Today is going to be a good day because you’re running at the Palace Theatre until the 22 February and the show is fantastic.
It has been a pretty tricky 10 years since the show first debuted, with Covid, worldwide unrest, wild fires, etc and the storylines that make up the fabric of the show are more prominent than ever before.
With music and lyrics written by the talented duo Benj Pasek and Justin Paul, famous for creating some of the most popular modern musicals of our time (La La Land and Greatest Showman), this show reaches heights well beyond the treetops of its rivals.
The show covers some quite sensitive topics including suicide, grief and mental health, which are all treated with compassion and gentle care whilst still being realistic and honest with the audience.
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We follow the story of Evan Hansen (Ryan Kopel), a socially anxious teen who is trying to navigate high school, his mental health and trying to be noticed by those around him. His mum (Alice Fearn) is a single mother, trying to do right by her son whilst doing her best to create a life for them.
Evan has a run in with Connor Murphy (Will Forgrave who stepped in for Killian Lefevre), a troubled young man battling with a number of demons and fighting with his rich yet dysfunctional family played by Helen Anker (Cynthia Murphy – mum); Richard Hurst (Larry Murphy – dad); Lara Beth-Sas (Zoe Murphy – sister and stand-in for Laren Conroy). Connor finds a letter that Evan has written to himself that mentions his sister Zoe and causes him to spiral out of control.
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It is Evan’s letter that his family finds on Connor when they discover that he has unfortunately taken his own life. This sets in motion a profusion of events that catapult Evan into the spotlight as his letter is mistaken for a deep friendship between the two. His “family friend” Jared (Tom Dickerson) encourages Evan to keep up the facade which really gets out of control when the well-meaning Alana (Vivian Panka) takes the school-wide movement of grief to new heights.
Dear Evan Hansen is in Manchester until 22 February 2025
Ryan’s portrayal of Evan is nothing short of magical. His anxious ticks are natural and respectful, pulling you in with compassion for his character and his timing is impeccable. His vocals are absolutely electrifying, every song is a power house, emotive performance with barely a dry eye in the entire audience, especially after the iconic “You will be found.”
Alice Fearn deserves a special mention for her depiction and performance as Heidi Hansen. Reflecting how many parents must feel in trying to do the best for their children and feeling like they always come up short. Her vocals were fantastic throughout, but her final solo song “So Big/So Small” had everyone weeping.
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Not all the vocal performances were of a high calibre, but this is likely down to either first night nerves or just the unfortunate comparison to Ryan, Alice or Vivian. Some of the dancing by one or two of the ensemble also seemed slightly robotic, although as a previous treader of the boards myself, I know first-hand that some people just aren’t natural movers (myself included) and this doesn’t detract from the absolute spectacle that is this show.
The show is only on a short run, from 18 – 22 February at Palace Theatre, Manchester, so if you miss it, I recommend chasing it to another theatre on its UK Tour, you won’t regret it.
Northern Ballet’s Gentlemen Jack at The Lowry – A powerful story of queer love
Aimee Woodcock
Northern Ballet’s Gentleman Jack is a moving and beautifully crafted retelling of the life of Anne Lister, the 19th-century Yorkshire landowner often described as the ‘first modern lesbian’.
Through the stunning choreography of Annabelle Lopez Ochoa, the production captures not only Anne’s extraordinary determination to live authentically, but also the enduring power of queer love.
Gemma Coutts delivers a compelling performance as Anne Lister, embodying her confidence, intelligence and refusal to conform to society’s expectations. From the opening scenes, Anne’s strength of character shines through, setting the tone for a story that feels both deeply historical and strikingly relevant. The choreography from Ochoa allows Anne’s personality to shine through every movement.
Halfway through Act I, Saeka Shirai joins the ensemble as Marianne, Anne’s great love. Their partnership is one of the production’s highlights. The pair beautifully convey the intensity of their passion and devotion, so much so that it moved me to tears.
Surrounding them is a fascinating chorus of words, embodied by the ensemble dancers, who fill the stage and bring Anne’s famous diaries and inner thoughts vividly to life, you truly feel like you’re getting lost with the words as they take over the stage.
The romance is tested when Marianne’s husband discovers their affair. Faced with an impossible choice, Marianne chooses the security of her marriage over a life with Anne, leaving Anne heartbroken.
Credit: Tristram KentonCredit: Tristram KentonGentleman Jack is at The Lowry
Following this loss, Anne travels to Paris and returns transformed, once she’s back home in Yorkshire, she forms an immediate connection with the gentle and wealthy Ann Walker, danced beautifully by Rachael Gillespie. Their relationship becomes the emotional centre of Act II.
Together they face numerous challenges, including societal pressures and personal insecurities, yet their bond continues to deepen – a true testament to queer love.
Ochoa carefully builds their relationship through movement, creating a partnership that feels authentic and symbolic. The ballet ends in a symbolic wedding and shared flight towards a future together, a powerful affirmation of their love and commitment.
As a queer woman myself, I was completely moved by this portrayal of love. Seeing a same-sex relationship presented with such beauty, dignity and tenderness within the classical language of ballet felt deeply moving.
Gentleman Jack reminds us that queer women have always been here, and always will be. It is a powerful, emotional and uplifting production that I would highly recommend.
Gentleman Jack is at The Lowry in Salford until Saturday 6 June
Multi award-winning musical Hadestown is coming to Manchester on its UK tour next year
Emily Sergeant
Multi award-winning musical Hadestown is heading out on tour next year, and of course it’ll be stopping off in Greater Manchester.
The Tony and Grammy Award-winning production is currently playing its third smash-hit year in London’s West End, but once 2027 rolls around, Hadestown is embarking on its first-ever tour of the UK and Ireland, and tickets are officially set to go on general sale this morning (5 June).
If you’re unfamiliar with this modern-day classic, Hadestown takes you on an unforgettable journey to the underworld and back, intertwining two mythic love stories – that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone.
Described as being a ‘deeply resonant’ and ‘defiantly hopeful’ theatrical experience, audiences are invited to imagine how the world could be.
We're coming, songbirds. The journey underground begins February 2027.
Having been seen by over six million people, streamed by nearly a billion, and adored by fans around the world, critics have called this record-breaking musical ’the most exhilarating ride’… and once you watch it for yourself, it’s not hard to see why.
Hadestown will be taking to the stage at the Lowry in Salford next March, arriving in the city on Tuesday 9 March and running through until Thursday 11 March 2027.
Other northern cities the production will be visiting on its upcoming tour include Leeds, Sheffield, Newcastle, Liverpool, Hull, and Chester, while there’s many other major locations on the list before it closes in Sunderland in mid-November 2027.
Multi award-winning musical Hadestown is coming to Manchester on its UK tour next year / Credit: Marc Brenner (Supplied)
While the production is touring, the critically acclaimed West End run will still continue at London’s Lyric Theatre, more than eight years after its sold-out debut at the National Theatre in 2018.
Hadestown will be at the Lowry from Tuesday 9 – Thursday 11 March 2027.
Kristen MacGregor-Houlston -
19th February 2025 
