Ramona and The Firehouse is launching an in-house radio station this week as part of a huge new live entertainment programme at the venue, designed to champion and support independent musicians and artists across Manchester.
Kicking off on Wednesday 26 January, ‘Ramona Radio’ will host a weekly live radio show from its Swan Street venue – broadcasting a weekly party with guest DJs, servers and the crowd going ‘On Air’ live from the Tipi.
The first event in the new series will see legendary house selector Tristan Da Cunha take to the decks – bringing his expansive genre-spanning vinyl archive along with him.
The venue on Swan Street will launch its own radio station. Image: Ramona and The Firehouse
Promising depth and breadth across a range of genres, house music fans can look forward to hearing some rare gems and genre-defining cuts played out as part of the honorary Glastonbury resident’s set.
The radio show will be hosted by Ramona and The Firehouse’s very own music curator Jonjo, and as part of the new programme whole sets will be streamed live, supported with a new weekly podcast.
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Following on from the Wednesday night radio show launch, the venue will be running parties throughout the week as it launches its new programme ‘The NIght Village’ – with further sets coming from the likes of Onipa, Dance Regular and Manchester art-rock band Everything Everything.
Image: Ramona and The Firehouse
The Ghanian/ London-based afro-futurist collective Onipa will bring their signature high energy performance to Ramona fusing Afrobeat, UK Jazz and electronic music for Thursday night’s ‘Campfire Live’, whilst local champions Everything Everything can be expected to bring their usual blend of alternative and indie to the Tipi later this week.
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The performances will mark the start of a new musical chapter for Ramona, which has already made a name for itself by channelling the techno culture for which Detroit is known from within its sister bar restaurant, The Firehouse.
The sister venue also hosts weekly ‘runway parties’ in its bar every Thursday, Friday and Saturday, with local dance crews acting as the stars of the show – with performances ranging from garage two-step superstars, Dance Regular, to the vogue inspired flamboyance of House of Ghetto.
Ramona Radio will launch this week. Image: Ramona and The Firehouse
Speaking on the upcoming new music programme launching this week, head of music and entertainment at Ramona and the Firehouse, Jonjo, said: “We’ve been curating independent UK-based electronic, jazz and world music since we opened the doors.
“Moving into 2022 we’re ready to take things up a notch with our first bands from the continent, an upgraded sound system and the best up and coming acts and labels every week. And all for free – surely the city’s best kept secret”
At the new late-night parties, music lovers can easily flit between the two venues – soaking up the atmosphere in both, free of charge.
Image: Ramona and The Firehouse
Guests can also enjoy Detroit-style pizza, a killer collection of margaritas plus other inventive and beautiful dishes like their chargrilled chicken, truffle tots, Detroit hot wings and ultra cheesy garlic bread.
To find out more about the upcoming music events, check out the full programme for the Night Village launch weekender below.
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Ramona and The Firehouse Night Village Launch Weekender – Full Programme Thursday 27th January: Campfire Live @ Ramona presents Onipa Arthouse – Dance Regular @ Firehouse presents The Broken Beat – Garage-Dance Crew
Friday 28th January: Everything Everything DJ Set @Ramona Firehouse Presents Vogue – House of Ghetto
Saturday 29th January: Supernature Disco + Joe Redmore (WHP) [email protected]
Sunday 30th January So Flute @Ramona
Sunday 30th January Mikey Don @Firehouse
Feature image – Ramona and The Firehouse
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: