The music industry and social media at large are taking aim at easyJet in light of what might be one of the most ridiculous stories we’ve ever heard, as the airline is reportedly suing alternative indie-pop band, Easy Life, because their names are apparently too similar.
Like the majority of people who first saw this online, we thought it was a joke at first too. Apparently not…
Despite having been formed in 2017 and having seemingly caused no disruption to the company’s business in the past six years, Easy Life shared a statement on Monday evening claiming that popular UK airline easyJet is set to sue them simply because they share the word ‘easy’ in their name.
Much to our and everyone else’s shock, the lawsuit appears to be real after a spokesperson for the budget flight operator told NME: “Stelios and easyGroup founded and (now) own the right to the easy brand name… We cannot allow unauthorised third parties to simply use it free, gratis and for nothing. That would be very unfair.”
They basically believe they have a copyright on the word ‘easy’. Simply flabbergasting and, as you can expect, it has led to some very low-hanging fruit and amusing reactions:
The full statement by the Leceister-based band reads: “Okay… never imagined having to do this but we’ve no choice but to address the situation we find ourselves in. As some of you have already discovered, we are being sued, easyjet are suing us for being called easy life.
“They’re forcing us to change our name or take up a costly legal battle which we could never afford. we’ve worked hard to establish our brand I’m certain in no way have we ever affected their business.
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“Although we find this whole situation hilarious, we are virtually powerless against such a massive corporation. I don’t really know what else to say, will keep you lot updated.”
The five-piece signed off by joking, “for those of you who bought gig tickets and ended up on a budget flight to Tenerife, I apologise, for the rest of you, thank you so much for your support”. Naturally, they aren’t the only ones laughing at the absurdity of it all.
While a large proportion of the comments are versions of “surely they are joking?” and “this has to be a p*** take?”, for those that have clocked on to the fact this is somehow real, easyJet are currently being called every name under the sun.
As for the company’s stance on the matter, they went on to insist to the NME that not only do “Stelios and easyGroup own the right to the easy brand name” but stated that “other companies (including easyLife) [already] pay annual royalties for its use as part of their business strategy”.
So yes, although it might sound silly that they are basically trying to copyright a common word in the English language which has been used in various different phrases since the start of the Middle Ages, easyJet have indeed been trademarking a number of different names including easyVan, easyProperty, easyCurrency and more — the suggestion being that they could be angling for easyLife insurance next.
It goes without saying that we find this whole thing stupid we’re still in disbelief that it’s actually genuine. Then again, we shouldn’t be too surprised as the company’s owner Stelios Haji-Ioannou has tried to sue everyone from the creators of Come Fly With Me, who parodied him back in 2010, to a small taxi company that also had easy in their name.
What they’ve actually done is just lost even more faith amongst Brits who travel from time to time and might have been considering using the airline and given easy life one of the best bits of inadvertent publicity and nationwide exposure we’ve ever seen.
Here’s hoping the boys’ nightmares turn into daydreams soon and in case it wasn’t already hammered home just how daft this whole thing is, just check the comments underneath this statement of solidarity from music label Blood Records.
Featured Image — easy life (via Instagram)/Bene Riobo (via Wikimedia Commons)
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Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Danny Jones -
3rd October 2023 
