Madagascar the Musical has officially touched down in Manchester, running at the Opera House for a select few dates this month.
Based on the smash-hit 2005 animation, the family-friendly musical invites audiences along on a journey with ‘all of your favourite crack-a-lackin’ friends’ on their unexpected journey. And we went along to opening night to see what it’s all about.
Walking into the stunning Opera House always fills me with excitement from the off, but this was only heightened by the sea of smiling little faces in fluffy lion ears. Cute.
Just to give a small synopsis if you happened to miss the epic Dreamworks film released 19 years ago (wow that makes me feel old), the storyline is quite simple and easy to follow. Four high maintenance animals escape their zoo with the help of four fugitive penguins, and subsequently find themselves in Madagascar living with some vivacious lemurs.
The musical show follows the story perfectly from costumes to script – everything is recognisable and feels somewhat nostalgic.
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The lights go down and the stage is transformed into a New York City skyline, setting the scene of the Central Park Zoo as we patiently wait to see our stars.
The first up-beat number of the night introduces the four main characters, Alex the lion, Morty the zebra, Melman the giraffe and Gloria the hippo. From the get-go it’s clear this show is aimed at younger children, that’s not to say it can’t be enjoyed by all ages, but perfect for kids aged between four and ten.
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Madagascar the Musical in Manchester follows zoo creatures on the run. Credit: Publicity picture
The first half takes you quickly through the storyline and we meet four crafty Antarctic flightless birds who will ultimately be the driving force for the evening’s plot.
Marty, our zebra friend, then goes through what can only be described as an existential crisis and escapes the zoo for a better life in the wild. His animal companions of course go after him and subsequently end up being captured by animal control, at this point me and the adorable five year old sat next to me are on the edge of our seats.
Now would be a good time to give a mention to the set design, really outstanding and the attention to detail is meticulous. The crate scene, while the characters are being transported by boat, reflects the film perfectly and little details like ‘Transport to Kenya’ give nods to context to where we are in the plot.
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After an intense boat hijack from our penguin pals, the theatre plummets into darkness that marks the end of act one.
En route to the toilet I hear an interesting insight from a seven year old, ‘mummy, why would they be sending penguins to Kenya?’. A great question, one of life’s many unanswered questions, but we’ll scoot past that small plot hole because the opening of act one is the real nucellus of the evening.
The stage and set design of Madagascar the musical in Manchester is exceptionalThe stage and set design of Madagascar the musical in Manchester is exceptional
The set transforms into a beautiful tropical paradise and you can almost feel that warm breeze on your face and the white sand beneath your feet. We’ve made it to the main event – Madagascar.
Now while the news has been flooded with stories of King Charles over the last week, we’ve been sleeping on the fluffy royal legend that deserves every bit of fame and stardom we can offer. That’s right, he’s here, it’s King Julien.
The next five minutes are so full of energy and humour I have actual tears in my eyes. Watching a stage of lemur puppets and zoo animals performing a choreographed rendition of ‘I Like To Move It’ was not on my 2024 bingo card but I am thrilled to have experienced it.
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Act two, in general, carries all the energy, the upbeat catchy songs and the colourful staging filling the room with smiling faces.
I am not 100% clear what the climax of the plot is, and realise I can’t remember from the film either, but it really doesn’t matter. The film left kids with a very important message, ‘don’t eat your friends!’ and that’s something they will always remember.
After a remarkable solo from Alex the lion, which could rival the likes of ‘All that jazz!’, the story comes to a happy ending and the full audience are on their feet.
The full run time of the show is one of the shortest I’ve been to with just about 40 minutes for each half, but that’s ideal for kids you just can’t keep still. And grown-ups…
Tickets for Madagascar the Musical in Manchester are on sale here.
A new stage adaptation of a Virginia Woolf classic is coming to Manchester
Danny Jones
With both World Book Day and International Women’s Day having only just passed, it feels like perfect timing for a UK tour of a new theatrical adaptation of one of the most important works of feminist writing ever to have just been announced: Mrs. Dalloway.
And, of course, it’s being brought to Manchester.
The legendary modernist novel by Virginia Woolf has already been adapted for stage and screen multiple times, but this most recent version has been hailed as “cinematic”, “immersive”, and striving to be just as ‘radical’ as the original masterpiece itself.
It’s one of the latest shows coming to Storyhouse in Chester for a world premiere, before heading out across the UK for just a select few special performances.
A co-production between said Storyhouse, as well as Harlow Playhouse and CutToTheChase Productions, it’s been co-created by award-winning director Jen Heyes, with help from Olivier Award-winning writer and performer, Kit Green.
Green takes up the role not only of the titular and long-studied character for this bold reimagining of Clarissa, but will also feature as husband Richard Dalloway, tragic supporting character Septimus Warren Smith, and others.
Bookworms and English literature students will likely have come across the name at least in passing, even if they haven’t read it for themselves, and it still remains just as striking now as it was when first published back in 1925.
Elsewhere referred to as The Hours in her diary entries, the text inspired a 2002 Hollywood movie using that ‘original’ working title starring Nicole Kidman, Julianne Moore, and Meryl Streep – all of whom play women whose story mirrors that tale and/or troubles of Virginia Woolf in some way.
Most famously, however, it was also turned into an eponymous British film in the late 90s, with Vanessa Redgrave as an older Mrs Dalloway and Natascha McElhone as her younger self.
Virginia WoolfThe first major version of Mrs Dalloway on film (1997)Green embodying one of many rolesCredit: Topfoto/NTB (via NDLA)
Both have little cult followings of their own, as you would expect from anything with the famous writer’s name attached to them, but theatre fans have every reason to be very excited about this next take.
Speaking ahead of the inaugural performance of the play, director Jen Heyes said in a statement, “I wanted audiences to step inside Woolf’s world and see it in a way they won’t expect.
“We’ve mixed theatre, film, and bold reinterpretations to create something alive, surprising, moving, and entertaining. My hope is that people leave the theatre carrying the story with them long after the lights go down.”
Following the Cheshire debut on Friday, 29 May, running until 6 June, the production will head to Harlow in Essex, and Wilton’s Music Hall in London, before landing at beloved local theatre, cinema and arts space, HOME, over on First Street this autumn.
The stage version of Mrs. Dalloway will be in Manchester from 24-26 September (Thurs-Sat); you can grab your tickets HERE. We’ve been spoiled by some VERY good new material of late…
Watching Mamma Mia! at Manchester Palace Theatre proved once again why this ABBA-powered musical remains one of the most beloved shows in modern theatre.
The audience arrived ready for a party, and the cast delivered an energetic, feel-good performance packed with humour, heart, and, of course, a catalogue of iconic pop songs.
At the centre of the story is Sophie Sheridan, a young bride-to-be, determined to discover the identity of her father before her wedding day. Secretly, she invites three men from her mother Donna’s past to the island, creating chaos, comedy, and emotional revelations along the way.
The plot is famously light… but it provides the perfect framework for a soundtrack built entirely on hits by the iconic Swedish pop band ABBA.
Mamma Mia! brought infectious energy to Manchester’s Palace Theatre / Credit: Brinkhoff / Moegenburg (Supplied)
Jen Griffin leads the company as Donna Sheridan with warmth and a commanding stage presence. Her stand-out performance balances humour with vulnerability, culminating in a powerful rendition of ‘The Winner Takes It All’.
As Sophie, Lydia Hunt brings youthful excitement and a clear, expressive vocal performance, making her character’s search for identity both believable and engaging.
Donna’s loyal friends provide much of the show’s comedy (and cheers from the crowd). Rosie Glossop plays Rosie with scene-stealing wit and excellent comic timing, particularly during ‘Take a Chance on Me’, while Sarah Earnshaw gives Tanya glamorous confidence and sharp humour. Together the trio create the emotional backbone of the show, portraying friendship that feels authentic and affectionate.
The three possible fathers are played by Luke Jasztal as Sam, Richard Meek as Harry, and Mark Goldthorp as Bill. Each bringing their own unique character personality to the role, helping the storyline unfold with plenty of charm. Meanwhile, Joe Grundy plays Sky with relaxed confidence opposite Sophie.
Visually, the production captures the sunny escapism audiences expect, with bright Mediterranean colours, lively choreography, and a cleverly simple island set that transports the audience far from the streets of Manchester. Ouzo anyone?
By the time the encore begins, with the cast returning in glittering costumes for a joyous ABBA medley including ‘Dancing Queen’ and ‘Waterloo’, the audience is firmly on its feet.
The show last night felt less like a typical theatre evening and more like a celebration. It may not be subtle, but Mamma Mia! remains addictively entertaining.
Featured Image – Brinkhoff / Moegenburg (Supplied)
Abbie Bartlett -
9th February 2024 
