The theatre adaptation of the groundbreaking cult classic movie The Full Monty has thrusted its way onto the stage in Manchester, making us both laugh and cry… sometimes at the same time.
On opening night, the Manchester Opera House is quite the experience, the foyer awash with excited northern women – your Nanny Pats to your Auntie Jeans and just about everything in between. There’s a hungry twinkle in all of their eyes as they practically clamber over each other to get through the doors and into their seats.
For anyone who may not have seen the 1997 classic (or you just hadn’t been born yet), the show is set in Thatcher-era Sheffield, where many of the steelworks were being closed down.
It follows Gaz (Danny Hatchard) and his best friend Dave (Neil Hurst) who, along with other members of the cast, have been let go from their jobs and are struggling to make ends meet.
Gaz’s antics have got him in trouble and he risks losing access to his son unless he can pull together the child maintenance cash.
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The local Working Men’s club is visited by the sexy male strippers The Chippendales, inspiring him to pull together a group of out of work pals to strip for cash.
The film was ahead of its time, featuring a storyline of openly gay characters (Guy, played by Jake Quickenden and Lomper, played by Nicholas Prasad) which was relatively unheard of with section 28 and the ‘promotion of homosexuality’ being prohibited at the time. This theme is carefully and comically handled within the show, although some ‘of the time’ vernacular is used early on.
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The Full Monty is currently at Manchester Opera House. Credit: Ellie KurttzThe Full Monty is currently at Manchester Opera House. Credit: Ellie Kurttz
The set on stage is based around the steelworks, with everything having an industrial feel – you are immediately taken back to the 90s terraced streets of Sheffield.
The cast are all lively. You can tell they’re excited for their first night. It was, however, a bit of a slow start in my opinion. Possibly down to me slowly being reacquainted with the storyline which I hadn’t clued myself back up on, or maybe it was the slightly dated jokes, but it took me a little while to warm up.
Whilst Neil Hurst (Dave), Bill Ward (Gerald) and Ben Onwukwe (Horse) all gave particularly stand out performances throughout the show, all of the cast performed brilliantly and were a big hit with the audience.
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We’re definitely outliers with some of the jokes, as the rest of the audience are absolutely howling practically the whole way through.
The Full Monty. Credit: Ellie Kurttz
We’re practically deafened upon the arrival of Jake Quickenden – the mums, the huns and all the grans can hardly contain themselves. One woman is even asked to calm down as she was disturbing other audience members.
As the story continues, the lads recruit their former boss and Conservative party supporter Gerald (Bill Ward) to teach them to dance. An unlikely friendship is formed, showing how hard times can cross party lines.
The final performance is something to behold – a fantastic display of body positivity, where there is literally a body for everyone. The women in the audience are losing. their. minds. One has to be asked to ‘sit down’ three times by Opera House staff.
All in all it’s a light, funny and heartwarming performance that is well worth having a ladies’ night out to watch. The show is on a short run, closing on Saturday 17 Feb, so get your tickets while you can.
Giselle, one of the greatest romantic ballets, has landed in Manchester and it’s a must-see
Eva Claricoates
When the English National Ballet is in Manchester, it’s an opportunity you shouldn’t let slip by, and is almost guaranteed to be one of the most stunning performances to grace the stage– Giselle at the Palace Theatre certainly was.
Giselle tells the story of a young peasant girl, who falls in love with Albrecht, a duke, who pretends to be a peasant in order to seduce the show’s namesake.
Albrecht is not only hiding his status but also an engagement to another. When Giselle finds out about his deception, she descends into madness and dies from a broken heart.
Giselle is summoned from the dead by spirits, the Wilis, all abandoned and betrayed before their wedding day. The Wilis take their revenge by dancing men to death, and Giselle must decide whether her love for Albrecht is too strong to sentence him to the same fate.
Credit: The Manc Group
Giselle tells a story of grief, heartbreak, and love, and how a true heart always avails. Hauntingly beautiful and romantic, Mary Skeaping’s production had been tenderly revived from its original performance, and it’s clear to see why the performance received five-star reviews earlier this year.
The entire production was captivating and dramatic, leaving the audience gasping, laughing and firmly glued to their seats. Adolphe Adam’s score is performed live by the English National Ballet Philharmonic nestled beneath the stage, which compliments the performance beautifully and skilfully.
Perhaps the most mesmerising point of the performance was the Wilis appearing in the forest at the beginning of act two, as they formed perfectly symmetrical formations, and appeared to almost float across the stage.
It served as a great medium for exploring themes of the supernatural exquisitely, providing truly stunning imagery to the audience.
Giselle uses mime to convey its storyline to the audience, and even if you are a first-time ballet-goer, it’s an easy-to-follow, modern performance which can be enjoyed by all audiences. If you’re so inclined, you can even get involved in a dedicated ballet masterclass.
Join our Creative Learning team and English National Ballet on Saturday 2 November for an exclusive ballet masterclass at the Palace Theatre! 🩰
This workshop is suitable for ages 11-17 with a keen interest in dance ranging up to intermediate levels.
Featured Images — Press Images (supplied)/The Manc Group
Theatre
13 Going On 30 The Musical to make world premiere in Manchester
Daisy Jackson
A cult classic rom com is making its world premiere on the stage in Manchester – that’s right, 13 Going On 30 The Musical is coming to town.
The brand new show will open at the legendary Opera House next autumn, bringing all the magic of the time-travelling film to life.
The musical is based on the 2004 film starring Jennifer Garner and Mark Ruffalo, and is written by the same duo behind the hit flick.
It follows the story of adorably awkward 13-year-old Jenna Rink, who wishes she could skip the difficult high school years – until her birthday wish comes true.
She magically wakes up to find herself ’30, flirty and thriving’ in a dream life as a magazine editor.
But then comes the journey to work out what, and who, really matters in life.
13 Going On 30 The Musical will have songs by Michael Weiner and Alan Zachary, who wrote for High School Musical: The Musical, and will be directed by Andy Fickman of Heathers and She’s The Man.
Film writers Josh Goldsmith and Cathy Yuspa, who have also written the book of the musical, said: “When we wrote the movie 13 Going on 30, we never dreamt that on the film’s 20th anniversary, we’d get the chance to see a whole new generation fall in love with Razzles and feel thirty, flirty, and thriving.
“It’s been a joy to work with ROYO, Revolution Studios, songwriters Alan Zachary & Michael Weiner, and director Andy Fickman to bring this story to life as a stage musical.
“We were thrilled by the audience’s response to our workshop last year, and now we can’t wait to officially open in Manchester at the legendary Opera House – the launchpad of so many iconic musicals.
“So bring your family, your friends, maybe a date, or just come alone – don’t be shy, we’re all nice. Hope you have as much fun seeing the show as we had making it!”
Tickets go on sale at 1.30pm on Wednesday 13 November HERE.
Kristen MacGregor-Houlston -
16th February 2024 
