From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
‘Pioneering’ immersive theatre productions to take place inside shipping containers across Greater Manchester
Emily Sergeant
A pioneering production company is bringing immersive theatre inside shipping containers to Greater Manchester.
DARKFIELD has announced their first shows in Greater Manchester for seven years, and will present their three most critically-acclaimed experiences at iconic venues across the region as part of an ‘exciting’ collaboration.
Keen audiences will be able to head to The Lowry, Aviva Studios, and HOME this month to see theatre like they’ve never seen it before.
Renowned for their trademark shipping containers popping up across the UK and internationally, bringing mysterious and exciting experiences across the country, DARKFIELD will present SÉANCE, FLIGHT and ARCADE so crowds can find themselves immersed in the supernatural, boarding a new airline, or navigating a war torn world.
Fresh from sell-out runs at the Edinburgh Festival Fringe, BFI London Film Festival, and an extended residency at Shoreditch Town Hall, ARCADE will arrive at The Lowry – which is the company’s newest production.
‘Pioneering’ immersive theatre productions inside shipping containers will be happening across Greater Manchester / Credit: Mihaela Bodlovic | Fiona Rita Blyth
Aviva Studios will welcome one of DARKFIELD’s most popular and critically-acclaimed experiences, FLIGHT.
Over 30 minutes in total darkness, FLIGHT explores the Many-Worlds Interpretation of quantum mechanics, taking audience members through two worlds, two realities, and two possible outcomes to their journey.
And then over at HOME, the company’s first shipping container experience, SÉANCE, will be on show.
The interior of a 24ft container will be transformed into a Victorian séance room, and asks audiences to believe not only what is happening inside the container, but also in what might be conjured up into the room with them.
“We are delighted to be returning to Greater Manchester to present our shows in collaboration with three incredible venues,” commented DARKFIELD, ahead of their arrival in our region.
“We can’t wait to welcome audiences across the region to experience the strange worlds we’ve created.”
Chicago The Musical at The Lowry, Salford – a story of hot jazz and theatrical bliss
Aimee Woodcock
All That Jazz has found its way to Salford this week as Chicago the Musical hits The Lowry, and it’s safe to say the show still knows how to pull in a crowd.
Set in 1920s Chicago, the story centres on Roxie Hart, a chorus girl who shoots her lover and winds up behind bars. Inside Cook County Jail she meets Velma Kelly, a nightclub star with her own double-murder conviction.
Both women want the spotlight as much as they want their freedom, and with the slick lawyer Billy Flynn fighting their corner, it quickly turns into a tit-for-tat battle of who can play the media game best.
The big talking point this time round is Janette Manrara, swapping the Strictly ballroom for the theatre stage in her debut as Roxie. She’s playful, cheeky and full of energy, and it’s clear she’s enjoying every second.
By her side, Djalenga Scott is a knockout Velma. From the moment she kicks things off with ‘All That Jazz’ she owns the stage, captivating the audience with every line.
Together, the pair bounce off each other brilliantly – their love-hate chemistry is one of the show’s strongest pulls.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Darren Day brings the charm as Billy Flynn, the lawyer who can turn any trial into one big show stopper. His big number ‘Razzle Dazzle’ truly shines.
Stepping in for Brenda Edwards tonight was Victoria Anderson, in her element as Mama Morton, belting out ‘When You’re Good to Mama’ with just the right amount of soul.
Joshua Lloyd shines as Amos Hart, Roxie’s hopeless husband, heartbreakingly relatable in ‘Mr. Cellophane’, while Jordan Lee Davies brings humour and surprise as the iconic Mary Sunshine.
The staging is simple, with the 12-piece orchestra, sat in full view. It gives the whole show a stripped-back, concert-like feel, letting the band drive the energy – and trust us there’s plenty of it throughout the two hour show.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Of course, Bob Fosse’s iconic choreography is front and centre of each performance and instantly recognisable. The famous ‘Cell Block Tango’ is as gripping as ever, the audience filled with applause upon finishing.
Chicago has been running for nearly 30 years, but it feels far from tired. If anything, its satirical take on fame and the media feels even sharper today than ever.
At The Lowry, it’s delivered with style, glitz and a lot of sass. One for fans old and new and well worth a night out.
Danny Jones -
2nd May 2025 
