One of Manchester’s most legendary nightclubs has announced its permanent closure after almost three decades.
South, which has been in its basement location on South King Street since 1995, is one of the city’s leading nightlife venues.
The indie club is frequented by Inspiral Carpets keyboard player Clint Boon, who takes over the DJ decks every Saturday night.
Clint announced the news today, saying that Manchester is losing ‘one of its greatest nightclubs of all time’.
South nightclub. Credit: Twitter, @therealboon
The heartbroken musician said: “A message that I never hoped I’d have to post. My night this Saturday at @South_Club will be the club’s closing night.
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“Due to issues beyond our control, (myself, the management & the owners), Manchester will lose one of its greatest nightclubs of all time.
“@South_Club has been my second home for well over 20 yrs and it’s been a massive part of the Boon family’s journey.
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“Please join us on Saturday for our closing night. Needless to say, it’ll be a big send off and probably an emotional one! Lotsa love.”
South nightclub. Credit: Twitter, @therealboon
He later added: “Thanks for all your lovely messages about @South_Club. The final night is now sold out.
“For those of you who missed out on tickets or who can’t be there, I’ll be live streaming the full night on @Beatstream_live. I’ll post a link on here over the next 24 hours xxx #BoonArmy.”
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Hundreds of Mancs have rushed to share their memories of South.
One person shared: “Gutted! Man I have had some great times in there and Red Stripe never quite tastes the same anywhere else. Have a cracking time and send off on Saturday. Big Love to everyone involved over the years. PS- If you remember any of the nights too well- you were doing it wrong.”
Another wrote about South nightclub: “Can’t describe how sad this makes me. Heartbroken. Thankyou to @therealboon and the team at @South_Club for some of the best memories, the best music, the love and warmth every time we came. There’s nowhere else and will be nowhere else like it.”
Someone else said: “Sad, sad times again. Manchester is losing a belter of a club.”
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It follows Fifth Avenue, another clubbing institution that shut its doors earlier this year.
Featured image: Facebook, South
Audio
Take That at the Etihad Stadium – the Manchester boys are ‘back for good’ | Review
Clementine Hall
We’re not saying this was the ‘Greatest Day’ of our lives…but it was certainly up there.
Take That have been taking us all on a trip down memory lane over the past few weeks, bringing The Circus Live back to stadiums across the UK and recreating their record-breaking 2009 tour.
Last night they kicked off their four night run at the Etihad Stadium, and it’s safe to say the much-loved pop trio have absolutely still got it.
In fact, I’d go as far to say that this is the best Gary, Mark and Howard have ever looked, sang, and above all else, danced.
Maybe it’s because this is their first hometown gig in two years, or maybe it’s because I’m extremely biased having grown up listening to Take That in my mum’s car on the way to school.
Either way, I said what I said.
Now as the name suggests, The Circus Live isn’t your average show. There’s a gigantic hot air balloon, a huge mechanical elephant, clown face paint, acrobats, unicycles, fireworks, sparkly costumes, you name it – they’ve got it.
It’s an aggressive assault to the senses, a fantastic fever dream, overstimulation of the highest degree, and I lapped up every single moment.
It’s what I imagine taking a tab of acid feels like before a gig, and if that’s the case then I would recommend doing so.
Of course the boys open the show with ‘Greatest Day’, and from the get go Gary Barlow’s vocals are just as smooth as ever.
After a brief Barry Manilow cover they then showcase their exceptional synchronised choreography during the dance break of ‘Pray’, to which I could almost hear the audible gasps from hundreds of mums in the audience.
All of which, I assume, were transported in that moment back to 1993 when Take That debuted the moves on Top of the Pops.
After a brief pause, Mark Owen leads the lads in ‘Shine’ as they make their way to the second stage in the centre of the stadium. Top hat in hand, Gary on the keys, Howard there purely for vibes – it’s no wonder Morrison’s chose this banger for their advert.
From then on it is simply banger after banger, and it’s clear that they feel very grateful to still be filling out stadiums as Howard particularly gets teary eyed after ‘Never Forget’ is met with roars of applause.
Take That have three more shows left at the Etihad Stadium, and you can still grab some last minute tickets here.
However, if you fancy not moving from your sofa but still want to be a part of the fun – Saturday’s show will be livestreamed across the globe via Amazon Music, so no matter where you are in the world, you can still visit The Circus. Find out more here.
Audio North’s Artist of the Month – Aaron Dinning | June 2026
Thomas Melia
Aaron Dinning is an indie-pop act whose songs span the highs and lows of relationships, and now he’s Audio North’s latest Artist of the Month.
Born in County Durham, studied in Leeds, and now the curator of a live music events organisation based in Manchester, Dinning sure knows a thing about northern music.
With hits to his name already like ’24’, ‘Look Who’s Holding The Gun Now!’, this queer musician is gearing up to release a deluxe edition of his sophomore EP Boys Become Men.
If his name feels familiar to you, that’s because it probably is, as Aaron Dinning has performed at a multitude of venues across the north – including Feel Good Club, Popup Bikes, and The Proud Place.
Now, Dinning chats to Audio North about his upbringing and music journey, as he accepts the title of Artist of the Month for June.
An interview with Aaron Dinning – Audio North’s Artist of the Month | June 2026
Aaron Dinning is making his mark in the Manchester music scene with his indie-pop tracks / Credit: Press Shots via Emily Atherton (Supplied)
You were born in County Durham and now live in Manchester. How have those two places shaped you as an artist?
I think there’s such a contrast in the environment of those two places. Durham was so formative for me growing up, back then I didn’t have the autonomy to vocalise it but now I see Chester-Le-Street specifically as such a ‘small town mindset’ kind of place.
If I stayed at home, I would never be the artist I am today. That’s not to say that growing up somewhere like that isn’t just as important as the place which makes you feel accepted. You can’t have such a strong desire for one without a disdain for the other.
What does being a northern musician mean to you?
I think being northern, to me, just means breaking the mould and showing that if I can do it, anybody can. It means building my career on my own terms, it’s taught me to unapologetically be myself, on and off stage.
I always say that I want to write the songs I needed when I grew up because there was nobody like me from the North. Sometimes it still feels like I’m the only one too.
To me, if I can write a song, or put on a performance that resonates with a 15-year-old kid who’s still figuring out who they are or who they love, that’s the most fulfilling thing that can come from sharing my art.
This Northern talent is from Country Durham, studied in Leeds and is now based in Manchester / Credit: Press Shots via Jack Garrod (Supplied)
The music industry can feel very London-centric at times. Have you found being based in the North to be an advantage or a challenge?
It’s a bit of both really. Yes, London is where the majority of the big names in music are, but in my mind, I always compare it to that scene in Baby Reindeer when the guy says ‘You find yourself a background artist in a cast of millions’ (niche).
I like that the industry isn’t as saturated as London up here, but I can see that changing in years to come. The North has always been where it’s at and truly where all these major labels should be looking for who’s up next because you might just find a gem like me waiting to be found.
Is there a northern artist who made you think, “If they can do it, so can I”?
Definitely Sam Fender. I know it’s a bit of a cliche nowadays, but I absolutely love him and he’s what I think of when it comes to a classic northern success story.
I’ve seen him six times and the last time at St James’ Park was a completely different calibre of show to when I saw him at Boiler Room in 2019 and paid fifteen quid for the ticket.
Me and him are completely different, but I imagine we had a similar sort of upbringing in the terms of characters we knew growing up in rougher areas. I feel like he cracked the mainstream so well with his first album and he’s only gotten better since. I’d want my first album to have the same kind of critical acclaim as his.
Dinning fuses his sexuality throughout his music, being an openly queer pop musician / Credit: Press Shots via Tom Hargreaves (Supplied)
What made Manchester feel like the right place for the next chapter of your career?
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I recorded my entire EP here whilst I was still living in Leeds with Toby Ollis Brownstone from the beginning of 2024. That year and a half which I spent travelling back and forth in Manchester made me love the city and loathe commuting.
I knew I wanted to move to Manchester when I got invited to play the Queer as F*ck open mic on Valentine’s Day in 2025. That was the first show I played accompanying myself on the guitar, I agreed to play three hours before doors and completely fumbled my way through the set.
The feeling of the room was like nothing I’d experienced before, to come to a show in another city I had never played in and feel so welcomed, at home and accepted by a room full of likeminded people, felt like a feeling I could only replicate in Manchester.
Has living in Manchester changed your songwriting at all?
Generally speaking, I’ve been playing guitar a lot more since moving here. I feel like there’s a naive fresh start that comes along with moving to new places and feeling like your life’s going to drastically change.
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Becoming the Producer of SoFar Manchester helped me feel integrated and I’ve met so many cool people doing that job while spotlight my friends who are artists and bring them to the city that I fell in love with – It’s all very full circle.
I’ve brought Romy Taylor, Caitlin Doran, Sophie Green, and GRACEY over to play SoFar events and they’re all equally amazing creatives who are based in Leeds, like I once was.
The ’24’ singer has played gigs in unusual Manchester city centre locations like Popup Bikes in Ancoats / Credit: Credit: Press Shots via Emily Atherton (Supplied)
What do you think Manchester does better than anywhere else when it comes to music?
I think Manchester is such a hot pot of different styles and genres. I think the thing it does best is spotlight LGBTQ+ artists. Not just in music, but drag is somewhere I look to when I think of performance, and the queens in the village are truly a sign of resilience and individuality.
I’ve had more shows just for being queer in Manchester than anywhere else I’ve lived, there’s so many freelance creatives, charities and gig promoters who are looking out for LGBTQ+ artists to celebrate, even making entire lineups out of us.
Daisy Jackson -
2nd June 2022 
