With both World Book Day and International Women’s Day having only just passed, it feels like perfect timing for a UK tour of a new theatrical adaptation of one of the most important works of feminist writing ever to have just been announced: Mrs. Dalloway.
And, of course, it’s being brought to Manchester.
The legendary modernist novel by Virginia Woolf has already been adapted for stage and screen multiple times, but this most recent version has been hailed as “cinematic”, “immersive”, and striving to be just as ‘radical’ as the original masterpiece itself.
It’s one of the latest shows coming to Storyhouse in Chester for a world premiere, before heading out across the UK for just a select few special performances.
A co-production between said Storyhouse, as well as Harlow Playhouse and CutToTheChase Productions, it’s been co-created by award-winning director Jen Heyes, with help from Olivier Award-winning writer and performer, Kit Green.
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Green takes up the role not only of the titular and long-studied character for this bold reimagining of Clarissa, but will also feature as husband Richard Dalloway, tragic supporting character Septimus Warren Smith, and others.
Bookworms and English literature students will likely have come across the name at least in passing, even if they haven’t read it for themselves, and it still remains just as striking now as it was when first published back in 1925.
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Elsewhere referred to as The Hours in her diary entries, the text inspired a 2002 Hollywood movie using that ‘original’ working title starring Nicole Kidman, Julianne Moore, and Meryl Streep – all of whom play women whose story mirrors that tale and/or troubles of Virginia Woolf in some way.
Most famously, however, it was also turned into an eponymous British film in the late 90s, with Vanessa Redgrave as an older Mrs Dalloway and Natascha McElhone as her younger self.
Virginia WoolfThe first major version of Mrs Dalloway on film (1997)Green embodying one of many rolesCredit: Topfoto/NTB (via NDLA)
Both have little cult followings of their own, as you would expect from anything with the famous writer’s name attached to them, but theatre fans have every reason to be very excited about this next take.
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Speaking ahead of the inaugural performance of the play, director Jen Heyes said in a statement, “I wanted audiences to step inside Woolf’s world and see it in a way they won’t expect.
“We’ve mixed theatre, film, and bold reinterpretations to create something alive, surprising, moving, and entertaining. My hope is that people leave the theatre carrying the story with them long after the lights go down.”
Following the Cheshire debut on Friday, 29 May, running until 6 June, the production will head to Harlow in Essex, and Wilton’s Music Hall in London, before landing at beloved local theatre, cinema and arts space, HOME, over on First Street this autumn.
The stage version of Mrs. Dalloway will be in Manchester from 24-26 September (Thurs-Sat); you can grab your tickets HERE. We’ve been spoiled by some VERY good new material of late…
Watching Mamma Mia! at Manchester Palace Theatre proved once again why this ABBA-powered musical remains one of the most beloved shows in modern theatre.
The audience arrived ready for a party, and the cast delivered an energetic, feel-good performance packed with humour, heart, and, of course, a catalogue of iconic pop songs.
At the centre of the story is Sophie Sheridan, a young bride-to-be, determined to discover the identity of her father before her wedding day. Secretly, she invites three men from her mother Donna’s past to the island, creating chaos, comedy, and emotional revelations along the way.
The plot is famously light… but it provides the perfect framework for a soundtrack built entirely on hits by the iconic Swedish pop band ABBA.
Mamma Mia! brought infectious energy to Manchester’s Palace Theatre / Credit: Brinkhoff / Moegenburg (Supplied)
Jen Griffin leads the company as Donna Sheridan with warmth and a commanding stage presence. Her stand-out performance balances humour with vulnerability, culminating in a powerful rendition of ‘The Winner Takes It All’.
As Sophie, Lydia Hunt brings youthful excitement and a clear, expressive vocal performance, making her character’s search for identity both believable and engaging.
Donna’s loyal friends provide much of the show’s comedy (and cheers from the crowd). Rosie Glossop plays Rosie with scene-stealing wit and excellent comic timing, particularly during ‘Take a Chance on Me’, while Sarah Earnshaw gives Tanya glamorous confidence and sharp humour. Together the trio create the emotional backbone of the show, portraying friendship that feels authentic and affectionate.
The three possible fathers are played by Luke Jasztal as Sam, Richard Meek as Harry, and Mark Goldthorp as Bill. Each bringing their own unique character personality to the role, helping the storyline unfold with plenty of charm. Meanwhile, Joe Grundy plays Sky with relaxed confidence opposite Sophie.
Visually, the production captures the sunny escapism audiences expect, with bright Mediterranean colours, lively choreography, and a cleverly simple island set that transports the audience far from the streets of Manchester. Ouzo anyone?
By the time the encore begins, with the cast returning in glittering costumes for a joyous ABBA medley including ‘Dancing Queen’ and ‘Waterloo’, the audience is firmly on its feet.
The show last night felt less like a typical theatre evening and more like a celebration. It may not be subtle, but Mamma Mia! remains addictively entertaining.
Featured Image – Brinkhoff / Moegenburg (Supplied)
Theatre
Beloved comedy stage play The Full Monty to return to Manchester for iconic film’s 30th anniversary
Emily Sergeant
Beloved comedy stage play The Full Monty is heading on a UK tour next year, and will be stopping off here in Manchester.
To celebrate the 30th anniversary of the iconic British film of the same name, which was released to the world back in 1997, a major national tour of The Full Monty will kick off next year, and will be taking to one of Manchester‘s most famous stages in the spring.
Described as being ‘fast-paced and irresistibly funny’, Simon Beaufoy’s heartfelt play tells the story of an ordinary group of men who are striving to reclaim their dignity and pride.
The film may be turning 30 years old next year, but the play remains as strikingly relevant today as it ever has, especially resonating powerfully in an era that is marked, once again, by an unfortunate cost of living crisis.
Audiences will get to watch as Gaz and his mates find themselves down on their luck, cast aside, and underestimated, but ultimately determined to fight back… even if it means revealing more about themselves than they ever imagined (wink wink).
Celebrating the 30th Anniversary of the iconic film, The Full Monty is back by popular demand and the boys are returning to The Opera House!
ATG+ Presale 👉 Wed 11 Mar 10am Groups Presale 👉 Wed 11 Mar 12pm General Sale 👉 Thu 12 Mar 10am
“A lot has changed in Britain since The Full Monty appeared thirty years ago,” Oscar-winning screenwriter Simon Beaufoy said.
“What hasn’t changed is our need for laughter, compassion and dignity. I’m so delighted the Monty Men are back on the road with all their flaws, jokes and wobbly bits, bringing a bit of much-needed joy to audiences once again.”
So, what can audiences expect? Well, the production will deliver a ‘rollercoaster of laughter and heartbreak’, as crowds are invited to relive the iconic music of the 90s cheering on this unforgettable group of lads as they prepare to put on the show of their lives.
The Full Monty will take to the iconic Manchester Opera House stage from Monday 5 through to Saturday 10 April 2027, as well as dates in other northern cities like Sheffield, Bradford, Liverpool, York, and Glasgow, alongside many more major UK locations.
Casting is set to be announced soon so keep your eyes peeled.
But in the meantime, tickets are set to go on sale in March – with pre-sales starting on Wednesday 11 March, and general sale starting the day after (Thursday 12 March), both at 10am, and you can get your hands on them here.