Gone from the main bar are the plain white walls and chunky wooden tables with mismatched chairs, a fixture there for more than a decade.
Instead, velvety green chairs, dark walls, and exposed filament bulbs overhead give the revamped space a sort of New York speakeasy vibe that more than fits with plans to host late-night music acts here for ‘after show’ parties, some running as late as 2.30am throughout the week.
Image: The Manc Group Image: Jody Hartley
Little nooks carved out in corners make for intimate date spots at night (or a good hidey-hole to work away in during the daytime), and right at the back the original bar has been replaced by a stage draped in theatrical red velvet curtains – perfectly setting the scene of a late-night jazz bar.
In the day, they’ll be serving Patel’s Pies and other snacks here, with a new bar menu full of bespoke cocktails, cask beers from Hebden Bridge brewery Vocation, low-intervention wines from Kwas, and a solid no and low section with different wines, beers and spirit offerings.
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By night, it’s all pints in hands and party atmosphere as the venue’s live music programme gets rolling again after months of reconfiguration, postponements and delays.
Image: Jody Hartley
Some shows taking place this month are part of tours the Band On The Wall team had organised in 2019 or 2020, showing just how long it has taken for things to get back to normal after the pandemic. At last, nature is healing.
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The main bar and stage area has been expanded, the stage pushed back from the stage door and lifted high above the crowd to ensure even those in the back now have a decent view (as long as they’re not stuck behind one of the supporting pillars).
The balcony area is still there, as is the main stage bar – with most of the work here going into tweaking and upgrading the already-excellent PA system and installing a brand new lighting rig.
Image: Jody Hartley
We’re told the capacity has now grown in here to at least 500, but the team is anticipating being able to sell even more tickets once they’ve worked out a few kinks. It’s cost a pretty penny, too, with around £3.5million being fundraised for the project’s development since 2015.
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Backstage, a connecting platform makes it easy to roll the grand piano from the main stage to the bars, and lots of work has been done throughout the venue to ensure it’s completely wheelchair accessible for both performers and artists.
More is still to come, with ongoing construction at the back of the building currently putting in a new recording studio, workshop spaces and a roof terrace that will be used by students of Manchester College.
Image: Jody Hartley
The work is set to be fully completed at the end of April, but after a long period of closure, bosses were keen to get the doors open again to keep doing what they do best: booking brilliant underground musicians and filling up dancefloors with fans eager to hear (and see) them play.
With so many closures of small, intimate venues in recent years, the new bar makeover at Band On The Wall brings something Manchester is sorely lacking – a small, intimate space where upcoming artists can play and be heard, right in the hearrt of the city centre.
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Riding the line between the big mainstream venues and the spit and sawdust dive bars, it’s great to see it open once again with a promising lineup for artists all confirmed for its reopening.
Featured listings for the Band On The Wall reopening:
MF Robots / Fri 11th March / Buy Tickets Amadou & Mariam and Blind Boys of Alabama: From Bamako to Birmingham / Tue 15th March / Buy Tickets Avi Kaplan / Sun 20th March / Buy Tickets Balimaya Project / Tue 22nd March / Buy Tickets Bill Laurance Trio / Thu 24th March / Buy Tickets Soft Machine / Mon 28th March / Buy Tickets Ibibio Sound Machine / Fri 1st April / Buy Tickets Mario Biondi / Sun 3rd April / Buy Tickets Focus / Tue 5th April / Buy Tickets Asian Dub Foundation / Fri 8th April / Buy Tickets Roberto Fonseca / Thu 21st April / Buy Tickets James Taylor Quartet / Sat 14th May / Buy Tickets
Microdot exhibit for BRITs 2026: the artwork of Oasis, Verve and more up in Manchester Piccadilly
Danny Jones
If you’ve passed through Manchester Piccadilly of late, you might have noticed two things: one, it’s really quiet, and two, there’s loads of cool Britpop merch and memorabilia on display, including original Oasis, The Verve, Inspiral Carpets art and more – all courtesy of Microdot.
Set up as part of the city’s own BRITs celebrations, along with a raft of other nationwide festivities, as the annual music award ceremony prepares to make its Manc debut at the Co-op Live this month, the showcase features special edition frames and more, all pride of place in the middle of the train station.
This collection, simply entitled ‘A Microdot Design’, is all done by the legendary Brian Cannon, the graphic designer and art director behind so much recognisable visual material within the genre.
We recently had the honour of speaking to the man himself in person ahead of Piccadilly’s temporary closure; you can see our interview with him right here:
The Wigan-born artist and visionary didn’t just make promotional materials for some of the biggest bands in the 1990s; he’s responsible for what has gone on to become some of the most familiar iconography in British music history.
With this pop-up exhibit available for a limited time only, we strongly urge you to go along and, for once, take your time rather than rushing around the station as you peruse the boards placed right near the main entrance.
Charting his work from circa 1990 up until now, it’s crazy to see just how many of Brian and Microdot’s fingerprints are all over so many different bands and artists.
From native names like Oasis, The Verve and the Inspirals, as mentioned, as well as the likes of Cast, Super Furry Animals, Suede and Ash, plus so many more, this guy has been nothing short of prolific over the past few decades.
Audio North took a little tour of the King Street South unit last year in the lead-up to Oasis Live ’25 reunion world tour, and we felt like kids in a Britpop sweetshop.
While this site has sadly since closed, shutting up shop back in July, Brian’s mini, modest, but nevertheless magic Microdot Boutique up in the Lake District is still standing.
Located in the popular North West town and tourist attraction, Kendal, it’s worth a trip there to see more of his portfolio alone.
Currently on display at Manchester Piccadilly ahead of the full 2026 BRITs Week and shindig at Co-op Live, it’s one of the best completely free things you can do in town at the moment – but the exhibition finishes on Sunday, 1 March, so make sure you don’t miss it.
Speaking of the BRIT Awards, if you’re wondering what else is on as 0161 gets ready welcome them for their two-year stint (at least), look no further…
Two brothers from Oldham are beating out the likes of Taylor Swift in the iTunes charts
Danny Jones
A pair of brothers from Oldham who simply go by Two Connors are now holding on to the top spot in one of the biggest iTunes charts, and they’re beating the likes of Taylor Swift, Bruno Mars, Bad Bunny and many more.
Stuff your global music stars, we’ll back a duo from Greater Manchester all day long.
Danny and Callum Connor, a couple of blokes from Oldham in their mid-30s, are currently number one in the iTunes singles charts with their latest song, ‘Familiar Faces’, but this isn’t the first time they’ve gone big with a release online.
Carving out their own little corner not only in the old Lancashire borough but a small pocket in the UK’s wider grime, drill, rap and hip-hop scene, they’ve only gotten bigger over the last 18 months or so.
After releasing their first two tracks back in 2024, Callum and Danny have been on a very gradual rise, but they quickly gained a cult local following in and around Oldham.
Writing about life and around the area, with high personal and anecdotal lyrics that feel like niche references and in-jokes specifically for‘Roughyed’ residents – it’s not just music by them but FOR them.
In addition to recording their own unique cover of ‘Bad Habits’ by Ed Sheeran, they also went fairly viral for releasing a music video featuring crowds of local children.
Putting their own chant-based chorus slant on ‘Hi Ho, Hi Ho, “It’s off to Work We Go”‘, written by Mitch Miller and The Sandpipers (yes, as in the main theme from Snow White and the Seven Dwarfs), it was a fairly radio-friendly tune that was easy for kids and more to sing along with.
With various other natives getting involved in the music video, joining them on the town centre streets and lip-syncing the lyrics, it was circulated online all over Britain and beyond.
You can watch it in full down below.
Fast forward to February 2026, and not only have they grown their following across the region, but even further afield now, as it turns out; currently sitting ahead of ‘Opalite’ from worldwide smash-hit album, The Life of a Showgirl, who needs big label backing, eh?
Bringing smiles to even more Greater Mancs by quite literally shining the spotlight on ‘Familiar Faces’ and punters from nearby pubs such as The Up Stepps Inn and former nightclub Sruples, it is a real tribute to their homeland.
Only time will tell how long they’ll cling to that iTunes top spot, but with nearly 73,000 monthly listeners on Spotify and counting, they might be one of the biggest music names to come out of OL in some time.
In other big news over in Oldham, on the sporting side of things, RLFC are staring down yet more uncertainty, with local hero Bill Quinn also wrapping up his time at the club.
Georgina Pellant -
8th March 2022 
