Madagascar the Musical has officially touched down in Manchester, running at the Opera House for a select few dates this month.
Based on the smash-hit 2005 animation, the family-friendly musical invites audiences along on a journey with ‘all of your favourite crack-a-lackin’ friends’ on their unexpected journey. And we went along to opening night to see what it’s all about.
Walking into the stunning Opera House always fills me with excitement from the off, but this was only heightened by the sea of smiling little faces in fluffy lion ears. Cute.
Just to give a small synopsis if you happened to miss the epic Dreamworks film released 19 years ago (wow that makes me feel old), the storyline is quite simple and easy to follow. Four high maintenance animals escape their zoo with the help of four fugitive penguins, and subsequently find themselves in Madagascar living with some vivacious lemurs.
The musical show follows the story perfectly from costumes to script – everything is recognisable and feels somewhat nostalgic.
The lights go down and the stage is transformed into a New York City skyline, setting the scene of the Central Park Zoo as we patiently wait to see our stars.
The first up-beat number of the night introduces the four main characters, Alex the lion, Morty the zebra, Melman the giraffe and Gloria the hippo. From the get-go it’s clear this show is aimed at younger children, that’s not to say it can’t be enjoyed by all ages, but perfect for kids aged between four and ten.
Madagascar the Musical in Manchester follows zoo creatures on the run. Credit: Publicity picture
The first half takes you quickly through the storyline and we meet four crafty Antarctic flightless birds who will ultimately be the driving force for the evening’s plot.
Marty, our zebra friend, then goes through what can only be described as an existential crisis and escapes the zoo for a better life in the wild. His animal companions of course go after him and subsequently end up being captured by animal control, at this point me and the adorable five year old sat next to me are on the edge of our seats.
Now would be a good time to give a mention to the set design, really outstanding and the attention to detail is meticulous. The crate scene, while the characters are being transported by boat, reflects the film perfectly and little details like ‘Transport to Kenya’ give nods to context to where we are in the plot.
After an intense boat hijack from our penguin pals, the theatre plummets into darkness that marks the end of act one.
En route to the toilet I hear an interesting insight from a seven year old, ‘mummy, why would they be sending penguins to Kenya?’. A great question, one of life’s many unanswered questions, but we’ll scoot past that small plot hole because the opening of act one is the real nucellus of the evening.
The stage and set design of Madagascar the musical in Manchester is exceptionalThe stage and set design of Madagascar the musical in Manchester is exceptional
The set transforms into a beautiful tropical paradise and you can almost feel that warm breeze on your face and the white sand beneath your feet. We’ve made it to the main event – Madagascar.
Now while the news has been flooded with stories of King Charles over the last week, we’ve been sleeping on the fluffy royal legend that deserves every bit of fame and stardom we can offer. That’s right, he’s here, it’s King Julien.
The next five minutes are so full of energy and humour I have actual tears in my eyes. Watching a stage of lemur puppets and zoo animals performing a choreographed rendition of ‘I Like To Move It’ was not on my 2024 bingo card but I am thrilled to have experienced it.
Act two, in general, carries all the energy, the upbeat catchy songs and the colourful staging filling the room with smiling faces.
I am not 100% clear what the climax of the plot is, and realise I can’t remember from the film either, but it really doesn’t matter. The film left kids with a very important message, ‘don’t eat your friends!’ and that’s something they will always remember.
After a remarkable solo from Alex the lion, which could rival the likes of ‘All that jazz!’, the story comes to a happy ending and the full audience are on their feet.
The full run time of the show is one of the shortest I’ve been to with just about 40 minutes for each half, but that’s ideal for kids you just can’t keep still. And grown-ups…
Tickets for Madagascar the Musical in Manchester are on sale here.
‘Pioneering’ immersive theatre productions to take place inside shipping containers across Greater Manchester
Emily Sergeant
A pioneering production company is bringing immersive theatre inside shipping containers to Greater Manchester.
DARKFIELD has announced their first shows in Greater Manchester for seven years, and will present their three most critically-acclaimed experiences at iconic venues across the region as part of an ‘exciting’ collaboration.
Keen audiences will be able to head to The Lowry, Aviva Studios, and HOME this month to see theatre like they’ve never seen it before.
Renowned for their trademark shipping containers popping up across the UK and internationally, bringing mysterious and exciting experiences across the country, DARKFIELD will present SÉANCE, FLIGHT and ARCADE so crowds can find themselves immersed in the supernatural, boarding a new airline, or navigating a war torn world.
Fresh from sell-out runs at the Edinburgh Festival Fringe, BFI London Film Festival, and an extended residency at Shoreditch Town Hall, ARCADE will arrive at The Lowry – which is the company’s newest production.
‘Pioneering’ immersive theatre productions inside shipping containers will be happening across Greater Manchester / Credit: Mihaela Bodlovic | Fiona Rita Blyth
Aviva Studios will welcome one of DARKFIELD’s most popular and critically-acclaimed experiences, FLIGHT.
Over 30 minutes in total darkness, FLIGHT explores the Many-Worlds Interpretation of quantum mechanics, taking audience members through two worlds, two realities, and two possible outcomes to their journey.
And then over at HOME, the company’s first shipping container experience, SÉANCE, will be on show.
The interior of a 24ft container will be transformed into a Victorian séance room, and asks audiences to believe not only what is happening inside the container, but also in what might be conjured up into the room with them.
“We are delighted to be returning to Greater Manchester to present our shows in collaboration with three incredible venues,” commented DARKFIELD, ahead of their arrival in our region.
“We can’t wait to welcome audiences across the region to experience the strange worlds we’ve created.”
Chicago The Musical at The Lowry, Salford – a story of hot jazz and theatrical bliss
Aimee Woodcock
All That Jazz has found its way to Salford this week as Chicago the Musical hits The Lowry, and it’s safe to say the show still knows how to pull in a crowd.
Set in 1920s Chicago, the story centres on Roxie Hart, a chorus girl who shoots her lover and winds up behind bars. Inside Cook County Jail she meets Velma Kelly, a nightclub star with her own double-murder conviction.
Both women want the spotlight as much as they want their freedom, and with the slick lawyer Billy Flynn fighting their corner, it quickly turns into a tit-for-tat battle of who can play the media game best.
The big talking point this time round is Janette Manrara, swapping the Strictly ballroom for the theatre stage in her debut as Roxie. She’s playful, cheeky and full of energy, and it’s clear she’s enjoying every second.
By her side, Djalenga Scott is a knockout Velma. From the moment she kicks things off with ‘All That Jazz’ she owns the stage, captivating the audience with every line.
Together, the pair bounce off each other brilliantly – their love-hate chemistry is one of the show’s strongest pulls.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Darren Day brings the charm as Billy Flynn, the lawyer who can turn any trial into one big show stopper. His big number ‘Razzle Dazzle’ truly shines.
Stepping in for Brenda Edwards tonight was Victoria Anderson, in her element as Mama Morton, belting out ‘When You’re Good to Mama’ with just the right amount of soul.
Joshua Lloyd shines as Amos Hart, Roxie’s hopeless husband, heartbreakingly relatable in ‘Mr. Cellophane’, while Jordan Lee Davies brings humour and surprise as the iconic Mary Sunshine.
The staging is simple, with the 12-piece orchestra, sat in full view. It gives the whole show a stripped-back, concert-like feel, letting the band drive the energy – and trust us there’s plenty of it throughout the two hour show.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Of course, Bob Fosse’s iconic choreography is front and centre of each performance and instantly recognisable. The famous ‘Cell Block Tango’ is as gripping as ever, the audience filled with applause upon finishing.
Chicago has been running for nearly 30 years, but it feels far from tired. If anything, its satirical take on fame and the media feels even sharper today than ever.
At The Lowry, it’s delivered with style, glitz and a lot of sass. One for fans old and new and well worth a night out.
Abbie Bartlett -
9th February 2024 
