Sacha Lord has announced that he is to exit his role at Parklife and The Warehouse Project with immediate effect.
Greater Manchester‘s Night Time Economy Advisor, and the current Chair of the Night Time Industries Association (NTIA), co-founded The Warehouse Project alongside business partners, Sam Kandel and Rich McGinnis, all the way back in 2006, and following the undeniable success of the venture, went on to launch Parklife festival in 2010.
But now, after 30 years at the top of Manchester’s music scene, Sacha has decided now is the time to step away from the industry and move on to “the next chapter” to focus on a number of other exciting future endeavours.
He has today confirmed he will be departing the businesses following a transfer of shares to LN Gaiety – which was agreed in 2021.
“The decision to step down was not an easy one,” Sacha said in an official statement.
“I will miss the team, the events, the customers, I’ll even miss the stress and the late nights, but I’ve known for a long time that Parklife 2024 was going to be the last for me. There could not have been a more perfect moment for me to step away than now – exactly 30 years since my first event at The Hacienda.
Sacha, who last month announced he is expecting a baby with his wife, Demi, says he’s “so excited for what’s to come” in the future.
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He continued: “This decision will free up my time to focus on my roles in the night time economy and hospitality sectors, and of course, most importantly, the birth of my first child with my beautiful wife Demi later this year.”
Sacha Lord announces he’s leaving his role at Parklife and The Warehouse Project / Credit: Greater Mancunians Project (via Supplied)
The Warehouse Project has regularly been named one of the best nightclubs in the world, and was even described by DJ Mag as “the concept that flipped the British nightlife script”, thanks to the countless internationally-acclaimed artists that have featured on the lineups over the last two decades.
Parklife, on the other hand, is Europe’s largest metropolitan music festival held annually, and has welcomed some of the biggest names in music, including Liam Gallagher, The 1975, and 50 Cent, to its Heaton Park stages.
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Closing out his exiting statement, Sacha said he’d like to thank the “millions of people who have stepped foot into The Warehouse Project or Parklife over the last few decades”, as well as express its gratitude to “those who have supported me and the team”.
The Warehouse Project was founded in 2006, and Parklife first began life in 2010 / Credit: WHP | Steve Turvey (via Supplied)
“I would also like to thank the tens of thousands of staff members we’ve had over the years, the suppliers, and those closest to me for putting up with the late nights.
“I am very excited to watch from afar, and I’d like to wish the team the very best going forward.”
Looking ahead, Sacha says he will now continue his work as “a voice for hospitality” across the UK, and will focus on several other avenues of business.
As well as having served as the region’s Night Time Economy Adviser since 2018, and currently holding the position as Chair of the NTIA, Sacha is also the Chair of the local football team, Wythenshawe FC, and is the founder of his very-own charity, the Sacha Lord Foundation.
The Sacha Lord Foundation is a charitable organisation seeking to encourage and support young people entering the hospitality sector.
Featured Image – Darren Robinson Photography (via Supplied)
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Keo play Projekts: garage and grunge revivalists crush Manchester skatepark for new music video
Danny Jones
This past Thursday evening, fast-rising rock band Keo took over Projekts MCR skatepark for a special pop-up gig and to film a brand-new music video for their latest single, ‘Pistol’, starring some of their biggest fans here in Manchester.
In fact, it didn’t take long for us to suss out that plenty of them had flocked from far and wide to be there, and let’s say we’re sure they’ll say it was worth the journey.
We caught Keo’s well-attended festival set inside the Woodlands at Kendal Calling 2025, not to mention their completely sold-out show at the O2 Ritz back in March – their biggest headline date up to that point – and we’re more certain than ever that they’re going to be absolutely massive.
And if they keep up doing more memorable stuff like this, it’s just a matter of how soon…
Packing out Projekts to the point that people were literally hanging off fences and standing on electrical boxes at the side of the street to try and get a peek at the post-punk, grunge and garage rockers, some of their most enthusiastic young fans had been waiting outside the location as early as noon.
For context, doors opened six hours later, and the boys didn’t come on until 7:30pm.
Those who signed up to Keo‘s mailing list were sent information regarding securing a spot at the one-off performance earlier this month.
While you would have seen the place fill up even if they were just standard concert tickets, the fact that the band were taping the whole thing to use as the visuals for their newest single, as mentioned, meant that Keo’s avid followers were literally clamouring AND clambering to get the best view position possible.
Turning the popular skaters’ hub’s central bowl into a makeshift stage, with lights, camera, booms and various crew surrounding the entire venue, it was a surreal experience to say the least.
And, of course, they were absolutely brilliant – just as they were at the Ritz at the start of the year and Kendal before that, playing a short but sweet set that left everyone wanting more and choruses of punters chanting Keo long after the final song.
We can’t wait to see how the video itself turns out, especially seeing how much the people who wrapped around them and the skatepark were lost in the moment, and we’re also looking forward to them headlining Neighbourhood Fest in Manchester city centre this October.
You can grab a ticket to see them and the rest of the NBHD lineup right HERE, but until then, give the full studio version of ‘Pistol’ a play and get ready for their debut album.
Oasis’ (What’s the Story) Morning Glory? named biggest UK studio album EVER by Official Charts
Danny Jones
You’re damn right: Oasis continue to be MASSIVE as new figures from the Official Charts Company have confirmed that (What’s the Story) Morning Glory? has clocked in as the biggest UK studio album of all time.
The Britpop icons and history go hand in hand.
Yes, according to the latest numbers by our domestic chart-crunchers, only two other albums surpassed Oasis‘ second LP – and they’re both greatest hits collections.
The announcement was made on Wednesday, 22 July, just over a whole year on from those reunion world tour shows at Heaton Park. How fitting.
Starting off by channelling Liam Gallagher energy and quipping that “Oasis vibes are in the area”, they go on to explain the colossal cumulative record.
“Oasis claim one of the biggest honours in British music history, they write, “as (What’s the Story) Morning Glory? is named the UK’s Official biggest studio album of all time, according to new Official Charts Company data.”
Combining UK sales of the record – both physical and digital over the years – along with modern streaming statistics, the sophomore outing from the Britpop giants has amassed approximately 6.2 million UK chart units. Staggering stuff.
Last year’s Live ’25 shows have no doubt helped give an added boost to their metrics, but it’s still gargantuan stuff from the local band.
Yet another incredible stat not just for the Burnage boys but the Manchester music scene as a whole.
2026 looks to be just as big a comeback, by the looks of things.
In case you were wondering who beat them out in the race for the top spot, they were pipped to the post by Queen’s Greatest Hits and the same again from ABBA, two worthy opponents to take third place after.
You can see the rest of the list in full right HERE.
Oh, and Definitely Maybe also made the list, too, coming in at number 39 – making that two in the top 50 even amongst all the compilations.
It feels like last July all over again, doesn’t it? And if now isn’t the perfect time to stick on the title track, we don’t know what is.
Actually, sod it – we’re sticking the full thing on…