We can only apologise in advance for what we’re about to tell you.
Baby Shark – the cute and ultra-catchy children’s song recorded by South Korean company Pinkfong, which the vast majority of people can admit to hearing at least one time and parents across the globe can admit to hearing one too many times – has just officially become the most viewed video on YouTube of all time.
With a total of 7.04 billion views and counting, it edges past the 2017 single Despacito by Puerto Rican pop/rap stars Luis Fonsi and Daddy Yankee.
And if you want an even more mind-blowing statistic, if played back-to-back, this number of views would mean Baby Shark has been streamed continuously for 30,187 years.
Just let that sink in for a moment.
The video has claimed the most-viewed crown more than four years after it was first uploaded.
The original writer of the song is unclear as it has long been a nursery rhyme/campfire song, and a version of it had previously been recorded and released in German under the name “Kleiner Hai” by Alexandra Müller back in 2007, but it became a global phenomenon after being recorded by 10-year-old Korean-American singer Hope Segoine.
Produced by educational company Pinkfong and accompanied by a dance routine arguably as viral as the song itself, Baby Shark first went viral in South East Asia, then later in the US and Europe.
It even reached Number 6 in the UK Top 40 Singles chart, and Number 32 in the US Billboard Hot 100.
The one minute and 21 seconds-long earworm song likely has the lyrics, if you can even call them that, “doo-doo-doo-du-du-du-du-du-du” to thank for the endless replays which contributed to its record-breaking total, and has seen a spin-off live tour, a range of merchandise, books and more come out of it.
On top of that, a number of remixes of the song – one including Luis Fonsi, again, and another which encouraged a promoted the concept of handwashing for children amid the ongoing coronavirus (COVID-19) pandemic – have also contributed to its popularity.
It hasn’t gone down without a fight though.
As previously mentioned, the origins of the song are unclear and it is actually in the public domain and not owned by Pinkfong, which lead to the company being sued in 2019 by children’s songwriter Jonathan Wright – who had recorded a similar version to Pinkfong’s in 2011 and argued that he held copyright on his own take on the material – but no outcome has yet been reported in the case as of yet.
When it comes to the video though, Pinkfong have undeniably won this one, but we’ll leave it up to you to decide whether you feel like congratulating them on the record, or informing them they’ve potentially ruined your life a little in the process.
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Manchester’s very own Jamie Hutchinson announces new stand-up tour dates
Danny Jones
Manchester comedian Jamie Hutchinson has just announced arguably his biggest domestic tour yet, and despite plenty of gigs around the North, he’s playing just one hometown headline slot.
So you’d best be quick about grabbing tickets.
The local stand-up has seen a huge rise in popularity over the last few years, not only thanks to his regular gigging on the live circuit, but numerous standout podcast performances and, in short, by being one of the most amusing comic storytellers around – at least as far as we’re concerned.
Now set to embark on an extensive run of UK shows early next year, Jamie Hutchinson is getting back on the road with his latest material very soon.
Taking his new hour, Can My Mate Come, He’s Sound (see, even his titles are low-key genuinely funny) on tour, the crown prince of Gorton, a.k.a. ‘Mash’ himself, is playing venues up and down the country, including plenty here in the North West.
After all, he can’t drive, so best keep the long train journeys to a minimum, eh?
To quote Broadway Baby, who shared their positive words only recently, their newest project promises a “brand-new hour of unfiltered mayhem, questionable logic and emotional chaos held together by takeaway boxes and blind optimism.”
If that isn’t a glowing review, then we don’t know what is..
The Hot Water’s Green Room host and regular Have A Word podcast favourite delighted his crowds and newcomers alike with his record-breaking Waterslide tour, which ran from 2023 all the way into last year, and now he’s looking to repeat that same success. As it happens, multiple dates have sold out already.
With more than 700 tickets sold within the first hour of presale alone, it’s no surprise that the likes of Chorley, Chester (already gone) and soon both of his Liverpool shows are soon to be sold out.
As for his Academy One show on Sunday, 24 May 2026 – which is just about the biggest Manc venue he’s played to date – we expect it won’t be long before that one books up too.
We can always hope he tacks on extra dates on the UK tour, but if you’re a Jamie Hutchinson fan, you’re still best just making sure you secure your seat while you can. Grab yours HERE.
Let’s just pray he makes it home in time for his appointment with ‘Dr Catford’…
He’s yet to record a live taping of a special, but this is the kind of charming nonsense you can expect.
Royel Otis add second Manchester date due to massive demand
Danny Jones
Australian indie pop group Royel Otis have announced a second Manchester date ahead of their upcoming UK tour due to a huge demand for tickets.
The Aussie duo, who have blown up in the past couple of years with tracks like ‘Oysters In My Pocket’ and two viral covers of Sophie Ellis-Bextor and The Cranberries, are due to play a massive Manchester gig later this year.
Set to make their O2 Victoria Warehouse debut this winter, the ‘Sofa King’ singers saw their ticket allocation sell out quicker than you can say ‘Going Kokomo’.
As a result, there was only one thing for it:
Due to demand, @RoyelOtis have just added an extra date at Manchester @O2VicWarehouse in November! 🔥
For anyone still unaware of the rising alt-pop outfit led by frontman Otis Pavlovic and Royel Maddell (hence the name), they began breaking onto the scene around 2022 after having released a couple of tracks the year prior.
Although they quickly gained support back in their home country, their presence over here and indeed around the world was helped no end after their tripleJ take on ‘Murder on the Dancefloor’ and stripped-back version of ‘Linger’ for SiriusXM hit the internet.
They even managed to land a feature on EA FC 24 – formerly known as FIFA – and we all know how getting on that soundtrack can transform careers.
Since then, their following has grown exponentially, and the rising double act has booked major festival slots such over the past 12 months or so, playing the likes of Kendal Calling, Glastonbury, as well as Reading and Leeds, just to name a few.
Regardless, fervent fans haven’t seen their clamour disappear, and now the band have announced an extra date at Victoria Warehouse.
Now set to play the venue on Friday AND Saturday, 28-29 November 2025, they will be supported by an opening act with a cool UK connection: Still Blank.
The transatlantic outfit is made up of Jordy is from Hawaii, and Ben, from right here in Manchester; the two come together to make what Stereogum has described as “sullen folk-grunge” – yet more reason for locals to be interested in the gig.
Once again, while the first gig has sold out, you can grab your tickets for Royel Otis’ second Manchester show HERE.
Emily Sergeant -
3rd November 2020 
