A local not-for-profit radio station has launched a crowdfunding appeal to help it stay on air.
Salford City Radio is run by just one member of staff, with around 80 volunteers chipping in to create a platform that makes ‘a real difference’ to the people of Salford.
Radio shows at the station are all presented and produced by volunteers from all backgrounds, who are in return given new training and skills.
For 15 years, Salford City Radio has given its team ‘a much-needed sense of purpose and routine, a reason to get out of bed each day and carry on.’
Credit: Salford City Radio
Many of its volunteers have come to the station following difficult circumstances like ill health, redundancy or bereavement.
ADVERTISEMENT
But the station is now facing the expensive process of renewing its Ofcom licence, as well as its equipment and running costs.
It’s hoping to raise £20,000 over the next fortnight to cover those costs and stay on air.
ADVERTISEMENT
Salford City Radio added that it provides ‘a voice for community and charitable organisations, local businesses, schools, local theatres, artists and musicians from Salford and further afield, and much, much more’.
Credit: Salford City Radio
It’s already managed to raise £2,681 in donations.
They wrote: “Although like commercial stations we produce shows and adverts, we don’t make lots of money, we’re a not-for-profit community station whose shows are all produced and presented by volunteers from all backgrounds and all levels of ability.
ADVERTISEMENT
“It gives them opportunities to learn new skills both in radio and other media, and many transferrable skills, helping to improve self-confidence, develop CVs and increase the potential of gaining paid employment.
“The Council kindly supported us financially up to 2016, and still support us by providing accommodation for our studios. Without their support we would have had to close.”
The studio is run from the Salford Civic Centre in Swinton.
Salford City Radio continued: “We ask you to help us please if you are able, by making a donation to our crowdfunder.
ADVERTISEMENT
“As a thank you for your kind donation, you will be rewarded by opportunities to get a shout out on air, be a guest on air, or maybe even present your very own show!
“Your contribution will make a real difference to the people of Salford. Thank you for listening and supporting 94.4 FM.”
The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.