The theatre adaptation of the groundbreaking cult classic movie The Full Monty has thrusted its way onto the stage in Manchester, making us both laugh and cry… sometimes at the same time.
On opening night, the Manchester Opera House is quite the experience, the foyer awash with excited northern women – your Nanny Pats to your Auntie Jeans and just about everything in between. There’s a hungry twinkle in all of their eyes as they practically clamber over each other to get through the doors and into their seats.
For anyone who may not have seen the 1997 classic (or you just hadn’t been born yet), the show is set in Thatcher-era Sheffield, where many of the steelworks were being closed down.
It follows Gaz (Danny Hatchard) and his best friend Dave (Neil Hurst) who, along with other members of the cast, have been let go from their jobs and are struggling to make ends meet.
Gaz’s antics have got him in trouble and he risks losing access to his son unless he can pull together the child maintenance cash.
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The local Working Men’s club is visited by the sexy male strippers The Chippendales, inspiring him to pull together a group of out of work pals to strip for cash.
The film was ahead of its time, featuring a storyline of openly gay characters (Guy, played by Jake Quickenden and Lomper, played by Nicholas Prasad) which was relatively unheard of with section 28 and the ‘promotion of homosexuality’ being prohibited at the time. This theme is carefully and comically handled within the show, although some ‘of the time’ vernacular is used early on.
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The Full Monty is currently at Manchester Opera House. Credit: Ellie KurttzThe Full Monty is currently at Manchester Opera House. Credit: Ellie Kurttz
The set on stage is based around the steelworks, with everything having an industrial feel – you are immediately taken back to the 90s terraced streets of Sheffield.
The cast are all lively. You can tell they’re excited for their first night. It was, however, a bit of a slow start in my opinion. Possibly down to me slowly being reacquainted with the storyline which I hadn’t clued myself back up on, or maybe it was the slightly dated jokes, but it took me a little while to warm up.
Whilst Neil Hurst (Dave), Bill Ward (Gerald) and Ben Onwukwe (Horse) all gave particularly stand out performances throughout the show, all of the cast performed brilliantly and were a big hit with the audience.
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We’re definitely outliers with some of the jokes, as the rest of the audience are absolutely howling practically the whole way through.
The Full Monty. Credit: Ellie Kurttz
We’re practically deafened upon the arrival of Jake Quickenden – the mums, the huns and all the grans can hardly contain themselves. One woman is even asked to calm down as she was disturbing other audience members.
As the story continues, the lads recruit their former boss and Conservative party supporter Gerald (Bill Ward) to teach them to dance. An unlikely friendship is formed, showing how hard times can cross party lines.
The final performance is something to behold – a fantastic display of body positivity, where there is literally a body for everyone. The women in the audience are losing. their. minds. One has to be asked to ‘sit down’ three times by Opera House staff.
All in all it’s a light, funny and heartwarming performance that is well worth having a ladies’ night out to watch. The show is on a short run, closing on Saturday 17 Feb, so get your tickets while you can.
Manchester City Council green-light new venue at Medlock Square, with Mamma Mia! The Party to open the immersive space
Danny Jones
The smash-hit ‘Mamma Mia: The Party’ is set to land in Manchester next year as the maiden event of another brand-new space set to open as part of the upcoming Medlock Square development.
Etihad Campus has seen a lot of moving pieces over the past few years, be it the building of Co-op Live, the ongoing expansion of Man City’s home ground, the soon-to-launch hotel attached to the stadium and now Medlock.
But those in control of the land are content with stopping there; this looks to be just the start of a whole new evolution for the East Manchester area, with an as yet untitled new immersive arts, experience and events venue also set to join the new slate of projects.
You see another glimpse of the purpose-built mini arena, of sorts, down below.
With plans having now been approved by the City Council, the ‘immersive’ space will be situated between the Etihad, Co-op Live and Medlock Square itself, holding up to 600 guests per performance.
Currently set to open in late 2027, following the rest of the square’s launch window being fully rolled out, we still don’t know the name of this next addition, but the structure itself will dovetail with the surrounding buildings and areas as part of seasonal activations, live shows and sports screenings, as well as pop-ups, brand collaborations and more.
Looping back, the interactive, multimedia extravaganza that is ‘Mamma Mia! The Party’ will finally be making its Manc debut as part of the 10th anniversary of the all-singing, all-dancing and even all-dining in-demand production.
As per an official press release from the Medlock Square media team, the show will combine “live music, theatre, food and storytelling” and “offer visitors an unforgettable night out.”
The original UK production at The O2 in London has now surpassed more than 1,500 performances, with a total of 700k guests attending these shows in 110 countries across the globe. Safe to say it’s rather popular.
As for Medlock Square and the surrounding Etihad Campus, Manchester City supporters have also been given another look at the soon-to-open, immersive hotel tie-in experience.
With a skywalk, rooftop bar, a new MCFC shop and various other bits set to spill out onto Medlock Square, it all feels like a period of wholesale changes over in the blue half of the city – especially with the football club bidding farewell to their manager Pep Guardiola after more than a decade.
Following the new and improved North Stand being named after him in the first of many tributes, the City Football Group (CFG) are also set to commission a statue in his honour over the coming months.
Meanwhile, Medlock Square is also due to open later this year, although an official completion date has not been confirmed.
You can stay up to date with all the latest on Mamma Mia! The Part’s Manchester shows right HERE.
Not forgetting a brand-new women’s football facility, too, there is so much stuff going on over at the Etihad that it can be hard to keep track, but here’s the latest look at some of the rooms set to feature in the hotel of the same name.
Featured Images — Publicity pictures (CGIs via Medlock Square)
Theatre
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Kristen MacGregor-Houlston -
16th February 2024 
