Hamilton is a masterpiece. Its creator – Lin-Manuel Miranda – a genius. This review could simply stop at ‘10/10, no notes’.
But there is so much more to say about this revolutionary, record-breaking musical, which has secured shelves full of awards and dazzled tens of millions of audience members across the globe.
It follows the life of Alexander Hamilton and his fellow Founding Fathers, through the American Revolutionary War to the creation of America’s economic system (there’s a reason his face is on the $10 bill).
Lin-Manuel Miranda has taken politics, a pen, and a piano, and struck gold.
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This is a stage experience with very few frills – the set barely changes, and most of the cast members wear the same beige costumes throughout – and yet the talent on stage, and the fast-paced sung-spoken script will whisk you through three decades in a little under three hours and in what feels like the blink of an eye.
Despite earning its place as arguably the biggest musical in the world, I walk into Hamilton a complete novice. I’ve completely avoided spoilers (although can we really call them ‘spoilers’ when the production is centred on events that happened literal centuries ago). I’ve dodged the Disney+ streams, swerved the Spotify soundtrack, swiped past any Hamilton TikToks, and gone into the Palace Theatre blind. I wanted to experience the whole thing for the first time in the way that Miranda intended – in the room where it happens.
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Maya Britto, Aisha Jawando and Gabriela Benedetti as The Schuyler sisters in Hamilton. Credit: Danny KaanDaniel Boys as King George in Hamilton, which is in Manchester until 2024. Credit: Danny Kaan
People warned me that I should have done my homework, and while a loose understanding of America’s founding fathers is useful, and you’ll need to have your wits about you to keep up with the ferociously fast pace of the spoken word dialogue, it’s impossible not to be swept away by Hamilton even if the plot does slip away from you.
These are songs – ‘My Shot’, ‘Helpless’, ‘Say No To This’ – so brilliant you actually want to listen to them away from the theatre, songs which weave back throughout the story of Hamilton so that by the second act they feel like familiar friends.
Of the touring cast in Manchester, Shaq Taylor is astonishing in the lead role of Hamilton, while Billy Nevers nails his split role between Lafayette and Thomas Jefferson through charisma and comic timing.
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Maya Britto as Eliza Hamilton is another star, who whips from sweet, hopeful bride to fierce independent woman, the transformation brought to life in a staggering rendition of ‘Burn’.
The full touring company of Hamilton in Manchester. Credit: Danny KaanShaq Taylor as Hamilton. Credit: Danny Kaan
I can’t help but wonder if we’d all be a little more engaged with modern-day politics if there was an element of hip-hop to it – if parliamentary debates took place as rap battles. Although, we’ve all seen Theresa May’s sense of rhythm, so maybe not…
Hamilton has arrived in Manchester in a cloud of the largest hype I can remember in decades, and let it be known – it’s here to Blow Us All Away.
Hamilton is at the Palace Theatre in Manchester until Saturday 24 February 2024 – you can book tickets here.
Northern Ballet’s Gentlemen Jack at The Lowry – A powerful story of queer love
Aimee Woodcock
Northern Ballet’s Gentleman Jack is a moving and beautifully crafted retelling of the life of Anne Lister, the 19th-century Yorkshire landowner often described as the ‘first modern lesbian’.
Through the stunning choreography of Annabelle Lopez Ochoa, the production captures not only Anne’s extraordinary determination to live authentically, but also the enduring power of queer love.
Gemma Coutts delivers a compelling performance as Anne Lister, embodying her confidence, intelligence and refusal to conform to society’s expectations. From the opening scenes, Anne’s strength of character shines through, setting the tone for a story that feels both deeply historical and strikingly relevant. The choreography from Ochoa allows Anne’s personality to shine through every movement.
Halfway through Act I, Saeka Shirai joins the ensemble as Marianne, Anne’s great love. Their partnership is one of the production’s highlights. The pair beautifully convey the intensity of their passion and devotion, so much so that it moved me to tears.
Surrounding them is a fascinating chorus of words, embodied by the ensemble dancers, who fill the stage and bring Anne’s famous diaries and inner thoughts vividly to life, you truly feel like you’re getting lost with the words as they take over the stage.
The romance is tested when Marianne’s husband discovers their affair. Faced with an impossible choice, Marianne chooses the security of her marriage over a life with Anne, leaving Anne heartbroken.
Credit: Tristram KentonCredit: Tristram KentonGentleman Jack is at The Lowry
Following this loss, Anne travels to Paris and returns transformed, once she’s back home in Yorkshire, she forms an immediate connection with the gentle and wealthy Ann Walker, danced beautifully by Rachael Gillespie. Their relationship becomes the emotional centre of Act II.
Together they face numerous challenges, including societal pressures and personal insecurities, yet their bond continues to deepen – a true testament to queer love.
Ochoa carefully builds their relationship through movement, creating a partnership that feels authentic and symbolic. The ballet ends in a symbolic wedding and shared flight towards a future together, a powerful affirmation of their love and commitment.
As a queer woman myself, I was completely moved by this portrayal of love. Seeing a same-sex relationship presented with such beauty, dignity and tenderness within the classical language of ballet felt deeply moving.
Gentleman Jack reminds us that queer women have always been here, and always will be. It is a powerful, emotional and uplifting production that I would highly recommend.
Gentleman Jack is at The Lowry in Salford until Saturday 6 June
Multi award-winning musical Hadestown is coming to Manchester on its UK tour next year
Emily Sergeant
Multi award-winning musical Hadestown is heading out on tour next year, and of course it’ll be stopping off in Greater Manchester.
The Tony and Grammy Award-winning production is currently playing its third smash-hit year in London’s West End, but once 2027 rolls around, Hadestown is embarking on its first-ever tour of the UK and Ireland, and tickets are officially set to go on general sale this morning (5 June).
If you’re unfamiliar with this modern-day classic, Hadestown takes you on an unforgettable journey to the underworld and back, intertwining two mythic love stories – that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone.
Described as being a ‘deeply resonant’ and ‘defiantly hopeful’ theatrical experience, audiences are invited to imagine how the world could be.
We're coming, songbirds. The journey underground begins February 2027.
Having been seen by over six million people, streamed by nearly a billion, and adored by fans around the world, critics have called this record-breaking musical ’the most exhilarating ride’… and once you watch it for yourself, it’s not hard to see why.
Hadestown will be taking to the stage at the Lowry in Salford next March, arriving in the city on Tuesday 9 March and running through until Thursday 11 March 2027.
Other northern cities the production will be visiting on its upcoming tour include Leeds, Sheffield, Newcastle, Liverpool, Hull, and Chester, while there’s many other major locations on the list before it closes in Sunderland in mid-November 2027.
Multi award-winning musical Hadestown is coming to Manchester on its UK tour next year / Credit: Marc Brenner (Supplied)
While the production is touring, the critically acclaimed West End run will still continue at London’s Lyric Theatre, more than eight years after its sold-out debut at the National Theatre in 2018.
Hadestown will be at the Lowry from Tuesday 9 – Thursday 11 March 2027.