“Welcome to Hollywood. What’s your dream?” goes one of the most iconic lines in Pretty Woman, the musical version of which has just landed in Manchester.
And after the opening night of the theatre production of this beloved film, mine is to relive the experience over and over again.
There are tears, incredible voices, amazing outfits, and just generally the perfect remake of my favourite film.
After a record-breaking run on Broadway, Pretty Woman: The Musical opened at The Palace Theatre in Manchester last night, and my god it was brilliant.
If you don’t know the story line by now… then come on? Set in the 1980s, it begins with Edward (in the film, a suave Richard Gere) asking for directions in Hollywood Boulevard, and finding all the answers from Vivian (played by Julia Roberts in the film). And so the romance begins.
On stage, we kick off in the Blue Banana, and exactly like the film, we meet Vivian, Kit and the homeless man (or Paige Fenlon, Natalie Paris, and Ore Oduba, plus Ben Darcy as Edward). Their CVs include stints on SIX The Musical, Les Miserables, and Strictly Come Dancing.
Their voices will all blow you away, but my favourite on stage has to be Ore, transforming from the homeless man shouting ‘what’s your dream!’ to Mr Thompson in the hotel teaching Vivian to dance, to the conductor at the opera, a shop owner on Rodeo Drive and loads more roles.
He delivers brilliant transitions into every scene.
Ore Oduba in Pretty Woman The Musical, which is at the Manchester Palace Theatre until 16 March.
The theatre show has all the major moments from the film, like the iconic shopping scene, the day trip to a polo match, when he finally ‘sleeps’, and down to the most perfect costume of the red dress and the necklace for the opera. The voices of the opera singers are staggering, too.
With its own soundtrack compared to the film, there’s enough to lure in even those of us who have re-watched the film 100 times and can quote it line-for-line.
But Pretty Woman The Musical does wrap up with the titular song from the classic hit, and there’s something about the finale – the standing ovation, huge cheers and applause – that brings me to tears.
If you don’t have tickets yet, big mistake… HUGE!
Pretty Woman The Musical is on at the Palace Theatre in Manchester until Saturday 16 March, and it’s definitely not one to miss.
‘Pioneering’ immersive theatre productions to take place inside shipping containers across Greater Manchester
Emily Sergeant
A pioneering production company is bringing immersive theatre inside shipping containers to Greater Manchester.
DARKFIELD has announced their first shows in Greater Manchester for seven years, and will present their three most critically-acclaimed experiences at iconic venues across the region as part of an ‘exciting’ collaboration.
Keen audiences will be able to head to The Lowry, Aviva Studios, and HOME this month to see theatre like they’ve never seen it before.
Renowned for their trademark shipping containers popping up across the UK and internationally, bringing mysterious and exciting experiences across the country, DARKFIELD will present SÉANCE, FLIGHT and ARCADE so crowds can find themselves immersed in the supernatural, boarding a new airline, or navigating a war torn world.
Fresh from sell-out runs at the Edinburgh Festival Fringe, BFI London Film Festival, and an extended residency at Shoreditch Town Hall, ARCADE will arrive at The Lowry – which is the company’s newest production.
‘Pioneering’ immersive theatre productions inside shipping containers will be happening across Greater Manchester / Credit: Mihaela Bodlovic | Fiona Rita Blyth
Aviva Studios will welcome one of DARKFIELD’s most popular and critically-acclaimed experiences, FLIGHT.
Over 30 minutes in total darkness, FLIGHT explores the Many-Worlds Interpretation of quantum mechanics, taking audience members through two worlds, two realities, and two possible outcomes to their journey.
And then over at HOME, the company’s first shipping container experience, SÉANCE, will be on show.
The interior of a 24ft container will be transformed into a Victorian séance room, and asks audiences to believe not only what is happening inside the container, but also in what might be conjured up into the room with them.
“We are delighted to be returning to Greater Manchester to present our shows in collaboration with three incredible venues,” commented DARKFIELD, ahead of their arrival in our region.
“We can’t wait to welcome audiences across the region to experience the strange worlds we’ve created.”
Chicago The Musical at The Lowry, Salford – a story of hot jazz and theatrical bliss
Aimee Woodcock
All That Jazz has found its way to Salford this week as Chicago the Musical hits The Lowry, and it’s safe to say the show still knows how to pull in a crowd.
Set in 1920s Chicago, the story centres on Roxie Hart, a chorus girl who shoots her lover and winds up behind bars. Inside Cook County Jail she meets Velma Kelly, a nightclub star with her own double-murder conviction.
Both women want the spotlight as much as they want their freedom, and with the slick lawyer Billy Flynn fighting their corner, it quickly turns into a tit-for-tat battle of who can play the media game best.
The big talking point this time round is Janette Manrara, swapping the Strictly ballroom for the theatre stage in her debut as Roxie. She’s playful, cheeky and full of energy, and it’s clear she’s enjoying every second.
By her side, Djalenga Scott is a knockout Velma. From the moment she kicks things off with ‘All That Jazz’ she owns the stage, captivating the audience with every line.
Together, the pair bounce off each other brilliantly – their love-hate chemistry is one of the show’s strongest pulls.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Darren Day brings the charm as Billy Flynn, the lawyer who can turn any trial into one big show stopper. His big number ‘Razzle Dazzle’ truly shines.
Stepping in for Brenda Edwards tonight was Victoria Anderson, in her element as Mama Morton, belting out ‘When You’re Good to Mama’ with just the right amount of soul.
Joshua Lloyd shines as Amos Hart, Roxie’s hopeless husband, heartbreakingly relatable in ‘Mr. Cellophane’, while Jordan Lee Davies brings humour and surprise as the iconic Mary Sunshine.
The staging is simple, with the 12-piece orchestra, sat in full view. It gives the whole show a stripped-back, concert-like feel, letting the band drive the energy – and trust us there’s plenty of it throughout the two hour show.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Of course, Bob Fosse’s iconic choreography is front and centre of each performance and instantly recognisable. The famous ‘Cell Block Tango’ is as gripping as ever, the audience filled with applause upon finishing.
Chicago has been running for nearly 30 years, but it feels far from tired. If anything, its satirical take on fame and the media feels even sharper today than ever.
At The Lowry, it’s delivered with style, glitz and a lot of sass. One for fans old and new and well worth a night out.
Amy Williams -
28th February 2024 
