A tiny singer has ended up as one of the stars of the show at Manchester Caribbean Carnival after she was pulled up on stage by dancehall singer Serani.
Little Lottie, at just seven years old, belted out a verse of the star’s hit song No Games while the huge crowd cheered and danced.
And Serani was so impressed with her, that he’s now got back in touch and asked her to feature on his new song, and treated her family to a day out in London with him.
Videos of the heartwarming exchange at Carnival have been widely shared on social media, with one video earning more than 6.2m views on TikTok at the time of writing.
In the below video shared with The Manc, Serani is seen crouching down to her eye level, before asking the young girl for her name and telling her she is ‘so sweet’.
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Lottie then grabs his arm and whispers in his ear that she doesn’t know all the words, to which he responds: “You don’t need to know all of it baby, just sing for the beautiful people of Manchester.”
After a brief hesitation, Lottie, wearing a pink tie-die dress, starts belting out No Games – and the crowd absolutely erupts.
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Serani then starts singing the lyric ‘It’s, it’s, it’s Serani’ – but is interrupted by Lottie shouting ‘LOTTIE’, much to the delight of the onlookers.
Once she hits her stride, there’s no stopping the tiny star, who had all of Alexandra Park in the palm of her hand.
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Thousands of people have shared their love for the adorable moment on social media.
Comments have included ‘GET IT LOTTIEEEEEE’ and ‘LOTTIE MASH UP DI PLACE’.
Another person wrote: “The way her confidence shot up when everyone hyper her.”
Someone else said: “Wow the way I felt that energy thru the phone like POW.”
One user commented: “Love the crowd hyping up the boss girl! She’s got fantastic taste in music too!”
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Serani has since said: “She is the star, she just took over the stage, she’s so sweet.
“I never thought the video would get so big but the views just kept growing and growing.”
Featured image: Supplied
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Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Daisy Jackson -
19th August 2022 
