If you’re wandering down Oxford Road this week and take a wrong turn, then you may find yourself in early 20th century Paris.
Moulin Rouge is a sultry, sexy extravaganza of lust, sin, and debauchery that you just can’t get enough of, so it’s time to lose yourself in the magic and showmanship of the Parisian clubs of yesteryear, as whether you’re a big fan of the hit 2001 movie, or new to the world of Moulin Rouge, I can say without a shadow of a doubt that you will be blown away.
This is possibly the best show I’ve ever seen on stage.
There’s an excited buzz in the air as everyone pours into the Palace Theatre. The theatre is conveniently Moulin Rouge red by default, so you already feel like you’ve been transported before you’ve even got to your seat.
As you approach your seat, you’re met with the spectacle that is the sensational staging. On one side of the room, you have the infamous Moulin Rouge windmill, and the other side has the giant elephant head where our diamond Satine resides.
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The time has come, Bohemians of Manchester! 🎉
Tickets are officially ON SALE for Moulin Rouge! The Musical at the Palace Theatre from Wed 20 August – Sat 4 October 2025 ❣️
The show begins with the iconic Lady Marmalade song and the excitement that spreads through the audience is almost palpable. Each song and performance gets stronger, more exciting, more uplifting, carried by our club host – the fantastic and hilarious Harold Zidler (Cameron Blakely).
As fans of the movie, my guest and I were initially surprised by the medleys of modern songs that spanned the duration of the show, but they fit the storyline so well that by the end we were hooked. The original score was still present, just with the modern additions woven in seamlessly.
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For those who don’t know, the show follows young Christian, played by Josh Rose, who tells his story of moving to Paris to pursue his dream of becoming a songwriter. Upon arrival, he meets Toulouse (Kurt Kansley) and Santiago (Rodrigo Negrini), struggling artists in the bohemian Montmartre. Impressed with his love songs, they convince him to seduce the sensational Satine (Verity Thompson) in an effort to get their show on the Moulin Rouge stage.
Moulin Rogue The Musical has arrived at Manchester Palace Theatre / Credit: Matt Crockett (Supplied)
The club however is struggling, and Harold has tasked Satine to seduce The Duke (James Bryers) to help secure funding to ensure the club’s future. Satine and Christian meet first and immediately fall in love, causing heartache and tragedy throughout the course of the show.
Every single cast member is spectacular from start to finish.
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The performances and dance numbers are works of art and get the whole audience going. The excitement and passion from the cast shines throughout, and it’s clear they’re enjoying the show as much as we are.
The jaw-dropping production is on stage in Manchester until 4 October / Credit: Matt Crockett (Supplied)
The singing is mind-bogglingly good, with everyone hitting every note without question. It would be remiss of me to not give an extra special shout out to Verity Thompson, whose singing was absolutely jaw dropping. If I could sing like her, you’d literally never shut me up.
It isn’t often you see something and think, everyone has to see this, but this show is definitely one of those. If their gift is their song, then I would be happy to accept it over and over again.
Moulin Rouge is playing at Palace Theatre Manchester until Saturday 4 October, and you can find out more and get your tickets here.
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You do not want to miss this – seriously.
Featured Image – Johan Persson (Supplied)
Theatre
Legally Blonde the Musical at Opera House, Manchester – the campest of revamps
Amy Williams
If you’re thinking about going seeing Legally Blonde at The Opera House this November, let us tell you why you absolutely should.
The iconic West End musical, based on the award-winning film starring Reese Witherspoon, is back on tour, and in Manchester for the next two weeks.
If you haven’t seen it before then let us give you an idea of what it’s about – the story follows Elle Woods, a girl from Malibu, who is madly in love with her high school sweetheart.
The problem is he wants something more ‘serious’ than her, which is when she decides she’ll follow him to Harvard and become a law student, to prove she’s more than just the ‘dumb blonde’ he thinks she is.
On stage, Legally Blonde’s dialogue is almost entirely through song, so you expect there’ll be good voices amongst the cast – and they really do live up to expectations.
West End darling Amber Davies stars as Elle Woods, turning her 2018 Love Island win into an illustrious musical career that has seen her star in shows like Pretty Woman, The Great Gatsby, and 9 to 5. She absolutely blew us away.
Also putting on an incredible show is Karen Mavundukure as well, who plays Paulette, a hairdresser who becomes friends with Elle.
And some of the biggest ‘awws’ of the night of course went to the two wonderful dogs of the show, Sprout and Rocco.
Legally Blonde will make you laugh, have you sat in awe at the voices and stage set, and also really pull you into the story in hope that Elle gets what she REALLY wants in the end…
Legally Blonde is at Opera House Manchester until Saturday 14 November, make sure to grab tickets HERE before it’s too late.
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.
Kristen MacGregor-Houlston -
22nd August 2025 
