For the first time ever, smash hit show Moulin Rouge The Musical is heading to Manchester on its debut world tour.
The multi-award-winning spectacle has announced an eight week run of shows at the Palace Theatre, and has just released the dates for when tickets will go on sale.
Moulin Rouge The Musical is set to bring ‘a world of splendour and romance, eye-popping excess, glitz, grandeur and glory’ to Manchester next autumn.
The musical, based on Baz Lurhmann’s revolutionary film starring Ewan McGregor and Nicole Kidman, features more than 70 hit songs from across 160 years of music.
Audiences will hear everything from Offenbach to Lady Gaga as the Palace Theatre stage is transformed into 19th century Paris.
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The musical is set amidst the unparalleled extravagance and beauty of the iconic Moulin Rouge nightclub, where the space beneath the red windmill is filled with bohemians and aristocrats, boulevardiers and reprobates.
It follows the tale of lovesick American writer Christian and the subject of his affections, Satine, the star of the Moulin Rouge.
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Their glittering love story is halted by the nightclub’s host and mastermind, Harold Zidler, and the Duke of Monroth, who wishes to buy the Moulin Rouge – and with it, Satine.
The all-singing, all-dancing cast also includes starving artist Toulouse-Lautrec and tango dancer Santiago, along with a full line-up of Can Can dancers, musicians, and more.
This is the first time ever that Moulin Rouge The Musical has performed in Manchester, landing at the Palace theatre on 20 August 2025.
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The show has won a whopping 10 2021 Tony Awards (including Best Musical), an Olivier Award, and masses more.
Carmen Pavlovic for Global Creatures, producer of Moulin Rouge! The Musical, said: “It is thrilling that the Manchester Palace will host Moulin Rouge! The Musical next year as part of its world tour.
Moulin Rouge The Musical is heading to Manchester for the first time EVER. Credit: Matt Murphy
“Manchester is such a welcoming, lively and culturally vibrant city, world renowned for its rich artistic and musical heritage.
“A city also known for defending free speech and liberty of opinion, so we know that the bohemians and artisans of the Montmartre will be embraced with open arms. We can’t wait to welcome Manchester to the Moulin Rouge!”
Casting is still to be announced.
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Moulin Rouge! The Musical will come to the Palace Theatre Manchester between Wednesday 20 August and Saturday 4 October 2025.
Pre-sale tickets will go on sale at 12pm on Tuesday 5 November, before the general public sale begins on Thursday 7 November.
A new stage adaptation of a Virginia Woolf classic is coming to Manchester
Danny Jones
With both World Book Day and International Women’s Day having only just passed, it feels like perfect timing for a UK tour of a new theatrical adaptation of one of the most important works of feminist writing ever to have just been announced: Mrs. Dalloway.
And, of course, it’s being brought to Manchester.
The legendary modernist novel by Virginia Woolf has already been adapted for stage and screen multiple times, but this most recent version has been hailed as “cinematic”, “immersive”, and striving to be just as ‘radical’ as the original masterpiece itself.
It’s one of the latest shows coming to Storyhouse in Chester for a world premiere, before heading out across the UK for just a select few special performances.
A co-production between said Storyhouse, as well as Harlow Playhouse and CutToTheChase Productions, it’s been co-created by award-winning director Jen Heyes, with help from Olivier Award-winning writer and performer, Kit Green.
Green takes up the role not only of the titular and long-studied character for this bold reimagining of Clarissa, but will also feature as husband Richard Dalloway, tragic supporting character Septimus Warren Smith, and others.
Bookworms and English literature students will likely have come across the name at least in passing, even if they haven’t read it for themselves, and it still remains just as striking now as it was when first published back in 1925.
Elsewhere referred to as The Hours in her diary entries, the text inspired a 2002 Hollywood movie using that ‘original’ working title starring Nicole Kidman, Julianne Moore, and Meryl Streep – all of whom play women whose story mirrors that tale and/or troubles of Virginia Woolf in some way.
Most famously, however, it was also turned into an eponymous British film in the late 90s, with Vanessa Redgrave as an older Mrs Dalloway and Natascha McElhone as her younger self.
Virginia WoolfThe first major version of Mrs Dalloway on film (1997)Green embodying one of many rolesCredit: Topfoto/NTB (via NDLA)
Both have little cult followings of their own, as you would expect from anything with the famous writer’s name attached to them, but theatre fans have every reason to be very excited about this next take.
Speaking ahead of the inaugural performance of the play, director Jen Heyes said in a statement, “I wanted audiences to step inside Woolf’s world and see it in a way they won’t expect.
“We’ve mixed theatre, film, and bold reinterpretations to create something alive, surprising, moving, and entertaining. My hope is that people leave the theatre carrying the story with them long after the lights go down.”
Following the Cheshire debut on Friday, 29 May, running until 6 June, the production will head to Harlow in Essex, and Wilton’s Music Hall in London, before landing at beloved local theatre, cinema and arts space, HOME, over on First Street this autumn.
The stage version of Mrs. Dalloway will be in Manchester from 24-26 September (Thurs-Sat); you can grab your tickets HERE. We’ve been spoiled by some VERY good new material of late…
Watching Mamma Mia! at Manchester Palace Theatre proved once again why this ABBA-powered musical remains one of the most beloved shows in modern theatre.
The audience arrived ready for a party, and the cast delivered an energetic, feel-good performance packed with humour, heart, and, of course, a catalogue of iconic pop songs.
At the centre of the story is Sophie Sheridan, a young bride-to-be, determined to discover the identity of her father before her wedding day. Secretly, she invites three men from her mother Donna’s past to the island, creating chaos, comedy, and emotional revelations along the way.
The plot is famously light… but it provides the perfect framework for a soundtrack built entirely on hits by the iconic Swedish pop band ABBA.
Mamma Mia! brought infectious energy to Manchester’s Palace Theatre / Credit: Brinkhoff / Moegenburg (Supplied)
Jen Griffin leads the company as Donna Sheridan with warmth and a commanding stage presence. Her stand-out performance balances humour with vulnerability, culminating in a powerful rendition of ‘The Winner Takes It All’.
As Sophie, Lydia Hunt brings youthful excitement and a clear, expressive vocal performance, making her character’s search for identity both believable and engaging.
Donna’s loyal friends provide much of the show’s comedy (and cheers from the crowd). Rosie Glossop plays Rosie with scene-stealing wit and excellent comic timing, particularly during ‘Take a Chance on Me’, while Sarah Earnshaw gives Tanya glamorous confidence and sharp humour. Together the trio create the emotional backbone of the show, portraying friendship that feels authentic and affectionate.
The three possible fathers are played by Luke Jasztal as Sam, Richard Meek as Harry, and Mark Goldthorp as Bill. Each bringing their own unique character personality to the role, helping the storyline unfold with plenty of charm. Meanwhile, Joe Grundy plays Sky with relaxed confidence opposite Sophie.
Visually, the production captures the sunny escapism audiences expect, with bright Mediterranean colours, lively choreography, and a cleverly simple island set that transports the audience far from the streets of Manchester. Ouzo anyone?
By the time the encore begins, with the cast returning in glittering costumes for a joyous ABBA medley including ‘Dancing Queen’ and ‘Waterloo’, the audience is firmly on its feet.
The show last night felt less like a typical theatre evening and more like a celebration. It may not be subtle, but Mamma Mia! remains addictively entertaining.
Featured Image – Brinkhoff / Moegenburg (Supplied)