It seems everywhere you turn right now, everything is pink and green – Wicked has hit the cinemas and everyone is well and truly drinking the green elixir.
Coincidentally, the touring theatre show of Wicked, celebrating 21 years since the first Broadway show and 18 years since debuting in the West End, has landed in town. While everyone else is following the yellow brick road to the big screen, I followed it to the Palace Theatre in Manchester.
Now we all think we know the story of Dorothy, poor girl whipped away from home in a tornado and crushing an evil witch with her house – we’ve all been there. This story however, tells the story from the “Wicked” Witch of the West’s perspective, filled with mind-blowing vocal acrobatics from a cast that just won’t let up.
Floating in on a giant mechanical bubble enters Glinda, or “Garlinda” as she prefers to be called, Sarah Pickford sets the standard for the show. An operatic entrance, the audience is in absolute awe. A well known character, Sarah makes the Good Witch of the North her own with a comical kindness.
Laura Pick, who has played the role of Elphaba at the Apollo Victoria before, takes opening night in her green stride – her love for the character shines through and her voice. Her VOICE. Her rendition of Defying Gravity had me in tears. I knew the song was good, but not this good. The audience is electrified by her performance.
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The storytelling of the show is sublime, with every cast member pulling you deeper and deeper in through gravity-defying dance numbers and the set is absolutely jaw-dropping. The mechanical Wizard of Oz (voiced and played by the fantastic Simeon Truby) is something to behold.
Wicked is in Manchester at the Palace Theatre. Credit: Supplied
Other notable performances come from Carl Man (who plays love interest Fiyero), Donna Berlin (the surprisingly cruel Madame Morrible), Jed Berry (the googly-eyed Munchkin Boq) and Megan Gardiner. Megan plays Elhpaba’s sister Nessarose, another character desperate for love but sadly becomes quite sinister.
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Like the cogs in the Wizard’s head, the presence of each cast member keeps the show running like a well oiled machine.
The story itself is one of an outsider, desperate to be loved and accepted for her difference, who finds friendship in unlikely places and how two people can change for the better. Of course, like often in life, a man tries to ruin it (surprise surprise).
Wicked is back at the Palace Theatre in Manchester. Credit: Mark Senior
A light is shone on how easily society can be whipped into a frenzy to protect their own beliefs and how love can withstand so much.
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The absolute star of the show however, is the iconic soundtrack and how awe-inspiring everyone is at singing. Genuinely, it was nearly impossible to not provide a standing ovation after every song. It was just that good. I’m even listening to the soundtrack right now as I write this on the tram home. I can’t (and don’t want to) get it out of my head.
Wicked is the 10th longest running West End show in British history and has won over 100 global awards. It has been seen by 65 million people worldwide (65 million and one now if you include me) and it isn’t hard to see why. Now a cinematic phenomenon, with Act 1 in cinemas now and Act 2 to hit the screen in November 2025.
Wicked is in Manchester for a six week season and is the tenth and final date after kicking off their tour in Edinburgh in December 2023.
The show closes on Sunday 12 January and remaining tickets are incredibly limited, so if you have one short day, spend it in Oz and book now while you can.
Follow the yellow brick road all the way to the theatre.
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Book your tickets to Wicked at the Palace Theatre Manchester HERE.
An unmissable Whitney Houston tribute event is returning to Greater Manchester
Thomas Melia
A much-adored and cherished Whitney Houston tribute show is returning to Greater Manchester later this year for not one but two different shows, each channelling the charisma and energy of the pop legend.
To celebrate the 10th anniversary of the phenomenal theatre production, ‘Queen of the Night’, the show is visiting a multitude of stages and venues all across the UK.
0161 had to receive at least one date on this tour, partly due to being the music capital of the North and also due to the fact that this is a city many fans of the 80s diva will forever hold close to their hearts.
Houston played her final ever concert performance of her career here in this very city back in 2010, taking up residence in AO Arena for two nights of world-renowned ballads and mesmerising live vocals.
This tribute show is set to include some of the diva’s biggest and much-loved hits like ‘I Will Always Love You’, ‘How Will I Know’ and ‘The Greatest Love of All’, the audience is sure to be singing along.
Adenike Adewale is taking on the role of the American R’n’B Pop singer and is no stranger to the stage or TV, featuring on The Voice in 2021 where she sang a Whitney classic, making it to the semi-finals.
Fast forward to 1 June and the tour returns to Greater Manchester and legendary city centre space, Bridgewater Hall: an incredible room more than fit for renditions of the powerhouse vocalist.
A pair of stunning venues, two stunning shows and one incomparable voice.
It’s not only our lovely region the Queen of the Night experience will be visiting; our friends over at The Hoot have plenty of nearby opportunities to sing along too, with Yorkshire dates in Hull, Halifax, Harrogate and Bradford to name a few.
I’m definitely saving all my love for when this show visits us later this year in March, and after I buy out the front row for all my friends I’ll certainly relate to the smash 1993 single ‘I Have Nothing’.
Tickets are on sale already now – you can grab yours HERE.
Swan Lake at Opera House, Manchester – the Swan Queen steals the show
Daisy Jackson
Swan Lake is an icon of the ballet world, for good reason – and now this hauntingly beautiful ballet is back in Manchester for one weekend only.
Set to Tchaikovsky’s equally iconic score, Swan Lake tells the love story of Prince Siegfried and Swan Queen Odette, with plenty of magic and sorcery along the way.
There’s a lot of depth and intrigue to this tale, even if it a good half of it is essentially a load of people peacocking around a ballroom trying to prove they’re the most compatible for one another.
Throughout the two hour performance by the Mergaliyev Classical Ballet you’ll be witness to deception, enchantment, love, and plenty more, as evil sorcerer Von Rothbart meddles in Siegfied and Odette’s love and tricks him into falling in love with his daughter, Odile, instead.
The mirroring roles of Odette and Odile are both played by Nilay Tahiroglu, who is possibly the most captivating dancer to have ever graced the stage at the Opera House.
It’s remarkable how she can make the human body so closely resemble a swan – the way the shape of hands can mimic a swan’s long neck, or the avian way her arms rotate in their sockets and gracefully unfurl like wings, or how she literally looks like she’s on water when she glides across the stage balanced en pointe.
When Tahiroglu transforms into Odile she’s still the same captivating dancer but now she’s bolder, braver. There’s a sharpness to her grace that wasn’t there before.
While Odette’s eyes are almost always cast downwards and soft, Odile stares straight at the audience with a glittering secret in her eyes.
She’s the most beautiful, other-worldly dancer I’ve ever seen.
Cristo Civancos Prunes is excellent as Prince Siegfried, a man so classically handsome and sure-footed you could put him on the cover of a romantic novel at the airport and it’d sell a million copies.
And Marek Bobosik shines as the cunning Von Rothbert too, even if his character is let down by an underwhelming costume that’s more ‘onesie at a Halloween party’ than ‘lead villain in a world-class ballet’.
The Dance of the Cygnets fell flat on opening night of Swan Lake in ManchesterVon Ruthbert’s costume
It’s not a perfect performance – during Dance of the Cygnets, possibly the world’s most iconic dance sequence, the four cygnets stumble and lose time. Our glittering principal also loses her footing once, prompting a sharp intake of breath from the audience, but regains it quickly.
And the first act, before we even meet Odette and are instead watching the wealthy types parade in front of one another in a ballroom, drags on – in fact, there are a lot of empty seats after the first of two intermissions, with many calling it a night early.
Compared to the English National Ballet, which brought Swan Lake to Manchester in 2022, this production could do with a little more polish and pizzazz.
But it’s still a truly magical sight to behold – even if you just come for Odette.
Get your tickets for Swan Lake at the Opera House Manchester HERE.
Kristen MacGregor-Houlston -
5th December 2024 
