Greater Manchester’s Night Time Economy Adviser has taken to social media this morning to provide an update and share a new hope in the fight to save Deaf Institute and Gorilla.
It was sadly announced yesterday evening that Deaf Institute and Gorilla – two independent venues that are integral to Manchester’s music scene and a part of the lifeblood of the city – would close indefinitely as a result of struggling to see the future after the coronavirus (COVID-19) pandemic.
It shocked the world of music in Manchester and beyond.
The announcement offered a stark reality into the effects of the pandemic on the arts/entertainment industry and prompted a mass outpouring of support online, as many began to rally around the venues and join in the fight to save them.
Now, Sacha Lord – Night Time Economy Adviser for Greater Manchester – took to Twitter this morning to share an update from overnight and reassure fans that “there is hope”.
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He confirmed there is interest from “potential buyers” and has personally written to owners Mission Mars.
Mr Lord’s tweet read: “Gorilla and Deaf Institute update: There is hope. Over night I have received interest from potential buyers.”
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“This morning I have written to Mission Mars asking them to share with me the sale details.”
“Further updates will follow.”
Gorilla and Deaf Institute update: There is hope. Over night I have received interest from potential buyers. This morning I have written to Mission Mars asking them to share with me the sale details. Further updates will follow.
Please keep pushing this. As one of the managers of Gorilla I can say that the loss of these sites is not only a tragedy for the live music scene but is also genuinely heartbreaking for our whole team. Gorilla is more than just a place of work; it's home.
Of course Shell. Anyone who knows me knows that I love these two places. Please be assured that I will be working with @Sacha_Lord on this and we will both be doing everything we possibly can to save them as live music venues going forward. https://t.co/7BcyfEAaXR
Love to see it. If anyone can keep both Deaf Institute and Gorilla alive it’s @AndyBurnhamGM and @Sacha_Lord. Probably two of the people we’ve spotted inside those venues more than anyone else 😂😂 https://t.co/dib9HWxUlx
Following the closure announcement yesterday, Roy Ellis – CEO and Founder of Mission Mars – encouraged any interested buyers to get in touch. He said: “The Deaf Institute and Gorilla have been at the forefront of the music scene in Manchester for many years and it is with great sadness that we announce that we will not be reopening.”
“This difficult decision has been made against the backdrop of COVID 19 and the enforced closure of all of our sites and with continued restrictions upon opening of live music venues.”
“We appreciate that these music destinations are well loved and have provided an early stage for many acts in the North West and are therefore well known in the world of music, [and] we would encourage any industry and music entrepreneurs who might be interested in this as an opportunity to please get in touch.”
He closed out his statement thanking the “hardworking teams and guests and followers for their loyal support over years”.
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Audio North’s Artist of the Month – Aaron Dinning | June 2026
Thomas Melia
Aaron Dinning is an indie-pop act whose songs span the highs and lows of relationships, and now he’s Audio North’s latest Artist of the Month.
Born in County Durham, studied in Leeds, and now the curator of a live music events organisation based in Manchester, Dinning sure knows a thing about northern music.
With hits to his name already like ’24’, ‘Look Who’s Holding The Gun Now!’, this queer musician is gearing up to release a deluxe edition of his sophomore EP Boys Become Men.
If his name feels familiar to you, that’s because it probably is, as Aaron Dinning has performed at a multitude of venues across the north – including Feel Good Club, Popup Bikes, and The Proud Place.
Now, Dinning chats to Audio North about his upbringing and music journey, as he accepts the title of Artist of the Month for June.
An interview with Aaron Dinning – Audio North’s Artist of the Month | June 2026
Aaron Dinning is making his mark in the Manchester music scene with his indie-pop tracks / Credit: Press Shots via Emily Atherton (Supplied)
You were born in County Durham and now live in Manchester. How have those two places shaped you as an artist?
I think there’s such a contrast in the environment of those two places. Durham was so formative for me growing up, back then I didn’t have the autonomy to vocalise it but now I see Chester-Le-Street specifically as such a ‘small town mindset’ kind of place.
If I stayed at home, I would never be the artist I am today. That’s not to say that growing up somewhere like that isn’t just as important as the place which makes you feel accepted. You can’t have such a strong desire for one without a disdain for the other.
What does being a northern musician mean to you?
I think being northern, to me, just means breaking the mould and showing that if I can do it, anybody can. It means building my career on my own terms, it’s taught me to unapologetically be myself, on and off stage.
I always say that I want to write the songs I needed when I grew up because there was nobody like me from the North. Sometimes it still feels like I’m the only one too.
To me, if I can write a song, or put on a performance that resonates with a 15-year-old kid who’s still figuring out who they are or who they love, that’s the most fulfilling thing that can come from sharing my art.
This Northern talent is from Country Durham, studied in Leeds and is now based in Manchester / Credit: Press Shots via Jack Garrod (Supplied)
The music industry can feel very London-centric at times. Have you found being based in the North to be an advantage or a challenge?
It’s a bit of both really. Yes, London is where the majority of the big names in music are, but in my mind, I always compare it to that scene in Baby Reindeer when the guy says ‘You find yourself a background artist in a cast of millions’ (niche).
I like that the industry isn’t as saturated as London up here, but I can see that changing in years to come. The North has always been where it’s at and truly where all these major labels should be looking for who’s up next because you might just find a gem like me waiting to be found.
Is there a northern artist who made you think, “If they can do it, so can I”?
Definitely Sam Fender. I know it’s a bit of a cliche nowadays, but I absolutely love him and he’s what I think of when it comes to a classic northern success story.
I’ve seen him six times and the last time at St James’ Park was a completely different calibre of show to when I saw him at Boiler Room in 2019 and paid fifteen quid for the ticket.
Me and him are completely different, but I imagine we had a similar sort of upbringing in the terms of characters we knew growing up in rougher areas. I feel like he cracked the mainstream so well with his first album and he’s only gotten better since. I’d want my first album to have the same kind of critical acclaim as his.
Dinning fuses his sexuality throughout his music, being an openly queer pop musician / Credit: Press Shots via Tom Hargreaves (Supplied)
What made Manchester feel like the right place for the next chapter of your career?
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I recorded my entire EP here whilst I was still living in Leeds with Toby Ollis Brownstone from the beginning of 2024. That year and a half which I spent travelling back and forth in Manchester made me love the city and loathe commuting.
I knew I wanted to move to Manchester when I got invited to play the Queer as F*ck open mic on Valentine’s Day in 2025. That was the first show I played accompanying myself on the guitar, I agreed to play three hours before doors and completely fumbled my way through the set.
The feeling of the room was like nothing I’d experienced before, to come to a show in another city I had never played in and feel so welcomed, at home and accepted by a room full of likeminded people, felt like a feeling I could only replicate in Manchester.
Has living in Manchester changed your songwriting at all?
Generally speaking, I’ve been playing guitar a lot more since moving here. I feel like there’s a naive fresh start that comes along with moving to new places and feeling like your life’s going to drastically change.
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Becoming the Producer of SoFar Manchester helped me feel integrated and I’ve met so many cool people doing that job while spotlight my friends who are artists and bring them to the city that I fell in love with – It’s all very full circle.
I’ve brought Romy Taylor, Caitlin Doran, Sophie Green, and GRACEY over to play SoFar events and they’re all equally amazing creatives who are based in Leeds, like I once was.
The ’24’ singer has played gigs in unusual Manchester city centre locations like Popup Bikes in Ancoats / Credit: Credit: Press Shots via Emily Atherton (Supplied)
What do you think Manchester does better than anywhere else when it comes to music?
I think Manchester is such a hot pot of different styles and genres. I think the thing it does best is spotlight LGBTQ+ artists. Not just in music, but drag is somewhere I look to when I think of performance, and the queens in the village are truly a sign of resilience and individuality.
I’ve had more shows just for being queer in Manchester than anywhere else I’ve lived, there’s so many freelance creatives, charities and gig promoters who are looking out for LGBTQ+ artists to celebrate, even making entire lineups out of us.
Featured Images – The Manc Group/Press Shots (supplied)
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Neighbourhood Festival’s return to the city centre is looking great with after revealing second wave
Danny Jones
Neighbourhood Festival’s city centre all-dayer is returning to Manchester for 2026 after a year off, and with the second wave of the lineup having just dropped, it’s looking very promising.
Following teasers over the past month or so, it didn’t take long for us to figure out that NBHD Festival was coming back, especially with the Weekender in Warrington having taken a similar hiatus in 2024.
However, when festivals like these take time out, it can be easy to worry whether or not they’ll lose momentum or come back stronger.
Judging by this follow-up batch of acts alone, there’s no doubt NBHD Fest ’26 will be another cracker.
As you can see, as well as the fast-rising grungey alternative and garage rock quartet, KEO, being announced as one of the first big hitters on the list, there are some other familiar names on the lineup.
Especially for us Mancs.
With both Bolton and Altrincham youngsters, Florentenes and The Guest List, both joining the roster, as well as the likes of Bury-born ‘rockabilly’ revivalist Elliot James Reay also featuring on there, there’s a good deal of local talent to be enjoyed as always.
That goes for the regional delegation in general, too, with the likes of Jos River heading back up this way from her base in London, and Leeds’ fittingly named indie four-piece, The North, also booking a slot.
We’ll admit there are plenty of bands and artists coming up from the capital for the all-day festival, but at least they know where the UK’s real home of music is.
For instance, we’re buzzing to see the Red Rum Club boys returning to the NBHD stage once again – they never disappoint, and there are so many other guaranteed top performers on the bill. And that was just this year’s Weekener…
It’s worth reminding, once again, that since its inception in 2016 (yes, it really has been a decade now), Neighbourhood Fest has continued to serve as a proper launchpad for the next wave of superstars, not just here in the North West but across the country.
We still remember seeing the likes of Sam Fender, Holly Humberstone, Declan McKenna, Mahalia, The Lathums and more – some for the very first time – on these city centre stages, and it’s crazy to see how big some of them have gone on to become.
Set to take over some of Manchester’s most iconic venues along the Oxford Road Corridor once again, this is, without a doubt, one of the best dates for independents on the annual live music calendar.
Hosting a total of 11 stages on Saturday, 17 October, for a full day of live music, tickets for this year’s Neighbourhood Festival are on sale now right HERE.
And if you’ve already sorted yours, why not read our review of NBHD Weekender ’26 down below to get you in the mood for the next two editions.
Emily Sergeant -
17th July 2020 
