Salford Lads Club has officially secured its future thanks to almost £50,000 of government funding.
Salford City Council has announced that the iconic youth club was successful in being awarded £47,800 from the Culture Recovery Fund that’s delivered by the National Lottery Heritage Fund on behalf of Department of Culture, Media and Sport (DCMS).
The announcement comes after the club lost an estimated £90,000 of income over the past two years through the COVID-19 pandemic.
Salford Lads Club has served the community since 1903, and is a voluntary led charity.
As well as running a number of sport and creative activities for local young people throughout the city and wider borough of Salford, the club is also home to an extensive archive the documents the lives of teenagers since the venue opened.
/ Credit: Wikimedia Commons
To celebrate receiving the worthy funding boost, Salford City Mayor Paul Dennett paid a visit to the club along with Project Manager Leslie Holmes, a number of volunteers, and local young people who are taking part in Foundation 92 activities over the Easter holidays.
“The club has been a part of the cultural heritage and fabric of the city for almost 120 years, and still provides a wide range of activities, particularly for young people in the local community.
“It’s also well loved internationally thanks to the iconic images of The Smiths outside the club, along with other musicians such as Tim Burgess, Peter Hook, Shaun Ryder and Clint Boon, who have helped to provide fundraising and promotional opportunities for the club nationally and internationally.
“Places such as Salford Lads Club do so much and we must remember the huge positive differences it makes in this city, especially after 12 years of budget cuts at the City Council.”
Audio North’s Artist of the Month: Roukaya B | February 2026
Thomas Melia
The North is full of amazing artists, and we’re spotlighting one every single month – get ready for Roukaya B to bring the ‘Heat’.
Salford soulstress Roukaya B needs no introduction, but we’re giving her one anyway, as you might not be aware of her sheer musical power.
Self-proclaimed “soul enlightener” and ‘Manchester’s Queen of Soul’, this artist has been uploading music to streaming platforms since 2022.
Rou doesn’t conform to one genre; instead, she deliberately fuses them, blending R’n’B, soul, rap, afrobeats and even jazz to create some of the freshest sounds.
Now, Roukaya B sits down with Audio North after discovering her ‘Artist of the Month’ title to discuss exciting projects, personal stories and her artistry.
An interview with Roukaya – Audio North’s Artist of the Month
What has your journey in music looked like so far? My journey has been quite hectic, but in the best way. I’m a singer-songwriter and all-around creative, and I’ve learned a lot about myself and what my voice can do. I’ve developed my writing and ability to perform on stage, throwing myself into collaborations too.
I’m constantly evolving just like the music I’m putting out.
“Singer, writer, rapper, dancer, actress, drama queen, you can’t compete here” – We couldn’t put it any better ourselves.
Where did you grow up, and what music were you listening to? I was raised in Salford, and music for me was very different as I come from a multicultural background. My Dad is Algerian, my Mum is Jamaican-English; they met in the South and settled up North [great choice] to have a family.
I grew up on a lot of ‘raï’ music – a North African genre with really cool drum patterns, reggae and 90s hip hop. My Mum loved that soul tune, ‘I Believe in Miracles’ by Hot Chocolate, and my Dad absolutely loved M People, especially Heather Small; they made some iconic classic anthems.
I was raised on lots of different genres, and I think that’s showcased in my music today.
When did you realise singing was something you wanted to pursue? I’ve always known that I wanted to be a singer from a really young age. It’s what I said I’d do in primary school, it’s what I wanted to do in high school, and I did it in college.
Salford singer-songwriter Roukaya B claims our inaugural ‘Artist of the Month’ title (Credit: Audio North)
When I was growing up, it wasn’t accessible to the younger generation to see it as a viable career, so I was sort of teased and laughed at for it, so I never really dived into it. I could sing, and I studied music in high school, but I missed my opportunity on YouTube when it was fresh.
It was only after college that I decided to post covers to my Instagram, where people engaged, and it was cool for people to find and discover me. So I did college again as a music student, and the rest is history. All of this has become a part of my musical journey, and everything happens for a reason.
How did you come to this realisation? In short, the realisation was that I wasn’t focusing on my inner drive and trust me, it wasn’t just calling me, it was essentially shouting at me: ‘Hi, babes. Use your voice, whether it’s spoken, whether it’s singing, just use it. This is a healing tool and healing force.’
What is your ultimate dream as an artist?
I want to do a ‘Tiny Desk Concert’ or ‘COLORS’ show, and I’d love to make music with Sasha Keable – if you’re reading this, Rouyaka B wants to collab, haha!
Being true to myself and remaining authentic as I progress in my career is part of that dream. I don’t want to bang out a tune every single month; I want to make sure my work is always consistent. Being a genuine artist is my ultimate dream.
Are there any fellow up-and-coming artists you’re listening to?
Remée, or ‘That Remée Girl’, as she goes by on socials. She’s a Liverpool-based alt-grunge act and let me tell you… She. Is. COOL. There are some festival dates lined up, so if you get the chance, go see her.
This Manc creative champions the city wherever she can. (Credit: Liam Heeley)
What’s next for you in terms of your music career?
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There’s a handful of live shows coming up, and they’re going to be very experimental. I also have a collection of work coming out in the future, which I can’t say too much about just yet.
There’s even a youth music project which I’m really, really, really excited about. So much is coming!
It was a pleasure chatting with Rou, and we have every faith that big things are coming for her in 2026 and beyond.
Featured Images – The Manc Group/Press Shots (supplied via Liam Heeley)
Salford
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Emily Sergeant -
14th April 2022 
