Easy Life frontman and songwriter Murray Matravers has issued an emotional update explaining more details surrounding the band’s ongoing lawsuit at the hands of easyJet and the easyGroup conglomerate over naming rights.
In case you somehow missed it, earlier this week the Leicester-based five-piece revealed they had been threatened with the prospect of being sued by the company owned by Greek-Cypriot billionaire, Stelios Haji-Ioannou, and best known for its budget airline, easyJet.
As ridiculous as it sounds (because it is), the multinational corporation intends to sue the band — whose name is stylised in lowercase as ‘easy life‘ — for using the word easy in their name, which they claim to have trademarked and have already been collecting royalties from other companies for some time.
Now, the latest according to Matravers is that the band and their legal representation have a clearer picture of how much fighting this in court will cost and when the wheels will really start moving.
Starting off by thanking fans and concerned parties in general for their “outpouring of love, anger, support and compassion” following the news, he labelled the reaction across the music industry and online as both “overwhelming” and “beautiful”.
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Despite multiple groups having “offered to crowdfund” to help the band take on the lawsuit, the singer, lyricist and co-founder reiterated that “this case is going to be extremely expensive to fight in the High Court” and wouldn’t actually begin until 2025.
“We would be undertaking an absolutely massive, potentially two-year-long fight against a billion-dollar corporation”, he continues. “We’re not a limited company: it’s our name on the lawsuit, they could take everything and we could be completely financially ruined — they know that and they are extremely aggressive”.
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With several dozens of ‘easy’-prefix businesses to their name, not mention countless more trademarks in existence (be they defunct, future-proofing or otherwise), the holding group has attempted to monopolise the word and already taken several other companies to court on the same grounds.
The full list of active easyGroup brands at present (Credit: Stelios Philanthropic Foundation)
The 27-year-old also commented on how both the company and other media outlets such as the Daily Mail are trying to discredit the group and “running [his] name through the dirt”.
Adding that he and his bandmates “feel intimidated” and “are going through it” during a very clearly emotional moment in the lengthy video statement, he went on to say that he believes they “have a very strong case” but warned they are going to need “upwards of half a million quid to get a fair trial”.
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Speaking passionately and defiantly, he ultimately declared that the ‘easy life vs easyGroup’ lawsuit is no longer just about the band but is instead “a case about corporate bullying” and merely one in a long line not just by this particular organisation but several others. Many of those commenting have been quick to draw comparisons between this situation and Joe Lycett‘s famous protest stunt against Hugo Boss.
As for the band, they have received a tidal wave of support from others in the music industry, with the likes of Arlo Parks, Mahalia, Professor Green and several others sending messages of solidarity and offering to help fundraise on their behalf. Murray was also praised for proving how the company doesn’t have a leg to stand on when it comes to who came first:
In their latest statement on the looming legal battle, the now deeply unpopular easyGroup labelled Matravers as a “brand thief” and argued that Stelios has owned the ‘easy’ family of brands since 1994, adding that he “needs to understand that he is not being sued by an airline” but its parent organisation.
Warning that the company “has a legal budget of £4 million per year with which to take action against brand thieves, big and small”, they even went so far as to highlight “negative PR about Matravers (for example having to be carried off stage for being too drunk to perform)”, suggesting that this could “reflect badly on easyGroup” and that “confusion is not necessary for such tarnishment to occur.”
They also drew attention to some of Easy Life’s previous merchandising such as tour posters with planes on and band t-shirts, both of which appear to mimic the company’s branding.
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The statement continues to progress in a rather personal manner, claiming that “Mr Matravers has also tried to develop the story that this is a ‘David vs Goliath’ and somehow the ‘little guy’ has the right to use any name he likes because he can’t afford lawyers.” Let’s just say we sincerely hope David wins this one.
Featured Image — easy life (via Instagram)/easyGroup
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Eurovision 2025 final to be screened live in cinemas across Greater Manchester
Emily Sergeant
The grand final of the Eurovision Song Contest is to be screened live in cinemas across Greater Manchester next month.
Following the success of the previous two years, initially starting back when the internationally renowned televised event was held on British soil in Liverpool in 2023, cinemas up and down the UK are, once again, set to come together to celebrate 2025’s edition of the major night in the music calendar by hosting the ultimate viewing events.
The epic Eurovision Song Contest Grand Final on Saturday 17 May will be broadcast live on BBC One, and streamed into more than 100 cinemas nationwide – including several in Greater Manchester.
Distributed by CinemaLive, the live stream events will allow Eurovision fans to gather under one roof and share in the unbeatable experience of celebrating the brightest and boldest music party of the year on the big screen.
The Eurovision 2025 final will be screened live in cinemas across Greater Manchester / Credit: CinemaLive | Krists Luhaers (via Unsplash)
You may remember that Switzerland is hosting Eurovision this year, following the nation’s well-deserved victory at the 2024 contest with the song ‘The Code’ performed by Nemo.
But thanks to these live stream events, you won’t need to make the trip to Basel to get in on the action, as you’ll just need to nip down to your nearest participating cinema instead.
Not only will the long-awaited final of the show be streamed live onto the big screen in 5.1 surround sound, but fans are invited to bring their Eurovision parties from the front room to the cinema instead, as organisers say fancy dress is ‘heavily encouraged’, as are enthusiastic sing-alongs too.
Speaking ahead of the event next month, John Travers from distributors CinemaLive, said: “We’re delighted to be working with the BBC to bring Eurovision’s grand final live into cinemas across the UK for the third year in a row.
“There’s simply no better way to enjoy the biggest night in music than in a cinema.”
Tickets are now live and available to book at your local cinema here.
Some of the participating Greater Manchester cinemas include Vue Manchester Printworks, Everymans in Manchester city centre and Altrincham, The Light in Stockport, and Cineworld in Didsbury, among others.
Featured Image – EBU
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A new theatre show based on the Oasis and Blur rivalry is heading to Manchester
Daisy Jackson
No one sits on the fence in the great ‘Blur or Oasis’ debate – and now one of music’s greatest rivalries will be brought to the stage in a brand-new theatre show.
Heading to Manchester next year will be the brand-new comedy play, The Battle.
Audiences will take a trip back to 1995, when Britpop heavyweights Blur and Oasis were battling it out on the airwaves – and throwing more than a few jibes at each other along the way.
The Battle follows that moment in time where both bands – one our beloved Northern brothers, the other that clean-cut art-school band from the South – released singles on the same day.
The ensuing ‘battle of Britpop’ saw rivalries flare, friendships fracture, and a media mania that defined the era.
Highlights of the play will include the Brit Awards, the war on the charts, and legendary personalities.
The Battle promises ‘filthy language and razor-sharp dialogue in this cut-throat new comedy that puts you right at the heart of the feuding, the fame, and the fallout’.
The Battle is the debut stage play from screenwriter and Sunday Times best-selling novelist John Niven, and will be directed by Matthew Dunster.
John Niven said: “1995: a time long before music splintered into a billion different Tik Tok feeds. When music was so central to the culture that two pop groups could dominate the entire summer, the evening news and the front page of every newspaper in the country.
“We’re going to take you back there. I’ve never written for the stage before, and it has been an absolute blast to do so for the first time with a producer as supportive as Simon and a director as talented as Matthew.”
Director, Matthew Dunster, added: “I remember the Battle of the Bands. I remember the charts that week. Music mattered.
“I remember being in my twenties in 1995. What a wild time. Full of energy, naughtiness and hilarity. Just like John Niven’s play.
“I’m so delighted to be working with John on such a punchy, hilarious and revealing comedy about two of the best bands of all time, Blur and Oasis.”
Producer, Simon Friend, continued: “Throughout my sister’s teenage years, she had an enormous poster of Damon Albarn on her wall, and I remember her falling out with friends over which band they loved more.
“Ever since, this story has been in the back of my mind, and I was delighted that John Niven agreed to write it because there is no more qualified or hilarious chronicler of this world, and combined with Matthew Dunster directing, we have a fearless team recreating the sweaty mid-‘90s carnage of The Battle of Britpop.”
The Battle will make its world premiere in Birmingham next year before heading out on an extensive UK tour, including a run of shows here in Manchester.
The Battle will be at the Opera House Manchester between 17 and 21 March 2026.
Tickets go on general sale on Friday 2 May at 10am – grab yours HERE.