Something Wicked comes this way but not as you know because a high-flying twist on the Wizard of Oz lands in Manchester next year – only this time, make it Cirque!
That’s right, AO Arena is set to welcome the Cirque Wicked Wizard of Oz: an acrobatic take on the classic children’s story and much-loved 1939 film starring Judy Garland.
With Wicked fever having taken over the global zeitgeist following the release of this year’s feature-length adaption and even more people, theatre fans or not, going along to see the long-hailed theatre production that inspired it, it seems there’s no better time to announce this latest entry into the universe.
Set to embark on its inaugural tour in 2025, the experience is being described as ‘cirque meets panto’ and is set to deliver a magical retelling of the iconic tale like never before.
<blockquote class="twitter-tweet"><p lang="en" dir="ltr">NOW ON SALE!⚡ CIRQUE WICKED WIZARD OF OZ!<br><br>Panto meets Cirque... Be amazed by a brand-new, breath-taking, Cirque staging… of the Wicked Wizard of Oz, coming to the AO Arena next year on Tuesday 23rd December 2025! 💫✨ <br><br>Buy tickets now: <a href="https://t.co/uQTPa3YJqW">https://t.co/uQTPa3YJqW</a> <a href="https://t.co/kTctGVXZIn">pic.twitter.com/kTctGVXZIn</a></p>— AO Arena (@AOArena) <a href="https://twitter.com/AOArena/status/1870046804659568980?ref_src=twsrc%5Etfw">December 20, 2024</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
Turning the Emerald City into the Emerald Circus, World’s Biggest Productions (the same team behind Elf: The Musical, Peter Pan and many other pantomime hits) are bringing this new concept to the masses starting in Autumn 2025, with a Manchester date pencilled in for the following winter.
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Featuring a cast of more than 60, including already familiar audience favourites like Jordan Conway, Kelly Banlaki and Kev Orkian in starring roles, anyone who has seen one of their productions before will know how big and bold an affair they are.
Combine that with one of the most well-known stories on the planet and what do you get? Well, what we can only expect to be a supremely energetic, colourful and heartfelt spectacle on a huge scale.
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Promising aerial stunts, amazing special effects and the big-budget perks of an arena as legendary as the AO, this is not one you’ll want to miss if you’re a musical theatre fan.
It’s also not the show the theatre company are bringing to the stage next year either, as their hugely successful run of Elf will be returning alongside Scrooge – yes, another circus spin, only this time on Charles Dickens’ A Christmas Carol.
Most importantly, all of these shows are fundamentally family-friendly, meaning not only can they be enjoyed by people of all ages but they’ll make for a perfect day out come the festive period.
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Cirque Wicked Wizard of Oz comes to Manchester for one night only on Tuesday, 23 December 2025 with the fun starting from 7pm.
In the meantime, if you’re still in need of a musical theatre of fantasy fix, you can read all about what we made of the most recent showings of Wicked at the Palace Theatre down below.
Review | Midsomer Murders comes to Manchester for a satisfying Opera House adaptation
Hollie Wells
‘The Fuzz are here!’ – also known as the well-known duo, Detective Chief Inspector Barnaby and Detective Sergeant Troy. As ever, they’re here to solve the murder of orchid-loving, elderly lady Emily Simpson in the seemingly sleepy county of Midsomer…
Manchester’s historic Opera House played host to the first ever stage production of Midsomer Murders: ‘The Killings at Badger’s Drift‘ last night.
With a busy, full audience of fans of the original novel by Catherine Graham and the acclaimed ITV staple. There was a hum of anticipation to see the timeless tales unfold.
Excitingly, the role of Barnaby in the stage play is under the trusted care of Daniel Casey, who is best known as DS (Detective Sergeant) Troy in the prior television adaptation of Midsomer Murders between 1997 and 2008.
Casey’s comfort and wealth of experience with these narratives comforted the audience from the outset. In a purposely complicated plot, Casey grounded the performance and was the throughline in the show.
‘The Killings at Badger’s Drift’ is a good, light-hearted, mid-week show, with an enjoyable concoction of eccentric characters and the perfect ‘whodunnit’ plot, which keeps you intrigued and entertained throughout its roughly two and a half hour duration.
Even those more than familiar with Misdomer tales and the most typical murder mystery format will still get plenty of enjoyment out of it.
The engaging use of multi-role actors received a great response from the audience, particularly the moments between Barbara Lessiter and Dickie Whitley; all of their interactions were performed with fabulous comedic timing by Chandrika Chevli.
The elements of comedy throughout made for a lovely evening at the Opera House. This was not solely through the actors, either: the use of mechanics within the set of this stage-play allowed for multiple moments of physical comedy, and this was a strong motif throughout.
A rotation of impressive transitional sets also aided in transporting the audience to the infamous village and crime scenes, allowing one to be absorbed in the story and successfully converting Midsomer Murders from page to screen to stage.
Running for only three days from Wednesday, 27, until Saturday, 30 May 2026, with matinee shows available throughout.
One must act fast to join the detective duo and catch the killer before it’s too late!
Waitress at Palace Theatre Manchester – a perfect recipe for a delicious night out | Review
Clementine Hall
Waitress has all the ingredients for what makes a brilliant musical, with Carrie Hope Fletcher’s astonishing vocals as the cherry on top.
It’s been a decade since Waitress first wowed audiences on Broadway, and to celebrate this milestone, the show is touring the UK – bringing Sara Bareilles’ beautiful score to life once again.
This time, West End superstar Carrie Hope Fletcher is dusting off Jenna’s apron, and it’s safe to say, the beloved show is in very, very safe hands.
Waitress follows Jenna, a talented pie-maker working in a small town diner who is trapped in an abusive relationship.
Image: Matt Crocket (Supplied)
She dreams of a better life, and this only becomes more apparent when she finds out she is pregnant and falls in love with the charming Dr Pomatter (and after watching it last night, I think the whole audience did too).
Fletcher’s portrayal of Jenna is heartfelt and warm, yet perfectly powerful. Her vocals are nothing short of flawless, singing Bareilles’ glorious yet challenging score with ease.
Her rendition of ‘She Used To Be Mine‘ had us all reaching for tissues, and the round of applause that followed was the longest I’ve ever seen for a solo performance within a show.
Image: Matt Crocket (Supplied)
The opening number ‘Opening Up’ plunged us into her world, inviting the entire cast (of which there is no weak link) onto the stage for a exceptionally well-choreographed slice of diner dancing.
At drama school, we were told to never work with food on stage, but this production proved my lecturers wrong as clouds of flour and showerings of sugar were perfectly timed to the lyrics of ‘What Baking Can Do’. Impressive to say the least.
Jenna’s best friends Becky and Dawn, played by Sandra Marvin and Evelyn Hoskins, provided welcomed comedic timing in a story that often has its dark moments.
Image: Matt Crocket (Supplied)
Meanwhile, Mark Anderson brought a surprisingly tender charm to Ogie, balancing the character’s eccentricities with genuine heart.
His chemistry with Hoskins was utterly endearing, and their performance of ‘Never Ever Getting Rid of Me’ was one of the evening’s standout moments, earning huge laughs from the audience.
Visually, the show is a real treat too. The diner set feels cosy and intimate, while the live band gives Bareilles’ score an added richness that fills the theatre beautifully.
Image: Matt Crocket (Supplied)
Overall, Waitress remains as sweet as ever – a heartfelt story topped with a huge dollop of charm and a sprinkling of comedy that’ll have you craving another slice as soon as you’ve finished the first.
Danny Jones -
20th December 2024 
