On Sunday night, the AO Arena in Manchester became more than just a venue for live music; it transformed into a window to the natural world.
In a breathtaking blend of sound, imagery, and live performance, Planet Earth III Live in Concert transported its audience across deserts, oceans, and rainforests, celebrating the wonders of our planet in a way that only this franchise can.
There was something heartwarming about people from across the city coming together to marvel at the beauty of nature and to learn about its fragility. This was far from your average concert experience.
From the moment the opening sequence of Planet Earth filled the arena, accompanied by the aura of a full orchestra, the atmosphere was electric with anticipation. A stunning 4K screen, stretching above the stage, brought Planet Earth III to life with vibrant visuals that made it feel as if the AO Arena had been immersed in the depths of the Amazon or the expanse of the Arctic tundra.
The City of Prague Philharmonic orchestra, under the impeccable direction of conductor Matthew Freeman, provided an emotional backbone to the images, breathing life into every scene with a score that was as powerful as the landscapes it depicted.
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The music, composed by the brilliant Hans Zimmer, with additions by Jacob Shea and Sarah Barone, is what sets this apart from a typical evening watching Planet Earth on your TV at home.
Each note carried weight, resonating with the emotional highs and lows of the natural world: the haunting strings underscored the fragility of endangered ecosystems while the thunderous percussion amplified the awe-inspiring power of natural forces.
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It was impossible not to feel in awe during the breathtaking sequences of migrating Monarch butterflies in Mexico, or a flicker of sadness watching an endangered elephant’s quest for survival.
But beyond the sheer spectacle of it all, the evening felt like a rallying cry. Interspersed with awe-inspiring visuals were stark reminders of the environmental crisis we face. Planet Earth executive-producer Mike Gunton, the host of the evening, ever-wise and compelling, spoke to the urgency of action needed to preserve the world we were witnessing. The concert didn’t just aim to entertain; it sought to inspire change.
The night ended on a high note with a moving orchestral rendition of Bastille’s Pompeii, the chorus ironically erupting around the arena in harmony with the live orchestra; I’d be lying if I said it didn’t bring a tear to my eye.
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Paired with a montage of the evening’s most striking moments, this was a beautiful crescendo for an incredible evening.
As the final note echoed through the arena and the screen faded to black, the message was clear: this Earth is our shared home, and it is worth fighting for.
The standing ovation from the packed audience was more than just appreciation – it was a commitment to protect the fragile beauty that had just been so vividly brought to life.
Chicago the Musical razzles (and dazzles) at the Palace Theatre in Manchester
Clementine Hall
A story of murder, greed and corruption was performed with style, ease and flair; Chicago is the longest-running American musical in Broadway and West End history, and it’s easy to see why now that it’s arrived in Manchester.
The jazz-fuelled fiasco is filled with catchy songs that you can’t help but click along to, funny one-liners, and likeable characters such as Miss Roxy Hart herself.
Best-known for appearing as Kate Connor in Coronation Street, the opening night in Manchester on Chicago‘s UK tour may have been a daunting prospect, but it’s one Faye Brookes pulled off seamlessly.
Here’s our full review…
Brookes is fantastically expressive and brings new energy to a classic, complemented throughout by a sultry cast dressed in buckles and mesh that really bring the ‘Razzle Dazzle’ to the stage.
Her co-star, Strictly Come Dancing‘s Kevin Clifton, struts through the show transformed into Billy Flynn – a flamboyant 1920s American lawyer who has the desperate inmates in the palm of his hand.
The opening number, ‘All That Jazz’, is spearheaded by Djalenga Scott as Velma Kelly and she does it brilliantly.
The cast slink their way across the stage with Scott at the forefront, who undoubtedly delivers a faultless performance and complements Brookes as Roxie Hart perfectly.
A highlight of course included the hilarious‘Cell Block Tango’, the audience were laughing along as the women sang the stories of their murderous deeds whilst performing sharp and sultry choreography.
Not even a toe out of place.
The set is minimalist, dark and simple, but is simply brought to life by the wonderful expression and lively musical numbers performed on stage by the live band.
The live band sits on a staircase centre stage and their playful use of instruments throughout is truly impressive.
Neil MacDonald, the show’s musical director, even got involved with a few on-stage conversations which was a fabulous touch that made the show feel bespoke to us.
Other notable performances included Brenda Edwards as Mamma Morton, whose powerhouse voice left the audience in absolute awe, and Joshua Lloyd as ‘Mister Cellophane’ caused a couple of pitiful “awws” from the auditorium.
Overall, this was a fantastic production of the Broadway classic – the standing ovation at the end proves I wasn’t the only one who thought that too.
Chicago the Musical is playing at the Palace Theatre Manchester until Saturday, 9 November and you can grab your last-minute tickets HERE.
Giselle, one of the greatest romantic ballets, has landed in Manchester and it’s a must-see
Eva Claricoates
When the English National Ballet is in Manchester, it’s an opportunity you shouldn’t let slip by, and is almost guaranteed to be one of the most stunning performances to grace the stage– Giselle at the Palace Theatre certainly was.
Giselle tells the story of a young peasant girl, who falls in love with Albrecht, a duke, who pretends to be a peasant in order to seduce the show’s namesake.
Albrecht is not only hiding his status but also an engagement to another. When Giselle finds out about his deception, she descends into madness and dies from a broken heart.
Giselle is summoned from the dead by spirits, the Wilis, all abandoned and betrayed before their wedding day. The Wilis take their revenge by dancing men to death, and Giselle must decide whether her love for Albrecht is too strong to sentence him to the same fate.
Credit: The Manc Group
Giselle tells a story of grief, heartbreak, and love, and how a true heart always avails. Hauntingly beautiful and romantic, Mary Skeaping’s production had been tenderly revived from its original performance, and it’s clear to see why the performance received five-star reviews earlier this year.
The entire production was captivating and dramatic, leaving the audience gasping, laughing and firmly glued to their seats. Adolphe Adam’s score is performed live by the English National Ballet Philharmonic nestled beneath the stage, which compliments the performance beautifully and skilfully.
Perhaps the most mesmerising point of the performance was the Wilis appearing in the forest at the beginning of act two, as they formed perfectly symmetrical formations, and appeared to almost float across the stage.
It served as a great medium for exploring themes of the supernatural exquisitely, providing truly stunning imagery to the audience.
Giselle uses mime to convey its storyline to the audience, and even if you are a first-time ballet-goer, it’s an easy-to-follow, modern performance which can be enjoyed by all audiences. If you’re so inclined, you can even get involved in a dedicated ballet masterclass.
Join our Creative Learning team and English National Ballet on Saturday 2 November for an exclusive ballet masterclass at the Palace Theatre! 🩰
This workshop is suitable for ages 11-17 with a keen interest in dance ranging up to intermediate levels.