Hot Chip has just announced they will play a huge live show in Manchester in the new year, in what marks the band’s first appearance since the release of their newest album Freakout/Release.
The electronic band, most famous for mid-noughties hits ‘Over and Over’ and ‘Ready for the Floor’, will bring a specially curated line-up to the Warehouse Project’s home at Depot Mayfield for the very first time.
At the huge show, which will take place on 3 February 2023, Hot Chip will be joined by the likes of Todd Terje, Sofia Kourtesis, Yuné Pinku, Mona Yim (DJ Set) and Tarzsa.
The group’s most recent release Freakout/Release dropped this summer to resounding praise from critics, with music review authority Pitchfork comparing the album to “a homeopathic remedy”.
Image: Hot Chip
The eighth album from the band, a long-time favourite of electronic music heads, opens with what the site calls “a startling confession” from frontman Alexis Taylor before delving into a “litany of woes”.
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Elsewhere, tunes such as the album’s title track Freakout/Release pay homage to the group’s love of The Beastie Boys (inspired, in part, by the group’s cover of ‘Sabotage’) – joining “doubt with deliverance over the cleansing pulse of a disco beat.”
Since first debuting in 2004, the London indie electronic band has gone on to release seven more LPs, received Grammy and Mercury Prize nominations and perform at the likes of Glastonbury.
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Image: Hot Chip
Image: Hot Chip
Formed in 2000, the band have forged themselves a reputation as one of the most innovative bands to come out of the UK in modern times.
In their time, Hot Chip have released eight studio albums, with their latest being 2022’s Freakout/Release.
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So far, only two dates have been announced by the band in 2023 with Hot Chip playing their first show of the year in Manchester. Hot Chip will then headline Kaleidoscope Festival at London’s Alexandra Palace on July 15, 2023.
Tickets for the WHP show start from £29.50 plus a booking fee. You can register now via https://linktr.ee/WHPMCR for the exclusive presale and the only guaranteed access to tickets.
The presale for tickets goes live on Wednesday 30 November at 10am, followed by a general sale on Thursday 1 December at 10am.
Feature image – Hot Chip
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Georgina Pellant -
29th November 2022 
