It seems everywhere you turn right now, everything is pink and green – Wicked has hit the cinemas and everyone is well and truly drinking the green elixir.
Coincidentally, the touring theatre show of Wicked, celebrating 21 years since the first Broadway show and 18 years since debuting in the West End, has landed in town. While everyone else is following the yellow brick road to the big screen, I followed it to the Palace Theatre in Manchester.
Now we all think we know the story of Dorothy, poor girl whipped away from home in a tornado and crushing an evil witch with her house – we’ve all been there. This story however, tells the story from the “Wicked” Witch of the West’s perspective, filled with mind-blowing vocal acrobatics from a cast that just won’t let up.
Floating in on a giant mechanical bubble enters Glinda, or “Garlinda” as she prefers to be called, Sarah Pickford sets the standard for the show. An operatic entrance, the audience is in absolute awe. A well known character, Sarah makes the Good Witch of the North her own with a comical kindness.
Laura Pick, who has played the role of Elphaba at the Apollo Victoria before, takes opening night in her green stride – her love for the character shines through and her voice. Her VOICE. Her rendition of Defying Gravity had me in tears. I knew the song was good, but not this good. The audience is electrified by her performance.
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The storytelling of the show is sublime, with every cast member pulling you deeper and deeper in through gravity-defying dance numbers and the set is absolutely jaw-dropping. The mechanical Wizard of Oz (voiced and played by the fantastic Simeon Truby) is something to behold.
Wicked is in Manchester at the Palace Theatre. Credit: Supplied
Other notable performances come from Carl Man (who plays love interest Fiyero), Donna Berlin (the surprisingly cruel Madame Morrible), Jed Berry (the googly-eyed Munchkin Boq) and Megan Gardiner. Megan plays Elhpaba’s sister Nessarose, another character desperate for love but sadly becomes quite sinister.
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Like the cogs in the Wizard’s head, the presence of each cast member keeps the show running like a well oiled machine.
The story itself is one of an outsider, desperate to be loved and accepted for her difference, who finds friendship in unlikely places and how two people can change for the better. Of course, like often in life, a man tries to ruin it (surprise surprise).
Wicked is back at the Palace Theatre in Manchester. Credit: Mark Senior
A light is shone on how easily society can be whipped into a frenzy to protect their own beliefs and how love can withstand so much.
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The absolute star of the show however, is the iconic soundtrack and how awe-inspiring everyone is at singing. Genuinely, it was nearly impossible to not provide a standing ovation after every song. It was just that good. I’m even listening to the soundtrack right now as I write this on the tram home. I can’t (and don’t want to) get it out of my head.
Wicked is the 10th longest running West End show in British history and has won over 100 global awards. It has been seen by 65 million people worldwide (65 million and one now if you include me) and it isn’t hard to see why. Now a cinematic phenomenon, with Act 1 in cinemas now and Act 2 to hit the screen in November 2025.
Wicked is in Manchester for a six week season and is the tenth and final date after kicking off their tour in Edinburgh in December 2023.
The show closes on Sunday 12 January and remaining tickets are incredibly limited, so if you have one short day, spend it in Oz and book now while you can.
Follow the yellow brick road all the way to the theatre.
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Book your tickets to Wicked at the Palace Theatre Manchester HERE.
Legally Blonde the Musical at Opera House, Manchester – the campest of revamps
Amy Williams
If you’re thinking about going seeing Legally Blonde at The Opera House this November, let us tell you why you absolutely should.
The iconic West End musical, based on the award-winning film starring Reese Witherspoon, is back on tour, and in Manchester for the next two weeks.
If you haven’t seen it before then let us give you an idea of what it’s about – the story follows Elle Woods, a girl from Malibu, who is madly in love with her high school sweetheart.
The problem is he wants something more ‘serious’ than her, which is when she decides she’ll follow him to Harvard and become a law student, to prove she’s more than just the ‘dumb blonde’ he thinks she is.
On stage, Legally Blonde’s dialogue is almost entirely through song, so you expect there’ll be good voices amongst the cast – and they really do live up to expectations.
West End darling Amber Davies stars as Elle Woods, turning her 2018 Love Island win into an illustrious musical career that has seen her star in shows like Pretty Woman, The Great Gatsby, and 9 to 5. She absolutely blew us away.
Also putting on an incredible show is Karen Mavundukure as well, who plays Paulette, a hairdresser who becomes friends with Elle.
And some of the biggest ‘awws’ of the night of course went to the two wonderful dogs of the show, Sprout and Rocco.
Legally Blonde will make you laugh, have you sat in awe at the voices and stage set, and also really pull you into the story in hope that Elle gets what she REALLY wants in the end…
Legally Blonde is at Opera House Manchester until Saturday 14 November, make sure to grab tickets HERE before it’s too late.
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.
Kristen MacGregor-Houlston -
5th December 2024 
