It’s weird to watch three men painted blue stare wide-eyed and wordless into an audience.
It’s weird that the blue men then make entire acts out of catching marshmallows in their mouths, or spewing UV paint from holes in the chests of their sweatshirts, or staging a silent blind date between two audience members.
The way they creep around the stage, pigeon-toed and wild-eyed, twitching nervously at every audience noise, is weird.
The way they never speak or smile or break character, even for a split second, is weird.
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And it’s weird that this very weird formula has been captivating audiences for 37 years – until, that is, you see it for yourself.
Because every bit of oddness of a Blue Man Group show, including the Bluevolution World Tour currently at The Lowry, is balanced with brilliant comedic timing, genuine percussive talent, and ever-changing stage design.
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At points during their show they make music from a drainpipe that they turn into a sort of drum-trombone hybrid.
They make music from cereal boxes and fake smartphone screens, and art from gumball machines and even an audience member.
The Blue Man Group making percussion from Cap’n Crunch cereal. Credit: SuppliedA star moment of The Blue Man Group at The Lowry. Credit: Supplied
The Blue Man Group warms up the crowd by displaying birthday messages or words of congratulations to specific audience members, like an Olympic gold medallist sat in the stalls, encouraging everyone to join in.
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They fire out so many coloured streamer ribbons at one point that a child who’s walking down an aisle ends up entangled like a mummy on its way to a 90s rave.
They’re helped along throughout the show by a small, video game-like drumming presence in a sort of blue dreadlocked bob wig, who – to sound very Gen Z – gives me the ick.
There’s a fair amount of audience participation and if you don’t like the thought of a blue man staring at you (even when you try your hardest to look anywhere but back at him) it might not be the one for you.
UV paint and a set of drums are an iconic Blue Man Group stunt. Credit: Supplied
And there are moments where it all gets a bit too weird for my tastes, like when an entire segment is made from the sound of them stuffing Cap’n Crunch cereal into their mouths or whipping neon aerials around.
It’s impressive but it doesn’t actually SOUND good. (See also: beatboxing. Yes it’s very impressive that you can make a trumpet noise at the same time as drumming with your lips but shall we just not).
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Still, with 37 years of sell-out success across the planet, The Blue Man Group is a creative and entertaining way to spend an evening.
And honestly, everyone should see this legendary piece of live entertainment at least once.
The Blue Man Group Bluevolution World Tour is on at The Lowry until Sunday 6 October – get your tickets HERE.
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Northern Ballet’s Gentlemen Jack at The Lowry – A powerful story of queer love
Aimee Woodcock
Northern Ballet’s Gentleman Jack is a moving and beautifully crafted retelling of the life of Anne Lister, the 19th-century Yorkshire landowner often described as the ‘first modern lesbian’.
Through the stunning choreography of Annabelle Lopez Ochoa, the production captures not only Anne’s extraordinary determination to live authentically, but also the enduring power of queer love.
Gemma Coutts delivers a compelling performance as Anne Lister, embodying her confidence, intelligence and refusal to conform to society’s expectations. From the opening scenes, Anne’s strength of character shines through, setting the tone for a story that feels both deeply historical and strikingly relevant. The choreography from Ochoa allows Anne’s personality to shine through every movement.
Halfway through Act I, Saeka Shirai joins the ensemble as Marianne, Anne’s great love. Their partnership is one of the production’s highlights. The pair beautifully convey the intensity of their passion and devotion, so much so that it moved me to tears.
Surrounding them is a fascinating chorus of words, embodied by the ensemble dancers, who fill the stage and bring Anne’s famous diaries and inner thoughts vividly to life, you truly feel like you’re getting lost with the words as they take over the stage.
The romance is tested when Marianne’s husband discovers their affair. Faced with an impossible choice, Marianne chooses the security of her marriage over a life with Anne, leaving Anne heartbroken.
Credit: Tristram KentonCredit: Tristram KentonGentleman Jack is at The Lowry
Following this loss, Anne travels to Paris and returns transformed, once she’s back home in Yorkshire, she forms an immediate connection with the gentle and wealthy Ann Walker, danced beautifully by Rachael Gillespie. Their relationship becomes the emotional centre of Act II.
Together they face numerous challenges, including societal pressures and personal insecurities, yet their bond continues to deepen – a true testament to queer love.
Ochoa carefully builds their relationship through movement, creating a partnership that feels authentic and symbolic. The ballet ends in a symbolic wedding and shared flight towards a future together, a powerful affirmation of their love and commitment.
As a queer woman myself, I was completely moved by this portrayal of love. Seeing a same-sex relationship presented with such beauty, dignity and tenderness within the classical language of ballet felt deeply moving.
Gentleman Jack reminds us that queer women have always been here, and always will be. It is a powerful, emotional and uplifting production that I would highly recommend.
Gentleman Jack is at The Lowry in Salford until Saturday 6 June
Daisy Jackson -
3rd October 2024 
