It’s weird to watch three men painted blue stare wide-eyed and wordless into an audience.
It’s weird that the blue men then make entire acts out of catching marshmallows in their mouths, or spewing UV paint from holes in the chests of their sweatshirts, or staging a silent blind date between two audience members.
The way they creep around the stage, pigeon-toed and wild-eyed, twitching nervously at every audience noise, is weird.
The way they never speak or smile or break character, even for a split second, is weird.
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And it’s weird that this very weird formula has been captivating audiences for 37 years – until, that is, you see it for yourself.
Because every bit of oddness of a Blue Man Group show, including the Bluevolution World Tour currently at The Lowry, is balanced with brilliant comedic timing, genuine percussive talent, and ever-changing stage design.
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At points during their show they make music from a drainpipe that they turn into a sort of drum-trombone hybrid.
They make music from cereal boxes and fake smartphone screens, and art from gumball machines and even an audience member.
The Blue Man Group making percussion from Cap’n Crunch cereal. Credit: SuppliedA star moment of The Blue Man Group at The Lowry. Credit: Supplied
The Blue Man Group warms up the crowd by displaying birthday messages or words of congratulations to specific audience members, like an Olympic gold medallist sat in the stalls, encouraging everyone to join in.
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They fire out so many coloured streamer ribbons at one point that a child who’s walking down an aisle ends up entangled like a mummy on its way to a 90s rave.
They’re helped along throughout the show by a small, video game-like drumming presence in a sort of blue dreadlocked bob wig, who – to sound very Gen Z – gives me the ick.
There’s a fair amount of audience participation and if you don’t like the thought of a blue man staring at you (even when you try your hardest to look anywhere but back at him) it might not be the one for you.
UV paint and a set of drums are an iconic Blue Man Group stunt. Credit: Supplied
And there are moments where it all gets a bit too weird for my tastes, like when an entire segment is made from the sound of them stuffing Cap’n Crunch cereal into their mouths or whipping neon aerials around.
It’s impressive but it doesn’t actually SOUND good. (See also: beatboxing. Yes it’s very impressive that you can make a trumpet noise at the same time as drumming with your lips but shall we just not).
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Still, with 37 years of sell-out success across the planet, The Blue Man Group is a creative and entertaining way to spend an evening.
And honestly, everyone should see this legendary piece of live entertainment at least once.
The Blue Man Group Bluevolution World Tour is on at The Lowry until Sunday 6 October – get your tickets HERE.
Blue Planet III live in concert is coming to Manchester next year
Daisy Jackson
The spectacular Blue Planet III will come to Manchester live in concert next year, bringing the hit BBC nature documentary to life with a live orchestra.
The new arena tour will pull together the most breathtaking footage beneath the waves from across the series, curated for a giant Ultra HD LED screen.
Blue Planet III will hit screens later this year, narrated once again by the legendary Sir David Attenborough.
Filmed across four years, it will take audiences everywhere from tropical coral reefs to the darkest depths of the ocean.
When the Blue Planet III Live In Concert show arrives in Manchester, it will be hosted by series executive producer Elizabeth White, who’ll share incredible stories and behind-the-scenes insights from the making of the series.
The score once again comes from Academy Award-winner Hans Zimmer, with Thom Lukas and Laurentia Editha for Bleeding Fingers Music, performed live by the City of Prague Philharmonic Orchestra.
The companion live concert is preparing to take audiences even deeper into the underwater world on an epic audio-visual scale.
Specially curated footage from Blue Planet III will be shown on a state-of-the-art 200 sq metre Ultra HD LED screen – one of the largest of its kind used for an orchestral touring screen show and approximately the size of a tennis court.
Blue Planet III live in concert is coming to Manchester next year. Credit: BBC Studios
The brand-new Blue Planet III Live in Concert will kick off here in Manchester before heading to Birmingham, Glasgow, and London.
Executive Producer Elizabeth White says: “Making Blue Planet III has taken us to places we never imagined we’d film. But there’s something about bringing that footage into a concert arena full of people, with the score performed live all around you, that will be truly special.
“This tour is our chance to share the series on a completely different scale, and I can’t wait to be there live, revealing the extraordinary stories behind what audiences are seeing on screen.”
Hans Zimmer says: “There’s nothing like experiencing this score live with an orchestra, especially when it’s paired with the extraordinary visuals of the life underwater. Thom, Laurentia and I are ecstatic that audiences will be able to enjoy our score in this way.”
Blue Planet III Live in Concert will be at the AO Arena in Manchester on Friday 21 May 2027 – general release tickets start from £40 and go on sale from 11am on Friday 16 October HERE.
Dirty Dancing at Palace Theatre, Manchester – at least one audience member had the time of her life…
Daisy Jackson
For anyone who has watched Dirty Dancing so many times they can practically recite the dialogue, taking on the Patrick Swayze and Jennifer Grey roles is no small feat – and turning that lakeside romance into a live musical comes with even bigger expectations.
The stage production at the Palace Theatre in Manchester has all the familiar ingredients: the dancing, the music, the forbidden romance and, of course, that lift. But while there are moments when the theatre version captures the exuberance of the original, it doesn’t always manage to recreate its magic.
Charlie Varlet as Baby does a great job of embracing the knock-kneed awkwardness of the teenage star, slowly blossoming into a beautiful dancer who is almost eerily similar to the film’s Jennifer Grey.
And Joel Benjamin plays a striking Johnny, moving lightly for such an enormously muscular actor.
But there are moments where their chemistry fizzles out, too much of the script that focuses on their bickerings and misunderstandings to make you buy into their love story.
At points, it feels almost slapstick, and the result is a restless audience that keeps hooting and hollering at a topless Benjamin when he’s trying to deliver a serious monologue about Johnny’s upbringing. One woman shouts ‘LUCKY YOU’ and cackles as Baby sits in bed with him. It’s not a Magic Mike show, guys.
Where Dirty Dancing the musical shines is when it really makes the most of its full ensemble, with huge dance numbers that see limbs and skirts flying right across the stage.
Ellie Ferguson as Penny in Dirty Dancing. Credit: Danny Kaan
And it’s hard to take your eyes off Penny (Ellie Fergusson), even when she’s lurking in the crowd, so impressive is her stage presence and the execution of her dance routines.
Having a lot of the musicians on the stage is a fantastic touch too – you spot people playing saxophones and clarinets and guitars in a lot of the scenes and it adds a real party atmosphere.
The set design does its best to replicate the iconic moments of the film, but the cast shaking themselves dry under a blue light can’t come close to the magic of the lake scene.
If you’ve watched the film so often you can recite it word for word (guilty), you won’t find a lot of surprises up on the stage – the theatre adaptation sticks pretty tightly to the original plot and script.
Baby (Charlie Varlet) and Johnny (Joel Benjamin)Dirty Dancing is at the Palace Theatre in ManchesterCredit: Danny Kaan
It means that a lot of the moments that would translate best to stage – the underground dance party in the staff quarters, the montage of Baby learning to dance, the Hungry Eyes scene – are condensed into the first half of the musical.
The second half feels a little flat in comparison, just a lot of bickering and storming around the stage… up until that grand finale, when Johnny bursts from the back of the theatre and storms the stage to complete that iconic lift.
It’s worth all the trundle just for that final euphoric moment.
Dirty Dancing is at the Palace Theatre in Manchester until Saturday 3 October, then will return next summer. You can grab tickets HERE.
Daisy Jackson -
3rd October 2024 
