Madagascar the Musical has officially touched down in Manchester, running at the Opera House for a select few dates this month.
Based on the smash-hit 2005 animation, the family-friendly musical invites audiences along on a journey with ‘all of your favourite crack-a-lackin’ friends’ on their unexpected journey. And we went along to opening night to see what it’s all about.
Walking into the stunning Opera House always fills me with excitement from the off, but this was only heightened by the sea of smiling little faces in fluffy lion ears. Cute.
Just to give a small synopsis if you happened to miss the epic Dreamworks film released 19 years ago (wow that makes me feel old), the storyline is quite simple and easy to follow. Four high maintenance animals escape their zoo with the help of four fugitive penguins, and subsequently find themselves in Madagascar living with some vivacious lemurs.
The musical show follows the story perfectly from costumes to script – everything is recognisable and feels somewhat nostalgic.
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The lights go down and the stage is transformed into a New York City skyline, setting the scene of the Central Park Zoo as we patiently wait to see our stars.
The first up-beat number of the night introduces the four main characters, Alex the lion, Morty the zebra, Melman the giraffe and Gloria the hippo. From the get-go it’s clear this show is aimed at younger children, that’s not to say it can’t be enjoyed by all ages, but perfect for kids aged between four and ten.
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The first half takes you quickly through the storyline and we meet four crafty Antarctic flightless birds who will ultimately be the driving force for the evening’s plot.
Marty, our zebra friend, then goes through what can only be described as an existential crisis and escapes the zoo for a better life in the wild. His animal companions of course go after him and subsequently end up being captured by animal control, at this point me and the adorable five year old sat next to me are on the edge of our seats.
Now would be a good time to give a mention to the set design, really outstanding and the attention to detail is meticulous. The crate scene, while the characters are being transported by boat, reflects the film perfectly and little details like ‘Transport to Kenya’ give nods to context to where we are in the plot.
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After an intense boat hijack from our penguin pals, the theatre plummets into darkness that marks the end of act one.
En route to the toilet I hear an interesting insight from a seven year old, ‘mummy, why would they be sending penguins to Kenya?’. A great question, one of life’s many unanswered questions, but we’ll scoot past that small plot hole because the opening of act one is the real nucellus of the evening.
The set transforms into a beautiful tropical paradise and you can almost feel that warm breeze on your face and the white sand beneath your feet. We’ve made it to the main event – Madagascar.
Now while the news has been flooded with stories of King Charles over the last week, we’ve been sleeping on the fluffy royal legend that deserves every bit of fame and stardom we can offer. That’s right, he’s here, it’s King Julien.
The next five minutes are so full of energy and humour I have actual tears in my eyes. Watching a stage of lemur puppets and zoo animals performing a choreographed rendition of ‘I Like To Move It’ was not on my 2024 bingo card but I am thrilled to have experienced it.
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Act two, in general, carries all the energy, the upbeat catchy songs and the colourful staging filling the room with smiling faces.
I am not 100% clear what the climax of the plot is, and realise I can’t remember from the film either, but it really doesn’t matter. The film left kids with a very important message, ‘don’t eat your friends!’ and that’s something they will always remember.
After a remarkable solo from Alex the lion, which could rival the likes of ‘All that jazz!’, the story comes to a happy ending and the full audience are on their feet.
The full run time of the show is one of the shortest I’ve been to with just about 40 minutes for each half, but that’s ideal for kids you just can’t keep still. And grown-ups…
Tickets for Madagascar the Musical in Manchester are on sale here.
Blood Brothers at Palace Theatre, Manchester – a timeless classic
Greg James
Bill Kenwright’s production of Blood Brothers surpassed 10,000 performances in London’s West End making it one of only three musicals ever to achieve that monumental milestone – and now it’s visiting us here in Manchester.
“Oh Bright New Day”, Blood Brothers has just landed back at the Palace Theatre. This musical written by Willy Russell is a British piece of theatre that is a staple in the musical theatre tapestry of our country.
For anyone who is unfamiliar with this iconic story, it is an emotional tale of two twins who are separated at birth and grow up on opposite sides of the tracks, only to meet again with the most fateful of consequences.
The story’s central character, Mrs Johnston is the linchpin in this whole story and carries us through the show.
This role has been played by many superb women over the years including Mel C, Kiki Dee, Barbara Dickson and nearly all of the Nolan Sisters. This time, Mrs Johnston is performed by Vivienne Carlyle who provides a lovely maternal performance.
The other two lead roles are Mickey and Eddie, played by Sean Jones and Joe Sleight respectively.
These are really complex roles to play as the actors have to portray the characters from early school years to grown adults.
The cast of Blood Brothers in Manchester. Credit: Jack MerrimanSean Jones, Gemma Brodrick and Joe Slight in Blood Brothers in Manchester. Credit: Jack Merriman
Sean Jones has been playing the role of Mickey now for nearly 25 years and so he is no stranger to this character. And I must say, he still fantastically plays the part, even when playing young Mickey, and the show really takes off when he enters the stage.
Joe Sleight is someone who I had not seen in the role of Eddie before and he gave just as strong a performance as Jones. He offered a real contrast to his counterpart with a really beautiful, touching performance.
The whole ensemble did a gorgeous job of helping to carry these characters throughout the musical, showing a real flair for multi-roling and beautiful musicality in the group numbers too.
Something which elevates this already gripping story though is the music. There are many recurring musical motifs throughout the show that on the surface may come off as repetitive but they offer perspective on how things can evolve and change over time.
Of course the song though that everybody is perhaps familiar with is the power ballad, ‘Tell Me It’s Not True’. This is the climax of the show and what a climax it is. There’s not a dry eye in the house when we reach this point of the story, I can assure you!
So, whether you are returning to watch this show again, perhaps know the story from studying it in English GCSE or seeing it for the first time, it will always be an absolutely timeless classic.
Blood Brothers is on at the Palace Theatre in Manchester until Saturday 30 November. Tickets are available HERE.
Chicago the Musical razzles (and dazzles) at the Palace Theatre in Manchester
Clementine Hall
A story of murder, greed and corruption was performed with style, ease and flair; Chicago is the longest-running American musical in Broadway and West End history, and it’s easy to see why now that it’s arrived in Manchester.
The jazz-fuelled fiasco is filled with catchy songs that you can’t help but click along to, funny one-liners, and likeable characters such as Miss Roxy Hart herself.
Best-known for appearing as Kate Connor in Coronation Street, the opening night in Manchester on Chicago‘s UK tour may have been a daunting prospect, but it’s one Faye Brookes pulled off seamlessly.
Here’s our full review…
Image: Press Images (Supplied)
Brookes is fantastically expressive and brings new energy to a classic, complemented throughout by a sultry cast dressed in buckles and mesh that really bring the ‘Razzle Dazzle’ to the stage.
Her co-star, Strictly Come Dancing‘s Kevin Clifton, struts through the show transformed into Billy Flynn – a flamboyant 1920s American lawyer who has the desperate inmates in the palm of his hand.
The opening number, ‘All That Jazz’, is spearheaded by Djalenga Scott as Velma Kelly and she does it brilliantly.
Image: Supplied
The cast slink their way across the stage with Scott at the forefront, who undoubtedly delivers a faultless performance and complements Brookes as Roxie Hart perfectly.
A highlight of course included the hilarious‘Cell Block Tango’, the audience were laughing along as the women sang the stories of their murderous deeds whilst performing sharp and sultry choreography.
Not even a toe out of place.
Image: Supplied
The set is minimalist, dark and simple, but is simply brought to life by the wonderful expression and lively musical numbers performed on stage by the live band.
The live band sits on a staircase centre stage and their playful use of instruments throughout is truly impressive.
Neil MacDonald, the show’s musical director, even got involved with a few on-stage conversations which was a fabulous touch that made the show feel bespoke to us.
Other notable performances included Brenda Edwards as Mamma Morton, whose powerhouse voice left the audience in absolute awe, and Joshua Lloyd as ‘Mister Cellophane’ caused a couple of pitiful “awws” from the auditorium.
Overall, this was a fantastic production of the Broadway classic – the standing ovation at the end proves I wasn’t the only one who thought that too.
Chicago the Musical is playing at the Palace Theatre Manchester until Saturday, 9 November and you can grab your last-minute tickets HERE.