One of the most successful musicals of the 21st century is heading out on its first-ever UK tour, and it’s stopping off in Manchester.
After taking Broadway and the West End – and the world – the multi-award winning musical created by Lin-Manuel Miranda that has been captivating and engaging audiences like no other for close to a decade is about to head out on a tour of the UK for the first time ever later this year.
And Manchester’s Palace Theatre has been chosen as one of the lucky destinations.
First premiering Off-Broadway back in February 2015, the Olivier, Tony, Grammy, and Pulitzer Prize-winning musical production opened at the newly re-built and restored Victoria Palace Theatre in London in December 2017 – where it continues to play to sell-out audiences.
The smash-hit production is also still drawing in record-breaking crowds on Broadway, as well as on stage in Toronto, Australia, and Germany – with an international tour also planned.
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#HamiltonMusical will tour the UK for the very first time from November 2023.
Unfamiliar with the cultural phenomenon that is Hamilton?
Well, to put it simply – “Hamilton is the story of America then, told by America now.”
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Featuring a score that blends hip-hop, jazz, R&B, and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre – going on to become a musical that’s had a profound impact on culture, politics, and education.
Based on Ron Chernow’s acclaimed biography, Hamilton has a book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire.
An original Broadway cast recording of the show also became a hit movie on Disney+ in 2020.
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Smash-hit musical Hamilton to stop off in Manchester on first-ever UK tour / Credit: Hamilton West End
“Since the day the show opened at the Victoria Palace Theatre, London has embraced Hamilton with an enthusiasm we could never have imagined,” explained Hamilton producer Jeffrey Seller.
“We are excited to embark on a UK tour and share this special musical with audiences in Manchester and Edinburgh first.”
Producer Cameron Mackintosh added: “Lin-Manuel Miranda’s Hamilton is indisputably the most brilliant, ground-breaking, contemporary musical of modern times. I feel extraordinarily fortunate that Lin and my friend Jeffrey Seller, the show’s original producer, have entrusted me with their wonderful musical in the UK and Ireland.
“The London production opened in 2017 at the Victoria Palace, a theatre I completely rebuilt to house Hamilton, where it continues to play and has proved to be as big a success as the Broadway original.
“So, I am thrilled that it is time to put together a second British national touring company to bring this great show to our leading cities.”
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📣 MAJOR ANNOUNCEMENT 📣
Coming to the greatest city in the world. #HamiltonUKTour arrives in MANCHESTER, November 2023 for 15 Weeks Only.
The Hamilton UK tour will open at Manchester Palace Theatre on Saturday 11 November 2023 for a 15-week season until Saturday 24 February 2024, before it heads off to the Festival Theatre in Edinburgh from Wednesday 28 February – Saturday 27 April 2024.
You can sign-up for updates and access to priority tickets here.
Featured Image – Hamilton West End
Theatre
Review | Midsomer Murders comes to Manchester for a satisfying Opera House adaptation
Hollie Wells
‘The Fuzz are here!’ – also known as the well-known duo, Detective Chief Inspector Barnaby and Detective Sergeant Troy. As ever, they’re here to solve the murder of orchid-loving, elderly lady Emily Simpson in the seemingly sleepy county of Midsomer…
Manchester’s historic Opera House played host to the first ever stage production of Midsomer Murders: ‘The Killings at Badger’s Drift‘ last night.
With a busy, full audience of fans of the original novel by Catherine Graham and the acclaimed ITV staple. There was a hum of anticipation to see the timeless tales unfold.
Excitingly, the role of Barnaby in the stage play is under the trusted care of Daniel Casey, who is best known as DS (Detective Sergeant) Troy in the prior television adaptation of Midsomer Murders between 1997 and 2008.
Casey’s comfort and wealth of experience with these narratives comforted the audience from the outset. In a purposely complicated plot, Casey grounded the performance and was the throughline in the show.
‘The Killings at Badger’s Drift’ is a good, light-hearted, mid-week show, with an enjoyable concoction of eccentric characters and the perfect ‘whodunnit’ plot, which keeps you intrigued and entertained throughout its roughly two and a half hour duration.
Even those more than familiar with Misdomer tales and the most typical murder mystery format will still get plenty of enjoyment out of it.
The engaging use of multi-role actors received a great response from the audience, particularly the moments between Barbara Lessiter and Dickie Whitley; all of their interactions were performed with fabulous comedic timing by Chandrika Chevli.
The elements of comedy throughout made for a lovely evening at the Opera House. This was not solely through the actors, either: the use of mechanics within the set of this stage-play allowed for multiple moments of physical comedy, and this was a strong motif throughout.
A rotation of impressive transitional sets also aided in transporting the audience to the infamous village and crime scenes, allowing one to be absorbed in the story and successfully converting Midsomer Murders from page to screen to stage.
Running for only three days from Wednesday, 27, until Saturday, 30 May 2026, with matinee shows available throughout.
One must act fast to join the detective duo and catch the killer before it’s too late!
Waitress at Palace Theatre Manchester – a perfect recipe for a delicious night out | Review
Clementine Hall
Waitress has all the ingredients for what makes a brilliant musical, with Carrie Hope Fletcher’s astonishing vocals as the cherry on top.
It’s been a decade since Waitress first wowed audiences on Broadway, and to celebrate this milestone, the show is touring the UK – bringing Sara Bareilles’ beautiful score to life once again.
This time, West End superstar Carrie Hope Fletcher is dusting off Jenna’s apron, and it’s safe to say, the beloved show is in very, very safe hands.
Waitress follows Jenna, a talented pie-maker working in a small town diner who is trapped in an abusive relationship.
Image: Matt Crocket (Supplied)
She dreams of a better life, and this only becomes more apparent when she finds out she is pregnant and falls in love with the charming Dr Pomatter (and after watching it last night, I think the whole audience did too).
Fletcher’s portrayal of Jenna is heartfelt and warm, yet perfectly powerful. Her vocals are nothing short of flawless, singing Bareilles’ glorious yet challenging score with ease.
Her rendition of ‘She Used To Be Mine‘ had us all reaching for tissues, and the round of applause that followed was the longest I’ve ever seen for a solo performance within a show.
Image: Matt Crocket (Supplied)
The opening number ‘Opening Up’ plunged us into her world, inviting the entire cast (of which there is no weak link) onto the stage for a exceptionally well-choreographed slice of diner dancing.
At drama school, we were told to never work with food on stage, but this production proved my lecturers wrong as clouds of flour and showerings of sugar were perfectly timed to the lyrics of ‘What Baking Can Do’. Impressive to say the least.
Jenna’s best friends Becky and Dawn, played by Sandra Marvin and Evelyn Hoskins, provided welcomed comedic timing in a story that often has its dark moments.
Image: Matt Crocket (Supplied)
Meanwhile, Mark Anderson brought a surprisingly tender charm to Ogie, balancing the character’s eccentricities with genuine heart.
His chemistry with Hoskins was utterly endearing, and their performance of ‘Never Ever Getting Rid of Me’ was one of the evening’s standout moments, earning huge laughs from the audience.
Visually, the show is a real treat too. The diner set feels cosy and intimate, while the live band gives Bareilles’ score an added richness that fills the theatre beautifully.
Image: Matt Crocket (Supplied)
Overall, Waitress remains as sweet as ever – a heartfelt story topped with a huge dollop of charm and a sprinkling of comedy that’ll have you craving another slice as soon as you’ve finished the first.
Emily Sergeant -
21st February 2023 
