Organic child-led learning in the great outdoors has always been very firmly at the heart of the Broadheath nursery, with the care providers committed to delivering a natural approach that’s based around letting the kids spend as much time as possible within nature.
But in light of the ongoing coronavirus (COVID-19) pandemic, and with more childcare professionals and schools embracing an outdoor-based learning approach for the immediate future, the nursery has invested heavily in its already beautiful outdoor space.
The spectacular new site is setting standards in the early years education field.
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Anne Statham – Curriculum and Training Development Consultant at Back to the Garden Childcare – said: “We’ve always believed that some of the best and most natural learning takes place outdoors, and with current concerns about limiting the spread of the coronavirus, we have redeveloped our beautiful tepee, potting shed and garden space transforming it into a wonderful outdoor classroom and safe place for the children to learn and play.
“In the current climate, outdoors is the safest place to be – the risk of transmission of the virus is much lower and it is easier to put social distancing measures in place.
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“Being outdoors is fundamental to our values and we have really made the most of our beautiful outdoor space to embrace a new way of learning and playing that is unique and very special to us at Back to the Garden.”
The outdoor classroom comprises three distinct areas – the tepee, the potting shed and the garden.
Previously a much loved space for storytelling and regular yoga and wellness activities, the tepee has now become an engaging area for the little ones with the addition of a projector and soundbox that enables the children to enjoy light projections and learning experiences with external visitors who would usually come into the nursery – such as its key partner The Whitworth Art Gallery in Manchester – and a sensory soundscape with things to watch, smell and touch for the babies.
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The tepee is completed with the introduction of a fantastic apothecary-style Wunderkabinett, with lots of little drawers in which to store the children’s natural treasures and loose parts collection of sticks, logs, pebbles and pipes.
Back to the Garden’s potting shed has taken on a new role as a space for woodworking, creating and natural crafts, where the children can explore the different effects of hammering, screwing, sanding, and general making and fixing.
Jeannie Pickering – Founder at Back to the Garden Childcare – added: “Our all-weather outdoor space really is an incredible asset that underlines and reinforces the wonderful natural ethos of our nursery and provides us with an enviable organic space in which we can interact, learn, discover, be creative and let the children physically challenge themselves and we look forward to delivering a creative and natural curriculum in this space.
“This is just the beginning for our outdoor classroom project, and we are excited to follow the progress of the children as they explore the new spaces.
“When restrictions allow, we will combine the outdoor classroom with regular visits to our favourite local outdoor spaces for further natural forest school learning experiences such as den building, nature bingo and treasure collecting to find natural materials that we can bring back and use within the nursery setting.”
For further information, or to make an appointment to view the nursery, you can call Back to the Garden Childcare on 0161 537 7999, or the website here.
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Microdot exhibit for BRITs 2026: the artwork of Oasis, Verve and more up in Manchester Piccadilly
Danny Jones
If you’ve passed through Manchester Piccadilly of late, you might have noticed two things: one, it’s really quiet, and two, there’s loads of cool Britpop merch and memorabilia on display, including original Oasis, The Verve, Inspiral Carpets art and more – all courtesy of Microdot.
Set up as part of the city’s own BRITs celebrations, along with a raft of other nationwide festivities, as the annual music award ceremony prepares to make its Manc debut at the Co-op Live this month, the showcase features special edition frames and more, all pride of place in the middle of the train station.
This collection, simply entitled ‘A Microdot Design’, is all done by the legendary Brian Cannon, the graphic designer and art director behind so much recognisable visual material within the genre.
We recently had the honour of speaking to the man himself in person ahead of Piccadilly’s temporary closure; you can see our interview with him right here:
The Wigan-born artist and visionary didn’t just make promotional materials for some of the biggest bands in the 1990s; he’s responsible for what has gone on to become some of the most familiar iconography in British music history.
With this pop-up exhibit available for a limited time only, we strongly urge you to go along and, for once, take your time rather than rushing around the station as you peruse the boards placed right near the main entrance.
Charting his work from circa 1990 up until now, it’s crazy to see just how many of Brian and Microdot’s fingerprints are all over so many different bands and artists.
From native names like Oasis, The Verve and the Inspirals, as mentioned, as well as the likes of Cast, Super Furry Animals, Suede and Ash, plus so many more, this guy has been nothing short of prolific over the past few decades.
Audio North took a little tour of the King Street South unit last year in the lead-up to Oasis Live ’25 reunion world tour, and we felt like kids in a Britpop sweetshop.
While this site has sadly since closed, shutting up shop back in July, Brian’s mini, modest, but nevertheless magic Microdot Boutique up in the Lake District is still standing.
Located in the popular North West town and tourist attraction, Kendal, it’s worth a trip there to see more of his portfolio alone.
Currently on display at Manchester Piccadilly ahead of the full 2026 BRITs Week and shindig at Co-op Live, it’s one of the best completely free things you can do in town at the moment – but the exhibition finishes on Sunday, 1 March, so make sure you don’t miss it.
Speaking of the BRIT Awards, if you’re wondering what else is on as 0161 gets ready welcome them for their two-year stint (at least), look no further…
Emily Sergeant -
21st January 2021 
