Manchester rapper RIO releases debut album: ‘The Good, The Bad, & The Ugly’
The rapper revealed he was working on some new material that would "change the game" in Manchester - and six months later we have his ten-track LP The Good, The Bad & The Ugly.
Manchester hip-hop artist RIO has officially released his long-awaited debut studio album.
A respected and popular member of grime’s old guard, RIO announced his grand comeback in summer following a five-year hiatus from music .
The rapper revealed he was working on some new material that would “change the game” in Manchester – and six months down the line we have his ten-track LP: The Good, The Bad & The Ugly.
Remembered for club hits such as ‘Can’t Stop We’ and ‘We Love Grime’, RIO’s new record is a more mature, thoughtful piece of storytelling – digging into his Mosside roots and exploring his rollercoaster journey through the music world.
RIO started selling mixtapes on Market Street in 2010 before rising through the ranks and appearing on the likes of BBC Radio 1Xtra, Radio 1, Red Bull, Soccer AM and Capital Xtra, receiving support from big names such as DJ Target, Semtex, Tim Westwood, Mistajam, Ras Kwame, Mary Anne Hobbs and Annie Nightingale.
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The rapper also collaborated with the likes of Ghetts, Blizzard, C4 and Royce Da 5’9″.
Now, after being out of the game for over a half a decade, RIO claims he is “here to stay”.
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His new release, The Good, The Bad & The Ugly, is a multifaceted effort executively produced by JSD – flipping through genres, moods and styles.
The record features introspective tracks like ‘Ghost’ (which divulges his reasons for taking a step back from music), the spine-tingling ‘Awake’, and Caribbean-flavoured ‘Medusa’ featuring Mr Benz.
You can listen to The Good, The Bad & The Ugly online now here.
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A documentary on the rapper’s career has also been posted to YouTube.
Fontaines D.C. announce massive gig at Manchester’s Aviva Studios as part of UK tour
Danny Jones
Irish post-punk pioneers Fontaines D.C. have just announced a brand new UK and Ireland tour ahead of their new album later this year and leading new arts and live entertainment venue, Aviva Studios, has been selected for their massive Manchester date.
The Dublin powerhouses have emerged as one of the most exciting acts on the planet for our money, combining everything from new wave, alternative and often grungey guitars, to more classic rock and even indie sounds, making them one of the most instantly recognisable sounds on the modern scene.
With all that being said, we cannot wait for their return to Manchester and what will no doubt be one of the biggest and best gigs Aviva Studios has seen yet.
Fontaines D.C. roll up to 0161 in Fall 2024 and they’ll have a brand new album under their belt to boot.
Home to Factory International, which kicked off an incredible debut calendar of cultural events last year, Aviva Studios is already proving to be an impressive addition to the Manc skyline, especially now it’s coaxing names like Fontaines D.C. to come and perform there over other gig spaces.
As for the band themselves, they dropped the lead single entitled ‘Starburster’ this week and it proved to be quite the sea change for often fast, frantic and no-nonsense five-piece. If you haven’t heard it yet, strap in and get ready to be over-exhaling out loud non-stop for the next hour – you’ll see what we mean.
With their fourth record Romance set to release on 23 August, we think it’s fair to say this new record – the first with new producer James Ford (Blur, Arctic Monkeys) – is off to a much more experimental start than their heavily acclaimed 2019 debut, Dogrel.
Set to take the stage in Aviva Studios’ Warehouse space on Friday, 29 November, Fontaines’ Manchester date is part of a new run of shows announced as part of their full European which kicks off in June.
Heading back from the continent in August and starting off the UK leg in Wolverhampton on 20 November, it’ll be a fast and furious nine-show run culminating with a homecoming concert in Dublin.
Tickets for all headline dates go on general sale at 10am next Friday, 26 April and for first access to presale, fans can pre-order the album by 3pm on 23 April.
Masked Manchester rapper Meekz bursts back with surprise gig in Piccadilly Gardens with JD
Charlie Watkinson
Local rap sensation Meekz is back, if you hadn’t noticed – he burst back onto the scene last week with a surprise gig with JD in Piccadilly Gardens.
The masked Manchester rapper is celebrating the release of his latest single Mini Me’s – and a handful of Mini Meekz posters appeared around town, pasted there by artist collective Pattern Up (then swiftly removed) last week.
Meekz continues to impress with his latest release, a track that’s quickly gaining popularity.
True to form, Meekz delivers not only sonically but visually, teaming up once again with KC Locke to create a stunning music video.
Their collaboration underscores the significance of music videos, reaffirming their lasting impact in the industry.
The video pays homage to their previous work, particularly ‘Like Me’, while also pushing boundaries with a post-apocalyptic CGI rendition of Manchester, reminiscent of scenes from GTA and Marvel movies.
This innovative approach demonstrates the remarkable synergy between Meekz and KC Locke, marking a new pinnacle in their collaborative efforts.
Following the premiere, Meekz treated fans to a memorable performance in Piccadilly Gardens, organised with JD, where he made a grand entrance by gifting miniature Air Max 95’s to his fans before taking the stage atop a large storage container.
I had the opportunity to speak with Meekz after the premiere, where he shared insights into his upcoming tape, ‘Tru’, slated for release on 24 May.
Additionally, he hinted at exclusive news related to GTA/GTA 6, leaving fans eagerly anticipating his future endeavours.
It’s clear that Meekz continues to innovate and redefine the game with each new project, and we’re excited to see what he has in store next.
KC Locke said: “In the time that the mainstream media is writing articles about the decline of the music video industry, swords and eagles are here to make a stand and show not only are music videos here to stay but they are more important than ever.
“This is a testament to community, bound by a shared vision, we rise and rise again, together, for the culture.”