From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
ADVERTISEMENT
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
ADVERTISEMENT
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
ADVERTISEMENT
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
ADVERTISEMENT
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Watching Mamma Mia! at Manchester Palace Theatre proved once again why this ABBA-powered musical remains one of the most beloved shows in modern theatre.
The audience arrived ready for a party, and the cast delivered an energetic, feel-good performance packed with humour, heart, and, of course, a catalogue of iconic pop songs.
At the centre of the story is Sophie Sheridan, a young bride-to-be, determined to discover the identity of her father before her wedding day. Secretly, she invites three men from her mother Donna’s past to the island, creating chaos, comedy, and emotional revelations along the way.
The plot is famously light… but it provides the perfect framework for a soundtrack built entirely on hits by the iconic Swedish pop band ABBA.
Mamma Mia! brought infectious energy to Manchester’s Palace Theatre / Credit: Brinkhoff / Moegenburg (Supplied)
Jen Griffin leads the company as Donna Sheridan with warmth and a commanding stage presence. Her stand-out performance balances humour with vulnerability, culminating in a powerful rendition of ‘The Winner Takes It All’.
As Sophie, Lydia Hunt brings youthful excitement and a clear, expressive vocal performance, making her character’s search for identity both believable and engaging.
Donna’s loyal friends provide much of the show’s comedy (and cheers from the crowd). Rosie Glossop plays Rosie with scene-stealing wit and excellent comic timing, particularly during ‘Take a Chance on Me’, while Sarah Earnshaw gives Tanya glamorous confidence and sharp humour. Together the trio create the emotional backbone of the show, portraying friendship that feels authentic and affectionate.
The three possible fathers are played by Luke Jasztal as Sam, Richard Meek as Harry, and Mark Goldthorp as Bill. Each bringing their own unique character personality to the role, helping the storyline unfold with plenty of charm. Meanwhile, Joe Grundy plays Sky with relaxed confidence opposite Sophie.
Visually, the production captures the sunny escapism audiences expect, with bright Mediterranean colours, lively choreography, and a cleverly simple island set that transports the audience far from the streets of Manchester. Ouzo anyone?
By the time the encore begins, with the cast returning in glittering costumes for a joyous ABBA medley including ‘Dancing Queen’ and ‘Waterloo’, the audience is firmly on its feet.
The show last night felt less like a typical theatre evening and more like a celebration. It may not be subtle, but Mamma Mia! remains addictively entertaining.
Featured Image – Brinkhoff / Moegenburg (Supplied)
Theatre
Beloved comedy stage play The Full Monty to return to Manchester for iconic film’s 30th anniversary
Emily Sergeant
Beloved comedy stage play The Full Monty is heading on a UK tour next year, and will be stopping off here in Manchester.
To celebrate the 30th anniversary of the iconic British film of the same name, which was released to the world back in 1997, a major national tour of The Full Monty will kick off next year, and will be taking to one of Manchester‘s most famous stages in the spring.
Described as being ‘fast-paced and irresistibly funny’, Simon Beaufoy’s heartfelt play tells the story of an ordinary group of men who are striving to reclaim their dignity and pride.
The film may be turning 30 years old next year, but the play remains as strikingly relevant today as it ever has, especially resonating powerfully in an era that is marked, once again, by an unfortunate cost of living crisis.
Audiences will get to watch as Gaz and his mates find themselves down on their luck, cast aside, and underestimated, but ultimately determined to fight back… even if it means revealing more about themselves than they ever imagined (wink wink).
Celebrating the 30th Anniversary of the iconic film, The Full Monty is back by popular demand and the boys are returning to The Opera House!
ATG+ Presale 👉 Wed 11 Mar 10am Groups Presale 👉 Wed 11 Mar 12pm General Sale 👉 Thu 12 Mar 10am
“A lot has changed in Britain since The Full Monty appeared thirty years ago,” Oscar-winning screenwriter Simon Beaufoy said.
“What hasn’t changed is our need for laughter, compassion and dignity. I’m so delighted the Monty Men are back on the road with all their flaws, jokes and wobbly bits, bringing a bit of much-needed joy to audiences once again.”
So, what can audiences expect? Well, the production will deliver a ‘rollercoaster of laughter and heartbreak’, as crowds are invited to relive the iconic music of the 90s cheering on this unforgettable group of lads as they prepare to put on the show of their lives.
The Full Monty will take to the iconic Manchester Opera House stage from Monday 5 through to Saturday 10 April 2027, as well as dates in other northern cities like Sheffield, Bradford, Liverpool, York, and Glasgow, alongside many more major UK locations.
Casting is set to be announced soon so keep your eyes peeled.
But in the meantime, tickets are set to go on sale in March – with pre-sales starting on Wednesday 11 March, and general sale starting the day after (Thursday 12 March), both at 10am, and you can get your hands on them here.
Danny Jones -
2nd May 2025 
