A new survey published by the Musicians’ Union (MU) has found that 34% of British musicians are thinking about giving up their music career thanks to the impacts of COVID-19 on the music and events industry.
A total of 2,000 union members were surveyed and the results are worrying.
Nine in 10 respondents (88%) believe the government has not done enough for the music industry throughout the pandemic. The lack of support has meant there are hundreds of thousands of people left in limbo.
Eighty-seven percent of those who were covered by the furlough scheme have also said they’ll experience financial problems once it ends. And as the scheme is due to wind up in October, the industry is in need of emergency action.
Musicians’ Union
Currently, moral is low within the music community.
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It isn’t just musicians feeling the strain but all the venues, festivals and people behind the scenes that make our favourite events happen, too.
Many people are still out of work and without hope of things changing soon.
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So, it’s no wonder some are considering packing it all in and turning to other careers.
Reports have suggested that people have been forced to seek out additional work as delivery drivers or supermarket assistants in order to make ends meet.
The O2 Ritz is unable to open. Image: The Manc Audio
Commenting on the findings, Horace Trubridge, General Secretary of the MU, said: “These figures are devastating and show how many musicians are struggling financially and at real risk of leaving music for good.
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“In better times, our members drive a £5bn music industry with their talent. One artist’s gig will create a domino effect of jobs – from lighting technicians to ticket sellers. If one musician is out of work, you can be sure many others will be affected too.
“We appreciate all the Government has done to support our members through the furlough and self-employment income support schemes so far, but they must not abandon musicians now. With social distancing measures still in place, venues can only sell at around 30% of usual capacity.
“We are calling on the Government to implement a seat-matching scheme, which would take venues’ potential revenue to 60%, providing a lifeline to musicians and the wider industry.
“Getting musicians back to work is the priority. However, this is simply not realistic for so many of our members while social distancing remains in place. We strongly urge the Government to recognise the unique situation that our members are in and to provide sector specific financial support for musicians.”
Image: Diego Sulivan/Unplash
These findings arrive before even more restrictions were announced by Boris Johnson last night.
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The rules particularly affecting the music industry include the 10pm curfew, table service only and the “rule of six”. It’s believed that implementing these will make putting on events impossible, killing the industry further.
Sacha Lord, Night Time Economy advisor for Greater Manchester, has widely shared his views on the matter. On hearing the announcements yesterday, he called for more support from Rishi Sunak. He tweeted:
Without extending support, this Government will be remembered for ripping the heart out of our 5th biggest UK sector.
Huge redundancies and mass closures of theatres, live music venues, pubs, bar, restaurants, nightclubs and cultural organisations.@RishiSunak it's over to you:
The Warehouse Project and Parklife boss has warned that three out of five Manchester venues and night-time businesses could close for good without extra help.
Members of the industry have taken matters into their own hands in recent months.
In August, PLASA – the organisation behind the #WeMakeEvents campaign – held a march in Manchester where 100,000 industry members walked through the city in silent protest.
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The march called for financial help for the music industry through grants and the consideration of extending the furlough scheme until it was safe to return to work.
#WeMakeEvents Campain – PLASA
Another peaceful #WeMakeEvents demonstration outside Parliament is planned for September 29.
They hope to raise awareness of the unemployment risk, as thousands are at risk of losing their livelihood as a result of current restrictions.
Organisers are urging people to arrive masked up, remain socially distanced and sign in to Track and Trace to make sure the demonstration adheres to Covid-19 guidelines.
Manchester without music is a worrying prospect.
Audio
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Hannah Starkie -
23rd September 2020 
