In a gig we waited seven years for, Sampha proved he is the master of his craft.
Celebrating his second album, LAHAI, Mercury Prize-winner Sampha headlined his first Manchester show in nearly seven years last night.
And it was well worth the wait.
As one of only two UK stops on his 2024 tour, we felt extremely lucky to watch the UK breakout star take to the stage at Aviva Studios.
Taking place in the formidable warehouse space, excitable crowds flocked in a circular motion to secure their spot around the stage.
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For such a vast space, performing in-the-round created a real sense of intimacy that wouldn’t have been made possible in any other venue.
Image: Supplied
Gazing onto the stage filled with electronic keyboards, synthesisers and drums – the anticipation to see someone who’s since grown to be a global icon since last in the city was truly immense.
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But we didn’t have to wait long as the London-born singer songwriter plunged us straight into the deep end with emotive hit Plastic 100°C.
An honest reflection of both love and fear, Sampha and his incredible band had us enamoured from the very start and we knew we were in for a great night.
His new album, LAHAI, shows just how much he’s grown since first breaking out on the music scene back in 2017.
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From what was first heart-wrenching meditations of discovery now had sounds of acceptable and joy throughout, and truly it was a joy to hear.
Making his way through the album we of course were treated with tender ballad (No One Knows Me) Like The Piano, and even as the first chords were struck there was a communal sigh amongst the audience.
There were most definitely some wet eyes amongst the crowd as Sampha wistfully opened up his heart to us.
Image: Supplied
But it wasn’t all melancholy meditations, Sampha and his crew jumped around the stage interacting with the audience, at one point communally banging a drum in the centre of the stage.
The new tracks took unexpected twists and turns, introducing flavours of jazz, soul, rap, dance and jungle which the band and himself merged seamlessly with their already mastered R&B genre.
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Highlights included the vocally layered Suspended and piano-heavy Dancing Circles, both of which I’m sure many of us played through our speakers as soon as we got in (myself included).
Ending triumphantly with Blood On Me, the lights turned red on Aviva Studios as we danced as a singular and were reminded just what a talent Sampha truly is.
And we left hoping he wouldn’t leave it another seven years until he comes back.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Clementine Hall -
16th February 2024 
