Award-winning theatre-makers Candice Edmunds and Jamie Harrison have cast a spell, transforming a childhood classic into a new must-see musical.
Bedknobs and Broomsticks is flying across the country on a musical tour, opening at our very own Palace Theatre this week for a world premiere.
A proper classic, production for the original film was given the green light by Disney studios in 1969 and received five Academy Awards in 1971.
Now, for the first time ever, a stage musical adaption of Mary Norton’s fantasy is being shown in theatres across the country.
The Manc was lucky enough to go see the magic unfold.
Michael Harrison’s stage adaption is a force to be reckoned with. Energetic, imaginative, and fun for all – it’s sure to become the nation’s new favourite.
The Palace Theatre was packed and as the house lights lowered a spooky murmur spread across the audience. Being the first stage performance of Bedknobs and Broomsticks, to say this production had some high expectations to meet is an understatement.
But, wow, Brian Hill’s adaption went above and beyond (there is literally a floating bed).
The main characters flying on the iconic bed / Image: Johan Persson
Seeing the original story come back to life was a pleasure for all, especially in such capable hands. The production also stayed loyal to the Disney classic in all the right places.
The set design was nothing short of magical and had audiences marveling at one another in the interval.
Co-director and set designer James Harrison also designed the set on Harry Potter and the Cursed Child. Harrison certainly possessed the sorcery needed to conjure the magical land of ‘Bedknobs and Broomsticks’ on stage.
The iconic bed floated inexplicably above the auditorium glowing with colour and light. Miss Price commands an army of floating clothes while soaring over the audience on a broomstick. A hungry lion, a fishing bear, and a flustered bird were masterfully brought to life through puppetry. Actors turned into white rabbits and back again so seamlessly that gasps were heard followed by applause after every trick.
With these special effects, it was hard not to start believing.
Dianne Pilkington as Eglantine Price soars on a broomstick / Image: Johan Persson.
West-End star Dianne Pilkington (Glinda in Wicked and Donna in Mamma Mia!) is back on the stage for the first time to play the mysterious witch Eglantine Price. A role known and loved to be Angela Lansbury’s who played Eglantine in the film, Pilkington had mighty shoes to fill.
But only Dianne Pilkington could have filled them.
Pilkington approaches the role with confidence and fresh energy. She captures the attention of all audience members through her unfailing vocal abilities and witty interpretation of the character. We couldn’t take our eyes off her.
Charles Brunton (Miss Trunchball in Matilda) played the con artist Emelius Brown with all the charm of a quintessential shabby Englishman. Brunton is the perfect match for Pilkington and the two danced around each other with perfect ease, a duo we would like to see again.
The Rawlins, three orphans evacuated from London and reluctantly adopted by Miss Price, were played by (Connor O’Hara, Evie Lightman, and Jasper Hawes). The children played their roles with sensitivity and were all strong vocal talents.
The three Rawlins children on stage / Image: Johan Persson.
New songs and additional music and lyrics by Neil Bartram were a grand success. ‘Nobody’s Problem’ proved the five-core actor’s strength as an ensemble, their choral harmonisations added to the heart-wrenching sadness of Bartram’s lyrics.
Sherman Brother classics including ‘Age of Not Believing’ and ‘The Beautiful Briny’ made a comeback. Combined with being old favourites and the added verve of theatricality, you wondered why this was their first time being performed on stage.
But it was ‘Portobello Road’ that stole the show. Costumes dazzled with glitter, chorus members whirled around on carts and the detailed choreography won it The Manc’s song of the show.
The play was granted the standing ovation it deserved. Whoops and cheers shook the auditorium.
Home to lavish musicals and pantomimes since the beginning of the 20th Century, The Palace Theatre was the perfect place for Bedknobs and Broomsticks to open in Manchester.
The Palace has put on thousands of performances, but Bedknobs and Broomsticks is sure to become a gem in the crown jewels.
Grab your tickets for its run in Manchester here. Or if not, you can chase it as it flies round the rest of the country here.
___
Manchester dates: October 19 – 24
Directors: Candice Edmunds and Jamie Harrison
Running Time: 2 hours
___
Featured Image – Johan Persson
News
‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
“It speaks of nature, of craftsmanship, and of a couple who chose each other over status and what others thought of them.”
The sculpture has now gone on display at Dunham Massey from Thursday 26 June.
Featured Image – James Dobson (via Supplied)
News
Lewis Capaldi announces MASSIVE comeback gig in Manchester this year
Thomas Melia
Everyone’s favourite Scottish ballad-maker, Lewis Capaldi, is heading out on tour across the UK, including a massive Manchester date.
Scottish singer-songwriter Lewis Capaldi is ready to tug at our heartstrings again right in front of our eyes as he announces a new UK arena tour.
This huge announcement comes right after his surprise set at the UK’s biggest music event of the year, Glastonbury, where he made a heroic return to the Pyramid Stage just two years after being forced to pull out.
Capaldi is known for writing some of the most notable and emotive hits of the late 2010s and early 2020s, including a long list of anthems such as ‘Someone You Loved’, ‘Bruises’ and ‘Before You Go’.
His monster of a hit ‘Someone You Loved’ has surpassed 3.9 billion views and is the UK’s most-streamed song of all time, so it is safe to say that his presence has been well and truly missed.
To many fans’ delight, the singer has stepped back into the spotlight and is ready to sing his heart out live at a variety of arenas across the UK, including Co-op Live right here in Manchester.
Now, in a post on his official Instagram account announcing this upcoming UK and Ireland arena tour, it’s good to see the Scottish powerhouse hasn’t lost his wit and charm as he jokes, “About time I got back to work.”
These shows are set to be in high demand as the singer has also revealed these upcoming dates, “Will be my only shows in the UK, Ireland or Europe this year! Would love to see ya there.”
On the back of his glorious Glasto return, Capaldi has dropped a huge heart-wrencher titled ‘Survive’ which offers more insight into the struggles and challenges the singer has been facing.
There is no confirmation of whether this new single marks the launch of a bigger project or not, but we can’t wait to scream his hits at the top of our lungs, regardless of when he pays Manchester a visit later this year.
Dolly Busby -
22nd October 2021 
