Beauty pageants can be regarded with suspicion in the modern age, especially with regards to whether they promote old-fashioned perspectives of women.
But contestants at Miss Manchester and Miss Greater Manchester 2020 have cited the experience amongst their proudest ever moments.
Many participants (including the likes of Manchester’s own Akisha Jade) recognise the contests as offering routes to self-confidence – as they aim to inspire, motivate and empower other women to be themselves and become involved in community projects.
One of the 2020 finalists for the Miss Greater Manchester competition, Esme Holliday, has spoken out about how the pageant has given her an opportunity to truly “make a difference.”
Esme Holliday
The 19-year-old is currently a student at the University of Salford studying TV and Radio production, and is originally from the Lake District.
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Speaking to The Manc, Esme explained why entering this pageant was so important to her, whilst illustrating some of the ways these types of competitions have transformed in the current climate.
“It is so much more than just a pretty face nowadays,” Esme tells us.
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“Cheryl Broadfoot [the host] wants to change the face of pageants and make sure that it is not just whoever looks the prettiest, you need to work hard and be dedicated to actually making a difference in the world”
Each contestant must find their own sponsor at the contest – which is advertised on their individual sashes.
Esme chose ‘A Skye Full of Stars’ – a charity set up in memory of her close friend Skye Mitchell who sadly died in a fatal car accident in 2017.
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Skye had been in many beauty pageants, even becoming Miss Junior North West, and her and Esme had always planned to take part in a contest together.
Elle for Elle works to support female refuges who have escaped from domestic abuse in the UK and globally, with finalists collecting toiletries and essential items to help those fleeing from their homes.
The girls have also raised over £11,000 for One Woman At A Time, an organisation that works with women in Kenya, India and the UK who are at risk of forced marriage, Female Genital Mutilation and domestic abuse. The money raised has already gone towards providing a new water tank and brighter lighting at a refuge in Kenya.
As well as raising money for charity, the contestants also compete in rounds. So far, there has been a radiant smile round, one for sharing your story, and a talent section.
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Esme decided to stray away from the popular talents of singing or dancing and rekindled with her love of playing the trumpet for her talent entry. Other girls did some acting, dress-making and even balloon modelling!
https://youtu.be/VvzVdIQIGC8
Upcoming stages include a sustainability round (which involves creating an outfit from recyclable materials) and then the public vote.
If she wins, Esme says she would like to carry on the work of previous Miss Manchester champion Suzy Bamgose – who dedicated herself to working against homelessness in Manchester.
Esme is also keen to raise awareness of logging off from social media and highlighting the dangers of comparing yourself to a stranger on Instagram.
Alongside the Miss Greater Manchester competition in 2020, there is Miss Cheshire, Miss Lancashire and Miss Manchester. A Mr Manchester was announced earlier this year.
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Winners can go on to compete for Miss England – and the last time a Mancunian was crowned champion was way back in 1965.
The finals take place in September, and whilst the organisers are keeping a close eye on developments given the current climate, the Miss Manchester community is keeping its fingers crossed that the awards ceremony won’t have to be a virtual one…
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
News
Peaky Blinders confirm title and release date of upcoming film
Danny Jones
After what feels like an age since it was first announced, Peaky Blinders and Netflix have finally confirmed the title and release date of the upcoming feature-length film.
It was revealed that the global streaming giant secured exclusive rights to the movie last year, and it has now been revealed that it will also be released in selected theatres before it hits the platform.
With production on the long-talked-about project getting underway in September 2024, we’ve heard little else from creator Steven Knight, who has also been booked to deliver the Oasis reunion documentary chronicling their Live ’25 world tour.
However, we now know not only the official title of the film, Peaky Blinders: The Immortal Man, and that it will be dropping early next year. They’ve even shared the first poster.
Clearly referring to the series’ most famous lead character, Thomas Shelby – played by now fully-fledged Hollywood A-lister Cillian Murphy since 2013 – the teaser shows him sat astride a horse, not to mention covered in a fair amount of dirt and/or blood.
Alongside the suit and the trademark newsboy cap with blades inserted in the brim (the calling card of both the fictional and the real ‘Peaky Blinders’), it’s quite a classic look of Tommy’s.
Scheduled to release in limited cinemas on 6 March before arriving on Netflix on 20/3/2026, this will not only be the first film in the wider franchise but the first to air separately from the BBC.
While its parent network is still involved as collaborators on the flick, this is the first instalment in the IP to be distributed directly by Netflix after they bought the rights to release the show in the US.
Another look at a seemingly older Tommy Shelby (Credit: Publicity picture via Netflix)
As for The Immortal Man, both new and returning members of the cast include:
Cillian Murphy (Oppenheimer, 28 Days Later)
Rebecca Ferguson (Dune, Silo)
Tim Roth (Reservoir Dogs, The Hateful Eight)
Sophie Rundle (After the Flood, Gentleman Jack)
Ned Dennehy (Culprits, The Peripheral)
Packy Lee (Blue Lights)
Ian Peck (His Dark Materials, Robin Hood)
Jay Lycurgo (Steve, Half Bad: The Bastard Son & The Devil Himself)
Barry Keoghan (Saltburn, The Banshees of Inisherin)
Stephen Graham (Adolescence, A Thousand Blows)
Speaking in a full press release, Murphy said: “It seems like Tommy Shelby wasn’t finished with me. It is very gratifying to be re-collaborating with Steven Knight and Tom Harper on the film version of Peaky Blinders. This is one for the fans.”
Returning four years after the end of the mainline series, but catching up with Tommy at the outset of WWII in terms of the actual timelines, Netflix say that the Shelby patriarch “is driven back from a self-imposed exile to face his most destructive reckoning yet.”
Safe to say we cannot wait to be back in the world.
In the meantime, you can find out more about the next season(s) of Peaky Blinders coming to the BBC very soon down below.
Jess Walmsley -
25th June 2020 
