The theatre adaptation of the groundbreaking cult classic movie The Full Monty has thrusted its way onto the stage in Manchester, making us both laugh and cry… sometimes at the same time.
On opening night, the Manchester Opera House is quite the experience, the foyer awash with excited northern women – your Nanny Pats to your Auntie Jeans and just about everything in between. There’s a hungry twinkle in all of their eyes as they practically clamber over each other to get through the doors and into their seats.
For anyone who may not have seen the 1997 classic (or you just hadn’t been born yet), the show is set in Thatcher-era Sheffield, where many of the steelworks were being closed down.
It follows Gaz (Danny Hatchard) and his best friend Dave (Neil Hurst) who, along with other members of the cast, have been let go from their jobs and are struggling to make ends meet.
Gaz’s antics have got him in trouble and he risks losing access to his son unless he can pull together the child maintenance cash.
The local Working Men’s club is visited by the sexy male strippers The Chippendales, inspiring him to pull together a group of out of work pals to strip for cash.
The film was ahead of its time, featuring a storyline of openly gay characters (Guy, played by Jake Quickenden and Lomper, played by Nicholas Prasad) which was relatively unheard of with section 28 and the ‘promotion of homosexuality’ being prohibited at the time. This theme is carefully and comically handled within the show, although some ‘of the time’ vernacular is used early on.
The Full Monty is currently at Manchester Opera House. Credit: Ellie KurttzThe Full Monty is currently at Manchester Opera House. Credit: Ellie Kurttz
The set on stage is based around the steelworks, with everything having an industrial feel – you are immediately taken back to the 90s terraced streets of Sheffield.
The cast are all lively. You can tell they’re excited for their first night. It was, however, a bit of a slow start in my opinion. Possibly down to me slowly being reacquainted with the storyline which I hadn’t clued myself back up on, or maybe it was the slightly dated jokes, but it took me a little while to warm up.
Whilst Neil Hurst (Dave), Bill Ward (Gerald) and Ben Onwukwe (Horse) all gave particularly stand out performances throughout the show, all of the cast performed brilliantly and were a big hit with the audience.
We’re definitely outliers with some of the jokes, as the rest of the audience are absolutely howling practically the whole way through.
The Full Monty. Credit: Ellie Kurttz
We’re practically deafened upon the arrival of Jake Quickenden – the mums, the huns and all the grans can hardly contain themselves. One woman is even asked to calm down as she was disturbing other audience members.
As the story continues, the lads recruit their former boss and Conservative party supporter Gerald (Bill Ward) to teach them to dance. An unlikely friendship is formed, showing how hard times can cross party lines.
The final performance is something to behold – a fantastic display of body positivity, where there is literally a body for everyone. The women in the audience are losing. their. minds. One has to be asked to ‘sit down’ three times by Opera House staff.
All in all it’s a light, funny and heartwarming performance that is well worth having a ladies’ night out to watch. The show is on a short run, closing on Saturday 17 Feb, so get your tickets while you can.
‘Pioneering’ immersive theatre productions to take place inside shipping containers across Greater Manchester
Emily Sergeant
A pioneering production company is bringing immersive theatre inside shipping containers to Greater Manchester.
DARKFIELD has announced their first shows in Greater Manchester for seven years, and will present their three most critically-acclaimed experiences at iconic venues across the region as part of an ‘exciting’ collaboration.
Keen audiences will be able to head to The Lowry, Aviva Studios, and HOME this month to see theatre like they’ve never seen it before.
Renowned for their trademark shipping containers popping up across the UK and internationally, bringing mysterious and exciting experiences across the country, DARKFIELD will present SÉANCE, FLIGHT and ARCADE so crowds can find themselves immersed in the supernatural, boarding a new airline, or navigating a war torn world.
Fresh from sell-out runs at the Edinburgh Festival Fringe, BFI London Film Festival, and an extended residency at Shoreditch Town Hall, ARCADE will arrive at The Lowry – which is the company’s newest production.
‘Pioneering’ immersive theatre productions inside shipping containers will be happening across Greater Manchester / Credit: Mihaela Bodlovic | Fiona Rita Blyth
Aviva Studios will welcome one of DARKFIELD’s most popular and critically-acclaimed experiences, FLIGHT.
Over 30 minutes in total darkness, FLIGHT explores the Many-Worlds Interpretation of quantum mechanics, taking audience members through two worlds, two realities, and two possible outcomes to their journey.
And then over at HOME, the company’s first shipping container experience, SÉANCE, will be on show.
The interior of a 24ft container will be transformed into a Victorian séance room, and asks audiences to believe not only what is happening inside the container, but also in what might be conjured up into the room with them.
“We are delighted to be returning to Greater Manchester to present our shows in collaboration with three incredible venues,” commented DARKFIELD, ahead of their arrival in our region.
“We can’t wait to welcome audiences across the region to experience the strange worlds we’ve created.”
Chicago The Musical at The Lowry, Salford – a story of hot jazz and theatrical bliss
Aimee Woodcock
All That Jazz has found its way to Salford this week as Chicago the Musical hits The Lowry, and it’s safe to say the show still knows how to pull in a crowd.
Set in 1920s Chicago, the story centres on Roxie Hart, a chorus girl who shoots her lover and winds up behind bars. Inside Cook County Jail she meets Velma Kelly, a nightclub star with her own double-murder conviction.
Both women want the spotlight as much as they want their freedom, and with the slick lawyer Billy Flynn fighting their corner, it quickly turns into a tit-for-tat battle of who can play the media game best.
The big talking point this time round is Janette Manrara, swapping the Strictly ballroom for the theatre stage in her debut as Roxie. She’s playful, cheeky and full of energy, and it’s clear she’s enjoying every second.
By her side, Djalenga Scott is a knockout Velma. From the moment she kicks things off with ‘All That Jazz’ she owns the stage, captivating the audience with every line.
Together, the pair bounce off each other brilliantly – their love-hate chemistry is one of the show’s strongest pulls.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Darren Day brings the charm as Billy Flynn, the lawyer who can turn any trial into one big show stopper. His big number ‘Razzle Dazzle’ truly shines.
Stepping in for Brenda Edwards tonight was Victoria Anderson, in her element as Mama Morton, belting out ‘When You’re Good to Mama’ with just the right amount of soul.
Joshua Lloyd shines as Amos Hart, Roxie’s hopeless husband, heartbreakingly relatable in ‘Mr. Cellophane’, while Jordan Lee Davies brings humour and surprise as the iconic Mary Sunshine.
The staging is simple, with the 12-piece orchestra, sat in full view. It gives the whole show a stripped-back, concert-like feel, letting the band drive the energy – and trust us there’s plenty of it throughout the two hour show.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Of course, Bob Fosse’s iconic choreography is front and centre of each performance and instantly recognisable. The famous ‘Cell Block Tango’ is as gripping as ever, the audience filled with applause upon finishing.
Chicago has been running for nearly 30 years, but it feels far from tired. If anything, its satirical take on fame and the media feels even sharper today than ever.
At The Lowry, it’s delivered with style, glitz and a lot of sass. One for fans old and new and well worth a night out.
Kristen MacGregor-Houlston -
16th February 2024 
