A brand-new project, Side by Side, launched at the weekend with the aim of providing a platform and exposure for typically underrepresented communities within music.
The special compilation album has been curated by record label Come Play With Me (CPWM) and is entirely compiled of songs by women and LGBTQIA+ artists in the area. And amongst the artists involved is Manchester-based Tyron Webster.
A graduate from the Leeds College of Music, Tyron has already become an exciting name within the Manchester scene, with performances at Manchester Pride and a headline show at The Castle.
He’s set about using his music and experiences of the industry so far to show why it’s important for projects like Side By Side to exist.
“I wanted to get involved as a black queer artist as I really do understand that importance of representation,” he told Audio.
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“CPWM have always been pioneers of a fair music game and they really do want to rep people so genuinely and not in a tokenistic way which is why I was so keen to get involved as they’ve always shown me love.
“Representation is so, so, so important. It’s good for the young musicians that are woman, people of marginalised gender or part of the LGBTQIA+ community that think the industry isn’t for them.”
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Looking back at his own experiences, Tyron says underrepresented communities such as these are often overlooked and usually have to work that bit harder to be seen and heard. So much so, he’s found himself questioning his own place in the industry in the past because of who he is.
Not wanting others to go through the same, Tyron hopes the project will restore a sense of self-assurance for artists and prove to everyone that they have the right to be there just as much as the next.
Naturally, it’ll unlock opportunities and build a new level of confidence for them to express themselves and have their music heard by the masses.
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Tyron Webster
With a multi-ethnic background, Tyron grew up with all kinds of musical influences. From a young age he was surrounded by all the wonderful Caribbean sounds with the reggae, calypso and ska that were played at family gatherings. Meanwhile, pop, rock and R&B were always at the forefront of his own music tastes.
But without being able to really pin down a moment that he knew music was the career for him, he recalls it just being a part of him for as long as he can remember.
“I used to watch Prince – Purple Rain movie on repeat all day, every day when I was little. Music has always been an escape for me, so I’d sing for family and in school shows,” said Tyron.
“Then I took it seriously from college where I studied it and then when I went to university to do music is where it really became a career. So, I can’t really recall a time where I thought this is it, I’ve always just done music.”
Regardless of his influences, Tyron’s own music is packed with soul and personal experience, making it pretty easy to connect with.
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His track on the Side by Side compilation – ‘Love Ya, Pt. 2’ – is a sequel to ‘Love Ya Pt. 1’ that he wrote with his producer Chris Durkin earlier this year.
Themes of heartbreak, break ups and pain set the tone for both instalments. But overall, Tyron wants the message that ‘love is love’ to come across loud and clear. Because no matter what our sexual orientation, love is the same for us all. This is something absolutely everyone will have in common. So for inspiration, Tyron draws on that common ground to show we’re all human.
“The song is a self-love, self-discovery song,” he said.
“I felt at the time there was so much pressure to be in love and find your ‘soul mate’. I met a guy who on paper was great, amazing and perfect for me, but I knew I had work to do on myself for me to be able to let him in and to be able to genuinely love him.
“I know too many people that will just settle – especially in the gay community due to the pressure from society so I took inspiration from that. All of my songs are written on personal experiences. Part. I is more of an R&B production, while Part. II is a ‘sad boi’ violin stripped back moment to really bring the message and emotion of the song across.”
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Elsewhere on the album there’s a healthy mix of genres, with all kinds of pop, R&B and hip-hop productions making up the 12-track collection. But also on there is Manchester-based The Elephant Trees, whose track ‘Day 42’ is an ode to the repetitiveness of lockdown and the mental health implications that come with it.
To add to the occasion, CPWM have made 500 vinyl copies of the compilation using repurposed wax from the pressing factory that would otherwise be binned. Not only does this make them more eco-friendly, but means each one is completely unique using different colours.
Side by Side is out now where you’ll find Tyron’s track ‘Love Ya, Pt. 2’ at track one. Check it out below and drop Tyron a follow here.
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Neighbourhood’s city centre festival returns to Manchester with promising first wave
Danny Jones
Neighbourhood Festival’s city centre all-dayer is returning to Manchester for 2026 after a year off, and this first wave of the lineup is looking promising already.
Following teasers over the past month or so, it didn’t take long for us to figure out that NBHD Festival was coming back, especially with the Weekender in Warrington having taken a similar hiatus in 2024.
However, when festivals like these take time out, it can be easy to worry whether or not they’ll lose momentum or come back stronger.
Judging by this initial batch of acts alone, there’s no doubt NBHD Fest ’26 will be another cracker.
Neighbourhood Festival 2026! Manchester’s biggest multi-venue festival returns on Saturday 17 October. The first wave of acts just announced with many more brilliant artists to be revealed. Sign-up for exclusive pre-sale which goes live 10am Tue 10 Mar. https://t.co/Qq0c7Ibuxqpic.twitter.com/8CQoeqdpWm
As you can see, as well as the fast-rising grungey alternative and garage rock quartet, KEO, being announced as one of the first big hitters on the list, there are some other familiar names on the lineup.
Especially for us Mancs.
With both Bolton and Altrincham youngsters, Florentenes and The Guest List, both joining the roster, as well as the likes of Bury-born ‘rockabilly’ revivalist Elliot James Reay also featuring on there, there’s a good deal of local talent to be enjoyed as always.
That goes for the regional delegation in general, too, with the likes of Jos River heading back up this way from her base in London, and Leeds’ fittingly named indie four-piece, The North, also booking a slot.
We’ll admit there are plenty of bands and artists coming up from the capital for the all-day festival, but at least they know where the UK’s real home of music is.
You only have to look at the festival vibes up here to know that…
It’s worth reminding, once again, that since its inception in 2016 (yes, it really has been a decade now), Neighbourhood Fest has continued to serve as a proper launchpad for the next wave of superstars, not just here in the North West but across the country.
We still remember seeing the likes of Sam Fender, Holly Humberstone, Declan McKenna, Mahalia, The Lathums and more – some for the very first time – on these city centre stages, and it’s crazy to see how big some of them have gone on to become.
Set to take over some of Manchester’s most iconic venues along the Oxford Road Corridor once again, this is, without a doubt, one of the best dates for independents on the annual live music calendar.
Hosting a total of 11 stages on Saturday, 17 October for a full day of live music, tickets for this year’s Neighbourhood Festival go on sale HERE at 10am on Friday, 13 March – and remember, there’s still plenty more to be added to the 2026 lineup.
A (completely subjective) ranking of Harry Styles’ new album, based off one listen
Daisy Jackson
Kiss All The Time, Disco Occasionally is finally with us – HS4 really did drop at midnight this time.
We all expected the fourth album from pop megastar Harry Styles to be a disco album (… because of the title, and the disco ball on the cover), and it is, in places. But there’s a lot more going on here too.
You can tell he’s spent a lot of time in Berlin, which means the disco here is pretty modern, but it’s all still quite tame. This is a pop album at its core and it needs to be one that will fill stadiums (that are already sold out).
And long-time Harry Styles fans will be pleased to find a few stripped-back ballads alongside the heavily-produced bigger tracks.
He kept us waiting for this one, but was it worth the wait?
Here’s my (completely subjective) ranking of every track on the album, based off precisely one listen. I might end up eating my words after a second go-around…
Every song on Harry Styles’ Kiss All The Time, Disco Occasionally, ranked
I’m finding this one a bit annoying until it gets to about the 1.45 mark and builds. I’m all for experimenting with new sounds but it’s all a little disjointed and messy. ‘What drum effect would you like for this one, Harry’ – ‘All of them please’.
You know that feeling you get when you’re boiling the kettle and the extractor fan’s on and the microwave’s going and then your phone starts vibrating and it’s too much noise? Same energy.
11. Paint By Numbers (Track 11)
Bored. Have gone to make a cup of tea.
10. The Waiting Game (Track 6)
I know the girlies have been crying for a Harry ballad like Matilda, but you can’t really have one now because he’s been to Berghain and it’s changed him. He likes synths now.
This one is a close contender though. It’s nice enough but there’s not a whole lot of substance.
9. Are You Listening Yet? (Track 4)
Oh no, speak-singing, in his odd Cheshire-LA accent too (listen to the way he says ‘dancing’). Even with that crescendo with the choir near the end it’s a bit of a plodder. NEXT.
8. American Girls (Track 2)
Idk much about music terminology but whatever key he’s singing in here is scratching my brain just right. I feel like when a dog when you scratch the part of their belly that makes their leg shake.
This is a really nice second track and I already know I’m going to regret ranking it so low after a few more listens. But that’s not the point of this ranking. Eighth place for you, American Girls.
7. Coming Up Roses (Track 8)
OH HANG ON, we have a string section! I’m awake again! YES HARRY STRIP IT BACK!! I take back what I said for The Waiting Game, the sad ballad girlies will lap this up. Can’t wait to hold my phone torch up in Co-op Live for this one.
6. Pop (Track 9)
The baseline on this has melted my spine (complimentary). I want to put my head inside the subwoofer. I much prefer the verses to the chorus but can imagine this one will go off in a live setting. To the dance floor!
5. Dance No More (Track 10)
Dance No More? Don’t tell me sh*t like that then hit me with a funky beat like this, Harry! I’m a sucker for a funky indie band (see: Parcels, Phoenix, Jungle, etc etc) so this was always going to work for me.
4. Aperture (Track 1)
Obviously this is not my first listen of this song. Now that we have the context of the rest of the album I can see why this was the lead single. I’ve liked it from the get-go and still do. But if you don’t like this song, you might not love what’s coming.
3. Ready, Steady, Go (Track 3)
More like OK Go, amirite?! Again, the harmonies in this are simply heavenly in the verses, I have been beamed right up. The megaphone vocals in the chorus might divide some people though. Funky little baseline may even tempt me off the couch even at this hour (it’s 7am).
2. Taste Back (Track 5)
This a bit more like old Harry. I can absolutely imagine myself walking to the tram in the morning with this in my ears feeling like the world’s not so shite after all. Might even frolic in a field to this one in summer. Very lovely.
1. Carla’s Song (Track 12)
Talk about saving the best til last! This is really reminiscent of another song, can’t put my finger on it, but I feel transported and immersed and all other good things music should make you feel. His vocals are stunninggggg in this.