Electric Chair: Manchester’s seminal underground party returns after 13 years away
The promotion took hold of the city's nightlife scene in the mid-nineties, steering things in a new direction at a time when Manchester was in a bit of a post-clubland raving rut. Now, it's coming back.
When Electric Chair first draped The Roadhouse in camouflage netting back in the summer of ’95, nobody knew it would go on to be so iconic. Not just for Manchester, but across the wider UK scene too.
Bubbling away in the city for almost 13 years, the promotional night evolved into a mini culture: becoming a home-from-home for a beautiful melting pot of people (many of whom attended religiously – no matter the venue, guest DJs or local selectors booked to play that night).
Electric Chair took hold of the city’s nightlife scene in the mid-nineties, steering things in a new direction at a time when Manchester was in a bit of a post-clubland raving rut.
Now, it’s coming back with an all-dayer rave over at Concourse this September – opening the party up to a whole new generation of ravers with a special one-off show.
Electric Chair originally took place at The Roadhouse before moving to Music Box / Image: PR
Famously referred to by founder Luke Unabomber (also of Homoelectric fame) as “attracting everyone but the devil,” Electric Chair brought some huge iconic dance music producers into the city – including the likes of Detroit producer Carl Craig, French electronic music legend Laurent Garnier and American house music pioneer Marshall Jefferson.
Beginning life at the now-defunct venue The Roadhouse, it later moved across to the Music Box – another great venue that’s since closed and is now a Tesco Express.
At its inception in ‘95, it marked a pivotal moment in Manchester’s clubbing history, with the recent closure of the Hacienda, the city needed desperately to take things back underground, and it did so with a deep focus on the music.
The tunes played at ‘the chair’ transcended genres, and many of the world’s best DJs came there to play.
The iconic club night will return this September with a one-off show at Depot
One of the things that made the night unusual is that its selectors always had the freedom to explore their own musical boundaries and, more than that, were actively encouraged to push them further.
It was this that cemented Electric Chair as one of the UK’s most loved forward-thinking club nights.
Speaking about his experience playing the iconic Manchester club night in the documentary film Manchester Keeps On Dancing, Detroit producer Carl Craig recalls: “That one is still in my memory banks from all the parties I’ve done in 25 years. That one was a real hyper one.”
Now, after an almost 14-year absence, Manchester’s original underground party, Electric Chair, returns this September 19 to the Concourse at Depot Mayfield.
Expect a headline set from DJ Harvey, plus performances from Artwork, Lil’ Minx and The Unabombers during what is set to be a big evening.
Tickets go on sale on August 11 and are strictly limited to 1500.
Featured image – Manchester Keeps On Dancing.
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‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
“It speaks of nature, of craftsmanship, and of a couple who chose each other over status and what others thought of them.”
The sculpture has now gone on display at Dunham Massey from Thursday 26 June.
Featured Image – James Dobson (via Supplied)
News
Lewis Capaldi announces MASSIVE comeback gig in Manchester this year
Thomas Melia
Everyone’s favourite Scottish ballad-maker, Lewis Capaldi, is heading out on tour across the UK, including a massive Manchester date.
Scottish singer-songwriter Lewis Capaldi is ready to tug at our heartstrings again right in front of our eyes as he announces a new UK arena tour.
This huge announcement comes right after his surprise set at the UK’s biggest music event of the year, Glastonbury, where he made a heroic return to the Pyramid Stage just two years after being forced to pull out.
Capaldi is known for writing some of the most notable and emotive hits of the late 2010s and early 2020s, including a long list of anthems such as ‘Someone You Loved’, ‘Bruises’ and ‘Before You Go’.
His monster of a hit ‘Someone You Loved’ has surpassed 3.9 billion views and is the UK’s most-streamed song of all time, so it is safe to say that his presence has been well and truly missed.
To many fans’ delight, the singer has stepped back into the spotlight and is ready to sing his heart out live at a variety of arenas across the UK, including Co-op Live right here in Manchester.
Now, in a post on his official Instagram account announcing this upcoming UK and Ireland arena tour, it’s good to see the Scottish powerhouse hasn’t lost his wit and charm as he jokes, “About time I got back to work.”
These shows are set to be in high demand as the singer has also revealed these upcoming dates, “Will be my only shows in the UK, Ireland or Europe this year! Would love to see ya there.”
On the back of his glorious Glasto return, Capaldi has dropped a huge heart-wrencher titled ‘Survive’ which offers more insight into the struggles and challenges the singer has been facing.
There is no confirmation of whether this new single marks the launch of a bigger project or not, but we can’t wait to scream his hits at the top of our lungs, regardless of when he pays Manchester a visit later this year.