From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Smash-hit musical Mean Girls to open in Manchester at start of its first UK tour
Emily Sergeant
One of the most popular new musicals of the last decade is set to head out on its first-ever UK tour early next year.
And it’ll be kicking things off here in Manchester.
Based on the iconic 2004 movie of the same name, which is known and loved right across the globe, Mean Girls The Musical debuted at to huge success at the National Theatre in Washington D.C in 2017, before transferring to Broadway in April 2018, again to ecstatic responses where it played to sold-out theatres most nights.
The show then went on a hugely-successful US tour in 2019 and recently completed a second US tour.
Continuing on its run, the production then opened in the West End in 2025, where it was seen by more than 330,000 people over its run and recently took home the coveted ‘Best New Musical’ award at the 2025 WhatsOnStage Awards.
Mean Girls The Musical is opening its first-ever UK tour in Manchester next year / Credit: Brinkhoff Mögenburg
Not only that, but in 2024, you may remember that the new musical twist on the fan-favourite from the comedic mind of Tina Fey was released as a new feature film with sensational musical performances.
But for the first time ever, the rest of the UK is about to get a slice of the action.
Mean Girls The Musical will be heading out on tour early next year, and it’s us lucky musical lovers of Manchester that’ll get to see it before anyone else, as it’s landing on the legendary Manchester Opera House stage in February 2026.
Unfamiliar with the plot of Mean Girls The Musical? Just like the film, the musical follows Regina, Gretchen, and Karen, otherwise known as ‘The Plastics’ of North Shore High, as they meet homeschooled new girl, Cady Heron, as finds out that high school is a whole new level of savage.
Tickets go on sale this week / Credit: Brinkhoff Mögenburg
When Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a queen bee without getting stung.
Expect iconic characters, razor-sharp wit, and killer songs.
Mean Girls The Musical has a book by Tina Fey, music and vocal arrangements by Jeff Richmond, lyrics, and direction and choreography by Casey Nicholaw, among many other big names of the theatre world involved.
The tour will open at Manchester Opera House on 23 February 2026, before touring to venues across the UK and Ireland until the end of January 2027.
Tickets will go on general sale tomorrow (Thursday 3 July) at 10am here.
Featured Image – Brinkhoff Mögenburg
Theatre
Cult classic 13 Going On 30 to make its musical debut in Manchester
Daisy Jackson
Cult classic rom com 13 Going On 30 is preparing for its musical world premiere – and it’s happening right here in Manchester.
The brand-new musical is based on the hit 2004 film of the same name, starring Jennifer Garner and Mark Ruffalo.
As in the film, 13 Going On 30 The Musical will follow awkward teen Jenna Rink who makes a birthday wish to skip those difficult high school years.
To her surprise – her wish comes true.
Jenna wakes up to find herself ‘30, flirty and thriving’ in a dream role as a magazine editor, but still trying to work out what, and who really matters in life.
The brand new musical will open at the legendaryOpera House this September, bringing all the magic of the time-travelling film to life.
For the stage version, Lucie Jones (who you might recognise from X Factor) will star as Jenna, alongside David Hunter (Matt), Grace Mouat (Lucy), Caleb Roberts (Richard), Andrew Berlin (Kyle), and Dominic Andersen (Alex).
Cult classic 13 Going On 30 to make its musical debut in Manchester
The musical is also written by the same duo behind the hit flick.
13 Going On 30 The Musical will have songs by Michael Weiner and Alan Zachary, who wrote for High School Musical: The Musical, and will be directed by Andy Fickman of Heathers and She’s The Man.
Film writers Josh Goldsmith and Cathy Yuspa, who have also written the book of the musical, said: “When we wrote the movie 13 Going on 30, we never dreamt that on the film’s 20th anniversary, we’d get the chance to see a whole new generation fall in love with Razzles and feel thirty, flirty, and thriving.
“It’s been a joy to work with ROYO, Revolution Studios, Wendy Federman and Phil Kenny, songwriters Alan Zachary & Michael Weiner, and director Andy Fickman to bring this story to life as a stage musical.
“We were thrilled by the audience’s response to our workshop last year, and now we can’t wait to officially open in Manchester at the legendary Opera House – the launchpad of so many iconic musicals.
“So bring your family, your friends, maybe a date, or just come alone – don’t be shy, we’re all nice. Hope you have as much fun seeing the show as we had making it!”
13 Going On 30 The Musical will be at the Opera House in Manchester between 21 September and 12 October 2025.
Danny Jones -
2nd May 2025 
