This morning the iconic Manchester party series The Warehouse Project (WHP) has revealed its final show for its 2023 season.
The final show is an absolute corker, seeing the series conclude with a curated show from Leeds-born, Manchester-bred record producer, DJ, and songwriter Nia Archives on Friday 8 December.
The BBC Music Introducing Artist of the Year has put together a belting line-up, bringing together the likes of Shy FX, Skream, underground UKG and Asian revivalist Yung Singh, a debut Special Request B2B Clipz, and more for the series’ final show of the season.
Awarded BBC Music Introducing Artist of the Year last year, Nia Archives is set to return this season with her very own debut curated show at The Warehouse Project, UP YA ARCHIVES.
Image: Nia Archives
Image: Nia Archives
No stranger to the Depot Mayfield domain, Nia Archives released a spooky ‘Off Wiv Ya Headz’ remix of Yeah Yeah Yeah’s ‘Heads Will Roll’ earlier this year which was born out of her Halloween set at The Warehouse Project last season.
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A true champion of the DIY spirit and one of dance music’s most exciting prospects, Nia Archives is set to bring her unique sonic palette to the warehouse – taking over the three stages of Depot, Concourse, and Archive.
Joining Nia on the nightwill be the UK’s finest and freshest talents across DnB, jungle, dubstep, and UKG – including the likes of Shy FX, Skream, Yung Singh, Interplanetary Criminal, salute, a special debut b2b set from Clipz and Special Request, and more announced below.
Commenting on her first UP YA ARCHIVES at The Warehouse Project, Nia Archives, said: “Am so buzzin to curate ‘UP YA ARCHIVES’ at The Warehouse Project in December!!
“Manchester is a special place to me and am so gassed I’ve got to book so many of ma favourite artists + DJ’s to play alongside me, can’t wait! Tickets on sale Friday @ 10am!!”
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The Warehouse Project and Sports Banger collaboration
Image: Sports Banger
The Warehouse Project has also announced this morning that it has joined forces with London’s independent label and provocateur Sports Banger, which has taken the party and fashion scenes by storm since its conception in 2013.
This 2023 season marks an exciting collaboration as founder, curator, and raver Jonny Banger has designed a capsule collection for WHP23 merchandise.
The Sports Banger x WHP23 merchandise will drop as a limited run featuring heavyweight hoodies and crewneck t-shirts.
Clothing will be available to purchase on-site from this weekend, Friday 29 September, at WHP merchandise stall across the remaining shows this season. Some proceeds from the sales will go to charity partners – Manchester South Central Foodbank and Mad Dogs Homeless Project.
This year also sees Sports Banger embark on a new project as the genre-defying, boundary-breaking fashion collective is set to publish an illustration book Sports Banger: Lifestyle of the poor, rich & famous to celebrate the irreverent brand’s first ten years featuring archive images and essays. The book is due for release on October 26.
Commenting on the collaboration, the man behind Sports Banger, Jonny Banger, said: “This is an exciting project for us, to collaborate with one of the UK’s long-standing club series.
“We look forward to launching the first capsule collection for WHP23 which features some core Sports Banger designs with a nod to The Warehouse Project and its home city Manchester.”
Featured image – Nia Archives
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Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Georgina Pellant -
27th September 2023 
