Famous Didsbury eco-pioneer and RSPB founder Emily Williamson to be honoured with new statue
A new festival dedicated to Emily Williamson at Manchester Art Gallery will examine her eco-campaigning legacy and give people the chance to vote for the final statue design
Known as the woman who saved a million birds, the famous Victorian Didsburyite Emily Williamson is widely considered to be one of the outstanding eco-pioneers of her day.
Now, she is set to be honoured with a new festival at Manchester Art Gallery – culminating in the announcement of the winning design of a statue for Emily.
Emily founded what would become the RSPB from her home in Didsbury’s Fletcher Moss Park in 1889 by inviting her friends to tea and asking them to sign a pledge to ‘Wear No Feathers’.
Statue design by Eve Shepherd / Image: Emily Williamson statue campaign
That one pledge ricocheted through the next century, spawning campaigns and movements that changed the face of UK conservation.
A statue of Emily in the grounds of her former home is one of the ways of giving her the recognition that she deserves and it’s hoped that her legacy will be used to inspire a new generation of nature activists.
As COP26 looms and promises are made regarding action on climate change, the activist and RSPB founder’s campaigning legacy will be celebrated with a dedicated festival.
The event, which runs from. 12 to 14 November, will also showcase local stories of resistance, resilience and hope in the world of conservation today.
The festival will welcome some of Manchester’s most dynamic change-makers, exploring the links between conservation, campaigning, science, and art at a pivotal moment for humanity.
Of the 24 speakers scheduled to appear, 23 will be women – shining a spotlight on some key female players in the conservation world.
Speakers confirmed so far include RSPB CEO Beccy Speight; the British Ornithologists’ Union President Juliet Vickery; campaigner and Springwatch presenter Megan McCubbin; and Emily Williamson’s descendent, bird scientist Professor Melissa Bateson.
The living link between Emily’s history and her eco-campaigning legacy will also be examined in a range of panel debates that will look at Victorian Manchester’s greenness and the city’s changing relationship with the natural world today; campaigning tactics across the centuries; the fashion industry vs environmentalists; and the link between nature and mental health.
The festival will culminate in the announcement of the winning design of a statue for Emily, which members of the public have been voting for in their thousands.
The maquettes (miniature statues) of the four shortlisted designs will be on display at Manchester Art Gallery from Saturday 30 October until Sunday 14 Novemberand with voting open until 12 pm on Sunday 14 November.
Statue design by Billie Bond / Image: Emily Williamson statue campaign
Festival founder, social historian and author Tessa Boase, who uncovered Emily’s story and photograph while researching her book on the RSPB’s origins, says:
“Emily Williamson understood the value, magnificence and significance of nature, especially birds. She stood firm and fought against the powerful worldwide ‘murderous millinery’ trade – and she won. This festival celebrates her achievement and remarkable legacy, showcasing some exceptional women fighting for nature here in Manchester today.”
Emily Williamson founded the (R)SPB, now the UK’s largest conservation charity, in 1889. In 1891 she teamed up with two other eco pioneers to take it to the next level: Etta Lemon and Eliza Phillips of Croydon.
None of these women has been remembered by history.
As Tessa Boase explains:
“The first thing that struck me when I visited RSPB headquarters at The Lodge, Sandy, was the male portraits looming down all round the entrance hall.
“Where were the female founders? After unearthing their photographs, I commissioned these drawings from nature-lover and artist Clare Abbatt in the hope that, one day, they might hang in The Lodge and redress the gender balance.”
Emily’s story shows us that one voice can make a difference. With 15% of birds in Britain now facing extinction, her legacy is more crucial than ever.
The large drawings of Emily, Etta and Eliza will feature alongside the shortlisted designs of a statue for Emily Williamson. This will be the first time that the portraits have gone on public display.
Manchester Art Gallery is open Wednesday to Sunday, 10 am to 5 pm. For further information on the Emily Williamson Festival and the Emily Williamson Statue Campaign visit the dedicated website here
Feature image – David Dixon via Commons Wikimedia / Wikipedia
News
‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
“It speaks of nature, of craftsmanship, and of a couple who chose each other over status and what others thought of them.”
The sculpture has now gone on display at Dunham Massey from Thursday 26 June.
Featured Image – James Dobson (via Supplied)
News
Lewis Capaldi announces MASSIVE comeback gig in Manchester this year
Thomas Melia
Everyone’s favourite Scottish ballad-maker, Lewis Capaldi, is heading out on tour across the UK, including a massive Manchester date.
Scottish singer-songwriter Lewis Capaldi is ready to tug at our heartstrings again right in front of our eyes as he announces a new UK arena tour.
This huge announcement comes right after his surprise set at the UK’s biggest music event of the year, Glastonbury, where he made a heroic return to the Pyramid Stage just two years after being forced to pull out.
Capaldi is known for writing some of the most notable and emotive hits of the late 2010s and early 2020s, including a long list of anthems such as ‘Someone You Loved’, ‘Bruises’ and ‘Before You Go’.
His monster of a hit ‘Someone You Loved’ has surpassed 3.9 billion views and is the UK’s most-streamed song of all time, so it is safe to say that his presence has been well and truly missed.
To many fans’ delight, the singer has stepped back into the spotlight and is ready to sing his heart out live at a variety of arenas across the UK, including Co-op Live right here in Manchester.
Now, in a post on his official Instagram account announcing this upcoming UK and Ireland arena tour, it’s good to see the Scottish powerhouse hasn’t lost his wit and charm as he jokes, “About time I got back to work.”
These shows are set to be in high demand as the singer has also revealed these upcoming dates, “Will be my only shows in the UK, Ireland or Europe this year! Would love to see ya there.”
On the back of his glorious Glasto return, Capaldi has dropped a huge heart-wrencher titled ‘Survive’ which offers more insight into the struggles and challenges the singer has been facing.
There is no confirmation of whether this new single marks the launch of a bigger project or not, but we can’t wait to scream his hits at the top of our lungs, regardless of when he pays Manchester a visit later this year.
Georgina Pellant -
21st October 2021 
