‘Tidal wave of redundancies’ coming for ‘forgotten’ Manchester music industry, claims Nightlife Adviser
Rishi Sunak's latest support scheme will replace furlough from November 1, but according to members of the Manchester music sector, these new measures do not protect employees.
The Chancellor has been accused of ‘turning his back’ on music and nightlife in Britain – with key figures in Manchester responding in dismay to his new winter economy package.
Speaking in the House of Commons on Thursday (24 September), Rishi Sunak said his latest package – which involves subsidising wages of staff working fewer hours than normal – aimed to prevent mass redundancies in a challenging economic climate.
The new support scheme will replace furlough from November 1, but according to members of the Manchester music sector, these new measures do not do enough to protect employees.
The Chancellor admitted he “could not save every job”, and the music industry is concerned they will continue to be hit hardest.
According to nightlife representatives, the music sector has been left “forgotten”.
While these new financial aid measures are helpful, they do not go far enough to keep many businesses viable, and I predict a tidal wave of redundancies across the UK night time economy as we enter the end of the year.
Sacha Lord, the Nighttime Economy Adviser for Greater Manchester, responded in detail to the Chancellor’s statement on Twitter, predicting that the lack of support would result in “a tidal wave of redundancies” nationwide.
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“While these new financial aid measures are helpful, they do not go far enough to keep many businesses viable…” commented Lord.
“At the start of the crisis, the Chancellor assured us he would stick by all businesses, but today has turned his back on this commitment. Live Music Venues, Nightclubs, Musicians, Performers, Freelancers, Events. All forgotten.
“In hospitality alone, there are 900,000 workers still on furlough, and a further 1.3million people across the UK work within the nightclub industry. For many operators, it will be easier to remove these individuals from payrolls completely than go under.”
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The Parklife and Warehouse Project founder added: “We need reassurance that the workers who will inevitably be out of work will be able to claim benefits easily and quickly, that they can apply for retraining schemes, grants and initiatives where possible, and that their mental health will be supported throughout this time.
“Those caught in the midst of local outbreaks, including the hospitality operators in Bolton who have been forced to close, will undoubtedly suffer and the local lockdown support packages will not be enough to maintain their survival.”
The government also announced a Bounce Back Loan Scheme (BBLS) as part of the winter package – which “enables smaller businesses to access finance more quickly during the coronavirus outbreak.”
However, this has also gone down like a lead balloon with local performers.
Hacienda legend Graeme Park called the government response “absolutely disgraceful”.
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Speaking directly to the Chancellor, the DJ asked: “Why should I take out a ‘bounce back loan’ when my main source of income has completely disappeared? How do I pay it back when I receive zero financial support from the government and my sector remains closed?”
So, @RishiSunak why should I take out a “bounce back loan” when my main source of income has completely disappeared? How do I pay it back when I receive zero financial support from the government and my sector remains closed? Absolutely disgraceful. #ForgottenLtd#ExcludedUK
The Music Venue Trust has also denounced the government package, with CEO Mark Davyd claiming that “no part” of the sector is in a position to take advantage of the latest support.
“The new job support programme is built around the premise of returning to work, and employers returning to some level of income arising from that work to support those workers,” said Davyd.
“The government has made it clear that it does not believe that the time is right for the live music industry to return to work, and where limited events, under substantial restrictions, are permitted, the income generated is insufficient to meet any of the government targets for employer contributions.
“Bluntly, no part of the live music industry is in a position to pay 55% of its employees salaries in order to access the government support which is entirely conditional on doing that.”
Audio
Review | Villanelle debut: Liam Gallagher’s son’s band release their first track – here’s our review
Danny Jones
Liam Gallagher’s son, Gene, and his band Villanelle, have officially released their debut single to the masses, and since we’re still very much immersing ourselves in everything even remotely to do with Oasis, we thought we’d give this first track a review.
Now, if you’re expecting a familiar Britpop vibe like his dad and uncle used to bash out back in the day, you’d be very wrong…
It’s one thing to settle into something similar to what you’ve grown up around and try to continue a lineage if you’re from a successful family – especially with a legacy as important and influential as the one left by Liam and Noel – but we’re glad to report they’ve done something pretty different.
24-year-old Gene Gallagher and his bandmates Ben Taylor (guitar), Jack Schiavo (bass), and Andrew Richmond (drums) haven’t just tried to do an impression of Oasis; instead, they’ve found their own sound, and while it does give somewhat of an old-school flavour, it’s not what we expected.
It takes literally milliseconds for you to click into realising the vibe they’re going for.
‘Hinge’ is a simplistic but hard-hitting, grungey and dark debut from Villanelle, who, despite having played a number of in-progress songs live over the last year or so, have only just dropped their first studio single.
In fact, they’ve actually taken the admittedly bizarre and unorthodox first steps of having already played live with Liam Gallagher on the Definitely Maybe 30th anniversary tour before they actually released anything people can easily listen to outside of their live performances.
Nevertheless, the young four-piece introduces Villanelle as the latest post-punk outfit amidst the ongoing revival of the classic rock genre.
That is to say that punk is a tried and true classic style of music, not that these lads are trying to sound like The Rolling Stones…
Anyway, we’re getting sidetracked: Villanelle draw plenty of influences from both original and contemporary examples of this sonic subculture, and while it isn’t explosive per se, ‘Hinge’ is short, direct and hits the same formulaic notes.
It’s also fair to say you can hear a bit of the recognisable LG whine in Gene’s vocals at times, too. Listen to it in full down below and see if you agree.
Even the basic found-footage style video fits into the same category.
To call it straightforward isn’t intended as any kind of a diss, by the way – some of our favourite tunes and best artists spearheading the renaissance of the punk scene write like this.
What we will say is that it looks like bloody good fun to both play and listen to in a small, sweaty room, with plenty of pits and people bouncing off the walls.
Gallagher Sr. might be surprised to see his son going for a slightly heavier, more hardcore route with his sound, but he can’t accuse him of forgetting his roots as the child of a ‘Rock ‘N’ Roll Star.’
The boys are actually hitting the road this winter, including a date at The Castle Hotel in the Northern Quarter, if you fancy grabbing a ticket.
You can grab your tickets to see Villanelle on tour HERE, and in the meantime, let us know what you think of their debut track down in the comments.
Johnny Marr teases his work on upcoming Gorillaz album
Danny Jones
Legendary Manchester musician Johnny Marr has revealed he features on the new Gorillaz album, adding even more interest in the highly anticipated release.
The Mountain is the ninth studio LP from the musical collective led by Damon Albarn, which is set to drop in early 2026, more than three years on from their last album, Cracker Island.
Although the virtual band made up of several real-life creatives (though the ex-Blur frontman and artist, Jamie Hewlett, technically remain the only two consistent core members) hasn’t been away for too long, each new project brings a wave of excitement.
With that in mind, we have no shame in admitting we have even more interest in Gorillaz’s latest album now that we know Johnny Marr is attached to it.
I’m pleased to share that I appear on four tracks on the upcoming Gorillaz album The Mountain. It’s a privilege to be a part of this record along with so many great artists. #Gorillaz#JohnnyMarrpic.twitter.com/KXVZxgyGg9
In the new rundown of tunes already posted earlier this month, the former Smiths songwriter and lead guitarist features on four different songs on the new record. You can see it in full down below:
Gorrilaz – The Mountain tracklist
1. The Mountain (feat. Dennis Hopper, Ajay Prasanna, Anoushka Shankar, Amaan Ali Bangash and Ayaan Ali Bangash) 2. The Moon Cave (feat. Asha Puthli, Bobby Womack, Dave Jolicoeur, Jalen Ngonda and Black Thought) 3. The Happy Dictator (feat. Sparks) 4. The Hardest Thing (feat. Tony Allen) 5. Orange County (feat. Bizarrap, Kara Jackson and Anoushka Shankar) 6. The God of Lying (feat. IDLES) 7. The Empty Dream Machine (feat. Black Thought, Johnny Marr and Anoushka Shankar) 8. The Manifesto (feat. Trueno and Proof) 9. The Plastic Guru (feat. Johnny Marr and Anoushka Shankar) 10. Delirium (feat. Mark E. Smith) 11. Damascus (feat. Omar Souleyman and Yasiin Bey) 12. The Shadowy Light (feat. Asha Bhosle, Gruff Rhys, Ajay Prasanna, Amaan Ali Bangash, and Ayaan Ali Bangash) 13. Casablanca (feat. Paul Simonon and Johnny Marr) 14. The Sweet Prince (feat. Ajay Prasanna, Johnny Marr and Anoushka Shankar) 15. The Sad God (feat. Black Thought, Ajay Prasanna and Anoushka Shankar)
As you can see, the 61-year-old appears for the first time on song seven, ‘The Empty Dream Machine’, as well as ‘The Plastic Guru’, ‘Casablanca’, and the penultimate track on the album, ‘The Sweet Prince’.
It’ll be interesting to see how he fits into the captivating soundscape already teased by the group, with Gorillaz having now shared ‘The Happy Dictator’ featuring art pop duo Sparks.
A strong and politically loaded start.
Marr – who only released his fourth batch of solo material, Fever Dream Pts 1-4, back in 2022 – has continued to craft and produce with countless other artists over the past few decades, sharing the studio with fellow icons such as Noel Gallagher, Billy Bragg, Talking Heads and many more.
He even helped create the score for The Amazing Spider-Man 2 soundtrack with legendary composer Hans Zimmer.
That being said, we can only hope to hear some of his famous guitar tones sprinkled throughout this album, though it’s still unclear as to exactly how much input he had on The Mountain overall.
What we do know about the album is that it’s the first to be released via Albarn’s new record label KONG; it’s 15 tracks, and was largely made following extended recording sessions across India, with the likes of Ajay Prasanna, Omar Souleyman and Anoushka Shankar, joining IDLES, Jalen Ngonda and other collabs.
Perhaps most excitingly, the announcement of ‘Gorillaz no.9’ came alongside a series of tour dates, including one right here in Manchester. We can’t wait to see 2D, Murdoc Niccals, Russel Hobbs and Noodle ‘live’ in 0161.
The Manc -
24th September 2020 
