Local musicians can take half-price taxis home after their gigs in Manchester, thanks to a new partnership between GigPig and Uber.
The three-month pilot scheme, which has drawn support from Night Time Economy Adviser (and boss of Parklife and Warehouse Project) Sacha Lord, has been created to help late-night workers get home safely.
It follows on from the Get Me Home Safely campaign, which called for safe, affordable transport home, backed by Greater Manchester Mayor Andy Burnham.
That campaign initiated by Unite Union said that those who work late at night shouldn’t need to dip into their earnings just to get home at the end of the day.
The GigPig and Uber partnership will be available to all artists registered on the GigPig platform in the city, offering 50% off rides home when performing at gigs that finish after 11pm.
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It’s hoped it will save them thousands of pounds in transport costs.
Live music marketing platform GigPig has partnered with more than 750 artists and facilitated hundreds of gigs int he city each week.
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A three-month pilot scheme offering local musicians half price transport home after late-night gigs is being launched in Manchester, thanks to a partnership between live music marketplace GigPig and Uber.
Two Manchester-based DJs have thrown their support behind the partnership. Joe Roche said: “Currently cash flow and cost issues for our sector are being felt across the board, and it’s nice to see GigPig identifying the issue and helping beyond the traditional means.
“This initiative addresses an all too familiar concern. There’s nothing worse than being on your feet for up to 14 hours on a Saturday doing consecutive gigs if you’ve got invoices which hadn’t been cleared beforehand – the walk home is completely out of the question and your bank balance is in bits. “
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DJ Fry Ups, who secured a residency at Box in Deansgate via GigPig, added: “The majority of my gigs finish after 11pm, so I welcome this initiative. Not only will it help reduce costs but it’s also fantastic to know that myself and other artists will be able to get home via a trusted mode of transport afterwards.
“Safety and affordability are key considerations for me when taking on any gig and I know can be barriers for many others. I hope it’s the catalyst for more artists feeling confident to book even more gigs in the city.”
Michael Forster, CEO of GigPig, said: “At GigPig we support artists all the way. We know safety is a top concern for many artists and we’re pleased to be able to play our part in helping them access safe and affordable transport options home. The nature of gigging means that artists are often out late at night and we’re committed to implementing ways to support them to feel safe when travelling.
Incredible feedback from @djeeanmathews in response to our partnership with @Uber.
“Manchester has a vibrant night time economy which is dependent on artists performing in a variety of venues – footfall in bars, pubs, restaurants and clubs are all boosted by live music. We are sure this pilot partnership will be well received by the artists who are doing a brilliant job entertaining audiences across the city.”
Andrew Brem, General Manager, Uber UK said: “We are delighted to be partnering with GigPig to help its music artists get home after late night concerts and gigs. Safety is a top priority for Uber, and with millions of trips happening regularly on our platform across the UK, we want to help everyone, no matter where they are going, get home at the touch of a button.”
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Sacha Lord, Night Time Economy Adviser for Greater Manchester, added: “Manchester has recently been crowned the UK’s Capital of Nightlife, by the Sunday Times. We’ve always been proud of our music scene and the city is known for it, globally.
“I’m delighted to support the incredible initiative and partnership between GigPig and Uber. We need to support our up and coming artists, to which the expense of travel can be a barrier. This initiative will pave the way for the next generation of artists.”
The GigPig platform, which gives artists free access to find, play and get paid for gigs in venues of all sizes across the UK, represents more than 3,000 live music performers and more than 750 in Manchester alone.
If the pilot scheme in Manchester is successful, it will be rolled out to all 12 major cities where GigPig operates across the UK.
Featured image: Unsplash
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Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Daisy Jackson -
16th June 2023 
