Madagascar the Musical has officially touched down in Manchester, running at the Opera House for a select few dates this month.
Based on the smash-hit 2005 animation, the family-friendly musical invites audiences along on a journey with ‘all of your favourite crack-a-lackin’ friends’ on their unexpected journey. And we went along to opening night to see what it’s all about.
Walking into the stunning Opera House always fills me with excitement from the off, but this was only heightened by the sea of smiling little faces in fluffy lion ears. Cute.
Just to give a small synopsis if you happened to miss the epic Dreamworks film released 19 years ago (wow that makes me feel old), the storyline is quite simple and easy to follow. Four high maintenance animals escape their zoo with the help of four fugitive penguins, and subsequently find themselves in Madagascar living with some vivacious lemurs.
The musical show follows the story perfectly from costumes to script – everything is recognisable and feels somewhat nostalgic.
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The lights go down and the stage is transformed into a New York City skyline, setting the scene of the Central Park Zoo as we patiently wait to see our stars.
The first up-beat number of the night introduces the four main characters, Alex the lion, Morty the zebra, Melman the giraffe and Gloria the hippo. From the get-go it’s clear this show is aimed at younger children, that’s not to say it can’t be enjoyed by all ages, but perfect for kids aged between four and ten.
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Madagascar the Musical in Manchester follows zoo creatures on the run. Credit: Publicity picture
The first half takes you quickly through the storyline and we meet four crafty Antarctic flightless birds who will ultimately be the driving force for the evening’s plot.
Marty, our zebra friend, then goes through what can only be described as an existential crisis and escapes the zoo for a better life in the wild. His animal companions of course go after him and subsequently end up being captured by animal control, at this point me and the adorable five year old sat next to me are on the edge of our seats.
Now would be a good time to give a mention to the set design, really outstanding and the attention to detail is meticulous. The crate scene, while the characters are being transported by boat, reflects the film perfectly and little details like ‘Transport to Kenya’ give nods to context to where we are in the plot.
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After an intense boat hijack from our penguin pals, the theatre plummets into darkness that marks the end of act one.
En route to the toilet I hear an interesting insight from a seven year old, ‘mummy, why would they be sending penguins to Kenya?’. A great question, one of life’s many unanswered questions, but we’ll scoot past that small plot hole because the opening of act one is the real nucellus of the evening.
The stage and set design of Madagascar the musical in Manchester is exceptionalThe stage and set design of Madagascar the musical in Manchester is exceptional
The set transforms into a beautiful tropical paradise and you can almost feel that warm breeze on your face and the white sand beneath your feet. We’ve made it to the main event – Madagascar.
Now while the news has been flooded with stories of King Charles over the last week, we’ve been sleeping on the fluffy royal legend that deserves every bit of fame and stardom we can offer. That’s right, he’s here, it’s King Julien.
The next five minutes are so full of energy and humour I have actual tears in my eyes. Watching a stage of lemur puppets and zoo animals performing a choreographed rendition of ‘I Like To Move It’ was not on my 2024 bingo card but I am thrilled to have experienced it.
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Act two, in general, carries all the energy, the upbeat catchy songs and the colourful staging filling the room with smiling faces.
I am not 100% clear what the climax of the plot is, and realise I can’t remember from the film either, but it really doesn’t matter. The film left kids with a very important message, ‘don’t eat your friends!’ and that’s something they will always remember.
After a remarkable solo from Alex the lion, which could rival the likes of ‘All that jazz!’, the story comes to a happy ending and the full audience are on their feet.
The full run time of the show is one of the shortest I’ve been to with just about 40 minutes for each half, but that’s ideal for kids you just can’t keep still. And grown-ups…
Tickets for Madagascar the Musical in Manchester are on sale here.
Matilda The Musical at Palace Theatre Manchester – a lesson in letting your imagination run wild | Review
Emily Sergeant
I think growing up is overrated. I’m just going to start off by saying that, okay? Right… now onto the actual review.
Matilda The Musical has finally arrived in Manchester, and it’s every bit as imaginative as the title character herself.
The Royal Shakespeare Company’s smash-hit musical production – which is, of course, based on Roald Dahl’s beloved book of the same name – has been seen by more than 12 million people in over 100 cities around the world since it first debuted back in 2010, and it continues to play to packed houses in London’s West End and on Broadway each week… but now, it’s Manchester’s turn.
The critically-acclaimed musical is currently out on a tour of the UK and Ireland, and has just arrived for a special four-week run here at Manchester’s iconic Palace Theatre.
Touring to celebrate its 15-year anniversary, the multi-award winning musical about a determined young heroine with a vivid imagination is written by Dennis Kelly, and developed and directed by Matthew Warchus, with music and lyrics by comedian Tim Minchin.
Matilda The Musical is now on stage at Manchester Palace Theatre / Credit: Publicity Picture (Supplied)
Despite being a fan of musical theatre, and even of the production’s popular soundtrack prior, Matilda The Musical was one I was yet to experience live on stage before last night.
Understandably because of this, it was one I was therefore really anticipating watching – and 15 years on, it’s truly not hard to see why it’s so beloved by so many.
Manchester audiences who gathered inside the storied walls of the Palace Theatre on opening night last night (26 March) were enchanted from the moment the colourful, eclectic stage lit up and the sets came to life, immersing you in the world right from the get-go.
It’s a production every bit as imaginative as the main character herself / Credit: Publicity Picture (Supplied)
Now, it would be fair to say that so much could go wrong in this production, given how many moving parts are involved in the stage design and choreography, but it’s a complete credit to every single member of the company that not once, as an audience member, did you ever feel anything would go wrong – that’s how technically impressive the staging was.
Those technical elements barely scratch the surface of just how much this show grabs you by the heart and makes you cling onto the magic of childlike imagination, though. This is where it really shines.
Through well-known songs like ‘Naughty’, ‘Revolting Children’, ‘When I Grow Up’, and ‘Quiet’, you are left feeling in awe of the incredibly (almost unbelievably, to be honest) talented ensemble cast of young performers on stage before you.
Led last night by Mollie Hutton as Matilda, who brought her own charm and cheekiness to the iconic role, each youngster really is living proof that ‘even if you’re little, you can do a lot’.
It’s now on stage in Manchester up until Saturday 25 April / Credit: The Manc Group
Tessa Kalder as Miss Honey, Richard Hurst as Miss Trunchbull, and Esther Niles as Mrs Phelps were all stand-out performances too, as were Adam Stafford and Rebecca Thornhill as Matilda’s parents, Mr and Mrs Wormwood.
It’s a show full of humour, eccentric characters, and captivating sets… and it’s well worth your time, whether a theatre-lover or not.
The beaming smiles from the cast at the end during the curtain call say it all.
Matilda The Musical is now playing at Manchester Palace Theatre until Saturday 25 April 2026, and you can get last-minute tickets online here.
Featured Image – Publicity Picture (Supplied)
Theatre
Oasis are back…in surreal new Britpop comedy ‘The Battle’ at the Opera House Manchester
Clementine Hall
The greatest pop rivalry of all time has been turned into a quick-witted, razor-sharp comedy.
And do you know what? It’s a proper laugh.
Oasis vs Blur, north vs south… it really is a tale as old as time, and one that symbolised a divided nation back in 1995.
This new play, written by past record industry bod John Niven, explores the testosterone-fuelled tantrums that came after the decision to release Blur’s Country House singlealongside Oasis’ Roll With It.
Image: Supplied (Helen Murray)
We’re plunged into backstage Britpop bickering right at the very start at none other than the Brit Awards, which is quite apt for a Manchester audience who have just witnessed the city hosting the awards for the first time.
From the offset, Paddy Stafford and George Usher who played Noel and Liam Gallagher, proved themselves as standout performances.
The physical mannerisms, the vocal nuances, they both had it down to an absolute T and looked exceptional in parkas, might I add.
Images: Supplied (Helen Murray)
By portraying such icons, in Manchester no less, you’re opening yourself up to a lot of criticism but their performances, which could’ve been perceived as awkward impressions, were the highlight of the evening.
The first act explores the rivalry between the two bands in depth, featuring countless slinging matches that are peppered with quick-witted remarks and plenty of swearing.
The between-scenes animations by John O’Connor portray radio DJs stoking the hysteria with the latest gossip, which is a nice way to keep the audience in check with whats going on amidst the chaos.
Image: Supplied (Helen Murray)
But it’s in the second act when things start to get really, really weird – and equally as fun.
I’m not going to spoil it for you, because that’s the whole point.
But what I will say is if you’re going for an Oasis singalong then you’re not going to get it, but you may want to brush up on your Take That lyrics.
The Battle is on at the Opera House Manchester until Saturday 21 March and you can get your tickets here.
Abbie Bartlett -
9th February 2024 
