Hamilton is a masterpiece. Its creator – Lin-Manuel Miranda – a genius. This review could simply stop at ‘10/10, no notes’.
But there is so much more to say about this revolutionary, record-breaking musical, which has secured shelves full of awards and dazzled tens of millions of audience members across the globe.
It follows the life of Alexander Hamilton and his fellow Founding Fathers, through the American Revolutionary War to the creation of America’s economic system (there’s a reason his face is on the $10 bill).
Lin-Manuel Miranda has taken politics, a pen, and a piano, and struck gold.
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This is a stage experience with very few frills – the set barely changes, and most of the cast members wear the same beige costumes throughout – and yet the talent on stage, and the fast-paced sung-spoken script will whisk you through three decades in a little under three hours and in what feels like the blink of an eye.
Despite earning its place as arguably the biggest musical in the world, I walk into Hamilton a complete novice. I’ve completely avoided spoilers (although can we really call them ‘spoilers’ when the production is centred on events that happened literal centuries ago). I’ve dodged the Disney+ streams, swerved the Spotify soundtrack, swiped past any Hamilton TikToks, and gone into the Palace Theatre blind. I wanted to experience the whole thing for the first time in the way that Miranda intended – in the room where it happens.
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Maya Britto, Aisha Jawando and Gabriela Benedetti as The Schuyler sisters in Hamilton. Credit: Danny KaanDaniel Boys as King George in Hamilton, which is in Manchester until 2024. Credit: Danny Kaan
People warned me that I should have done my homework, and while a loose understanding of America’s founding fathers is useful, and you’ll need to have your wits about you to keep up with the ferociously fast pace of the spoken word dialogue, it’s impossible not to be swept away by Hamilton even if the plot does slip away from you.
These are songs – ‘My Shot’, ‘Helpless’, ‘Say No To This’ – so brilliant you actually want to listen to them away from the theatre, songs which weave back throughout the story of Hamilton so that by the second act they feel like familiar friends.
Of the touring cast in Manchester, Shaq Taylor is astonishing in the lead role of Hamilton, while Billy Nevers nails his split role between Lafayette and Thomas Jefferson through charisma and comic timing.
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Maya Britto as Eliza Hamilton is another star, who whips from sweet, hopeful bride to fierce independent woman, the transformation brought to life in a staggering rendition of ‘Burn’.
The full touring company of Hamilton in Manchester. Credit: Danny KaanShaq Taylor as Hamilton. Credit: Danny Kaan
I can’t help but wonder if we’d all be a little more engaged with modern-day politics if there was an element of hip-hop to it – if parliamentary debates took place as rap battles. Although, we’ve all seen Theresa May’s sense of rhythm, so maybe not…
Hamilton has arrived in Manchester in a cloud of the largest hype I can remember in decades, and let it be known – it’s here to Blow Us All Away.
Hamilton is at the Palace Theatre in Manchester until Saturday 24 February 2024 – you can book tickets here.
Based on the highly successful film of the same name, seen by more than 12 million people across five continents, and the recipient of over 80 awards internationally – including 10 Tony Awards and five Olivier Awards – Billy Elliot The Musical is heading back out on tour this year, and making its long-awaited return to one of Manchester‘s most legendary stages.
If you’re unfamiliar with the musical, the show is set in a northern mining town against the background of the 1984/85 miners’ strike and follows Billy’s journey from the boxing ring to the ballet class where he discovers a passion for dance that inspires his family and whole community and changes his life forever.
Billy Elliot The Musical is returning to Manchester this Christmas / Credit: Supplied
Since its debut on stage all the way back in 2006, the show has been massively acclaimed by audiences and critics alike – with 125 boys having now played the iconic title role on stage worldwide.
The upcoming Manchester production will be brought to life by the multiple award-winning creative team behind the film, including writer Lee Hall (book and lyrics), director Stephen Daldry, choreographer Peter Darling, and of course, they’ll be joined by Elton John who composed the show’s score.
“Creating Billy Elliot the Musical was one of the most joyous and inspiring moments of our careers, so to bring the show back for a UK tour and a season in the West End for the first time in over a decade is both incredibly emotional and exciting,” commented Elton John and Stephen Daldry.
Tickets officially go on sale early next month / Credit: Supplied
“It’s bold, it’s British, it’s full of heart and the story feels more relevant than ever. We can’t wait for a whole new generation to experience it.”
Billy Elliot The Musical is taking to the Manchester Palace Theatre stage from 2 December 2026 through to 9 January 2027, before it does a run in the West End shortly after, and tickets officially go on sale in early March.
Tickets go on sale to ATG+ members on Thursday 5 March at 10am, and general on sale begins on Monday 9 March at 10am here.
Featured Image – Supplied
Theatre
Smash-hit musical Everybody’s Talking About Jamie to return to Manchester on 10th anniversary tour
Emily Sergeant
One of the most beloved musicals of the 21st century is set to return to Manchester on its 10th anniversary tour.
Following a record-breaking three-year West End residency, two sold-out UK and Ireland Tours, and even an award-winning Amazon Studios film, the smash-hit musicalEverybody’s Talking About Jamie is returning for its 10th anniversary tour, and will be stopping off here in Manchester on one of our most legendary stages.
Set to open in Leeds a decade after the original opening at the Sheffield Crucible, Jamie will be ‘coming home again’ for what is said to be ‘possibly the last time’, as the show heads out to major cities across the UK.
Everybody’s Talking About Jamie tells the story of 16-year-old title character, Jamie, who lives on a council estate in Sheffield but doesn’t quite fit in and is terrified about the future, even though he wants to be a sensation.
Supported by his loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies, and steps out of the darkness into the spotlight.
With an original score of catchy pop tunes by lead singer-songwriter of The Feeling, Dan Gillespie Sells, and writer Tom MacRae, the musical is said to be one the whole family should experience.
This new 10th anniversary addition of the show coming to Manchester even features a brand-new song to the already-beloved soundtrack.
Everybody’s Talking About Jamie will be coming to Manchester Palace Theatre on 15 March 2027, and will also be visiting other northern cities on the tour like Leeds, Chester, Sunderland, Sheffield, and Liverpool, as well as other major cities nationwide.
Tickets officially go on sale this week, with presale at 10am this Thursday (5 February) for ATG+ Members and general sale at 10am on Friday 6 February.