Eat Like a Greek, Veggie Republic, Furness Fish, Senor Paella, Yardies, Halloumination, Spoon Crepes, La Petite Crepe, and Mac and Wings.
What is the Big Family Day Out?
Taking place on Sunday 14 May, this low-cost, all-inclusive day out is geared towards families to want to soak in the atmosphere at a lower ticket price.
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The theme this year will be Kings and Queens of Pop, inspired by the Coronation and Eurovision.
Visitors are encouraged to dress as their favourite pop icon from years gone by, with prizes awarded to the best-dressed.
There’ll also be music on the main stage, craft zones, vintage markets, carnival parades, dinosaurs, Paw Patrol, birds, bees, and loads more.
Binx 23:00-0:00 Sub Focus 22:00-23:00 Charlie Tee 21:00-22:00 AMA 20:00-21:00 Emily Makis 19:00-20:00 Nathan X 18:00-19:00 Lasko and T.Lee 16:30-18:00 Monika & NafroB 15:00-16:30
Dell Inn
Jamie McCool 20:15-21:00 Pub quiz with The Lovely Eggs 19:30-20:00 Lowes 18:45-19:15 Melanie Williams House Party 17:45-18:30 In Conversation with Gordon Raphael 16:45-17:30 In Conversation with DJ Paulette 16:00-16:30 Lois 15:00-15:30
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The Woods
Craig Charles 19:30-21:00 DJ Paulette 18:00-19:30 Audiowhores 17:00-18:00 Sam Redmore 16:00-17:00 David Dunne 13:00-16:00
The Waterfall
North Fire Soundsystem 19:00-20:00 Daddy1Love 18:00-19:00 Chris Holt 17:00-18:00 John Hayward 16:00-17:00 Jojo & Jnr Jahvis 15:00-16:00 Miss Chop 14:00-15:00 The Buddhakkan Headset 13:00-14:00
Danny Howard 22:30-00:00 Ki Creighton 21:00-22:30 Arielle Free 19:30-21:00 Pirate Copy 18:15-19:30 Murphy’s Law 17:00-18:15 Matrefakt 15:45-17:00 Beth 14:30-15:45 Nico Balducci 13:15-14:30 Eldon 12:00-13:15
Sundial
Binx 23:00-00:00 Sigma 22:00-23:00 Goddard & MC XL 21:00-22:00 Turno & MC Dreps 20:00-21:00 A Little Sound 19:00-20:00 Binx 18:00-19:00 DJ Clumsy 17:00-18:00 Rek:law 16:00-17:00 Charlie Tee 15:00-16:00 Coded 14:00-15:00 Grimsey 13:00-14:00
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Dell Inn
Vicky Radio 1 (pub quiz) 20:30-21:00 Sk Shlomo 19:30-20:15 Mike Garry 18:45-19:15 Andy Ellis / Thomo Turgoose 17:45-18:30 Cuban Brothers in convo 16:45-17:30 Lowes 16:00-16:30 Rich & Jamie In convo 15:00-15:30 Chris DJing 14:00-14:30
The Woods
Guilty Pleasures 16:00-21:00 Bucky 15:00-16:00 Les Croasdaile 14:00-15:00 Mark Hogg 13:00-14:00 Ginny K 12:00-13:00
The Waterfall
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Jinx in Dub & Cheshire Cat 17:30-19:00 Catch a Fire & MC Dandy Dizzle 16:30-17:30 Matty Banton 15:00-16:30 Prof P 14:00-15:00 Impressa Soundsystem 13:00-14:00 Ranking Miss P 12:00-13:00
Featured image: Robin Zahler
Audio
Review | PinkPantheress turns Victoria Warehouse into one huge party on first night in Manchester
Emily Johnson
There was a point during Pinkpantheress’ set at O2’s Victoria Warehouse where you almost forgot you were watching someone perform an album that barely stretches past the 20-minute mark.
Instead, night one of two Manchester shows felt like one huge club night curated by one of the most exciting British artists around right now.
From the second you walked into the venue, greeted by an army of plaid, the world of PinkPantheress (real name Victoria Beverley Walker, for those who didn’t know) completely took over.
The stage itself mirrored that energy too, with a two-tier setup that allowed her to constantly move around the space, appearing and disappearing throughout the night alongside outfit changes, dramatic lighting and eventually, a pair of angel wings.
Backed by her dancers and DJ Joe, the entire show felt slick, immersive and miles away from the early days of PinkPantheress nervously clutching onto her handbag on stage like a comfort blanket. Ironically, the handbag did make a brief appearance during the evening.
It’s a reminder of just how much her performances have evolved – and evolve they have.
What could have easily been a short and simple set instead became a fully realised live show, complete with extended dance sections, rave-inspired moments, drum solos and seamless transitions that made the whole thing feel bigger than the music alone.
There’s also something undeniably British about a PinkPantheress show: the UK garage influences, the fashion, the awkward humour, and the understated confidence all combined into something that felt distinctly hers.
At one point, she paused to laugh: “It’s hot in this venue, f*** me,” which summed up the sweaty chaos of the night perfectly.
At one point, she joked that the last time she was in Manchester, she made it all the way to the final stage of Pointless, before being told she was now “too famous” to go on the show – a perfectly PinkPantheress anecdote that had the crowd laughing immediately.
By the end of the set, Victoria Warehouse felt less like a gig venue and more like the best house party you’ve ever accidentally ended up at.
And with another Manchester show still to come, it’s safe to say the party isn’t over just yet.
Review | We need NBHD Weekender every year – and so does the North West
Danny Jones
Neighbourhood Weekender returned for 2026 this late May bank holiday, and after its second consecutive edition following an admittedly brief hiatus, we’re more confident than ever that we want this music festival on the calendar every single year.
Actually, we’d go so far as to say that lots of people around the North West and beyond NEED it.
We know plenty of people are understandably wary of potential hyperbolic declarations like that, but let us explain ourselves…
For starters, getting an opportunity to see the likes of criminally underappreciated Northern names like Richard Ashcroft playing the big slot on the main stage is a good place to start.
Many of you will have no doubt seen the Wigan legend on solo tours – not to mention serving as the pitch-perfect support act for Oasis’ reunion tour last summer – but topping the bill on Saturday night of NBHD Weekender 2026 served as yet more proof that he is, in fact, a headline act.
Maybe that changed a little for lots of people post-Live ’25, but his set was one of several over the course of the two-day festival in Victoria Park that served as a reminder of just how good lots of these long-standing acts both were and still are.
Kaiser Chiefs, Razorlight, The Fratellis, Mel C, Shed Seven, and so on: they’re not just nostalgic acts that those of a certain generation get to enjoy as a throwback – they’re all still incredible, seasoned performers in their own right.
They boast a wealth of experience and aptitude for playing to live crowds that you only get by being very good at what you do for a long time. You only have to look at the countless youths who quickly realised they knew more choruses than they realised, and got to sample hearing them in person for the first time.
Strong crowds from 12 noon until curfew. (Credit: Audio North)
And then speaking of the younger, more up-and-coming section of the lineup, the next generation absolutely smashed it as well. Let’s just say there were more than a few rising stars on show.
Westside Cowboy are clearly at the start of something very special and got a healthy dose of shout-outs from punters on the day; Keo were as frenetic as everyone knew they would be, Brooke Combe was on top form as she has been every time we’ve seen her, and Cassia were class.
More Mancs rose to the challenge in the form of The Guest List’s biggest show yet, too – they were also left super humbled when we spoke to them afterwards – and fellow regional band The Royston Club were nothing short of excellent, simple as.
Hearing thousands belt out ’52’ and ‘Cariad’ at the top of their lungs was one of our highlights of the entire weekend, to be honest.
Of course, then you’ve got the likes of the already established DMA’S, who were absolutely box office and made it plain how much affection they have for “their second home” up here in this part of the UK, and Sunday’s headliners, Blossoms, have proven time and time again that they’re the real deal now.
But aside from banger after banger, it was a conversation we overheard near us during the Stopfordians’ set that helped us come to this revelation.
Somewhere between their walk-out on stage and the second/third song, a bloke and his mate behind us shared an intimate moment we felt almost rude for having accidentally eavesdropped on, right up until the point it made us well up ourselves.
Without going into too much detail, this very stereotypical-sounding Northerner dropped all pretence and confessed to his friend that he’d had a tough couple of months, and that he’d been looking forward to this for weeks – not simply because Blossoms are his favourite artist, but because he needed it.
Call it a release, that hour or so of sheer abandon, or just sharing a special music memory with his best mate: whatever it was, this evening was much more than a gig to him. People throw the phrase ‘lifesaver’ around about music a lot, and it never feels like an exaggeration in moments like this.
It was also apparent that he was a working-class Warrington native who was lucky enough for his postcode to help him afford to go to Neighbourhood Weekender and have this embrace with his pal, who was in an ideal setting to have perhaps a long overdue heart-to-heart. THIS is what it means to people.
Music is therapy, and when done in its purest form – i.e. played live to people who live and breathe the stuff – it can do more good than you’ll ever know.
Daisy Jackson -
10th May 2023 
