It’s not often we get to say that Greater Manchester can lay any sort of claim to Oscars fame, but once in a while it happens and in this case, we’re only a few degrees of separation away from the latest Academy Award-winning film thanks to a recent film festival.
Being most recently hosted in Manchester once again, the 2024 edition of the UK Jewish Film Festival saw a number of shorts, student films and indie projects associated with the religion spotlighted – one of which just won not one but two bits of bronze.
Picking up not only the award for this year’s award for ‘Best Original Screenplay’ for the film itself but with Succession favourite and Home Alone child star, Kieran Culkin’s role winning him ‘Best Supporting Actor’, the much-celebrated A Real Pain has now won an Oscar.
But the part of all this that we’re especially happy about is that one of the first times it was seen in the UK happened right here in Manchester city centre late last year.
This year’s ‘Best Original Screenplay’ award winner at the Oscars, just a few months after screening in Manchester. Have you seen it yet?
The now Oscar-winning picture, which just so happens to be the second original feature film from Jesse Eisenberg (Social Network, Zombieland, Justice League), has been delighting audiences ever since its debut at Sundance in January 2024 and went on to premiere at several international film festivals.
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However, the second time it was screened here in Britain prior to its official UK release nearly a full 12 months later (8 Jan 2025) at the UK Jewish Film Festival, was in 0161, returning for another consecutive year across multiple Greater Manchester venues.
Without giving away too much about the plot itself, the synopsis of the film reads as follows: “Mismatched cousins reunite for a tour through Poland to honour their beloved grandmother, but their old tensions resurface against the backdrop of their family history.”
Shown to us Mancs for the first time at Cineworld Didsbury on Thursday, 17 November last year, you won’t be surprised to hear it was one of the most popular picks of this festival too.
UK Jewish Film Festival is coming to Manchester! 🤩
Check out some of the amazing films that we'll be screening in Manchester.
1. A Real Pain 🚆 2. The Performance 🕺 3. British-Jewish Life On Film: Manchester ✡️ 4. Golda's War Diaries 🇮🇱
A Real Pain has been largely described as a buddy comedy and a road trip movie by lots of critics but there’s also tonnes of drama and serious subject matter that it gets stuck into.
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Touching not only the obvious themes of Judaism and Zionism but also family, the Holocaust specifically and theology in general, the film has gone down as a deeply important piece of cinema for a whole community and plenty of people beyond it.
Admittedly, the Greater Manchester connection to the film might only be a slight one but given its new Oscars fame and how well-reviewed the film has been ever since we saw it at the UK Jewish Film (UJFF) Festival, we’re absolutely jumping on the bandwagon and we’re glad to keep supporting events like this.
Make sure you check out the UJFF the next time it comes to our neck of the woods. Applications to enter a film into the 2025 festival are now open.
Side note: it also led to arguably one of the best acceptance speeches in years:
Kieran Culkin’s acceptance speech for his first-ever #Oscar
“[My wife] said we can have 4 children when I win an Oscar… let’s get cracking with these kids!”
Castlefield is being transformed into Gotham amidst more Hollywood filming in Greater Manchester
Danny Jones
Castlefield, with its iconic viaduct and cobbled streets, is once again being used for big-budget filming as the latest Batman/DC Universe title, Clayface, looks to be setting up in the eye-catching Manc corner.
Whether it’s football kit reveals and brand shoots, BBC dramas or the next upcoming Netflix series, production crews can’t get enough of Castlefield, it would seem.
For those who hadn’t heard, work on the new Clayface movie revolving around the cult favourite Batman villain is well underway, and the North West has been used as the backdrop on multiple ocassions this month already.
You can see early glimpses of the set being put together down below.
Come on, how cool is it that we get to stumble on stuff like this right on our doorstep so often?
Speaking to The Manc, a source detailed that the set is being assembled today (Tuesday, 16 September) ahead of a single day of principal photography on what we can only assume is more Clayface filming sometime tomorrow.
While she could not confirm with us directly, she said, “If you’re a comic book nerd and look at the posters, you’ll be able to figure it out.” We’ve certainly been studying all the easter eggs already.
It might not quite be as dark and gritty as Gotham City, but this particular part of Manchester has been used in TV and film – especially period dramas – many times for good reason.
The Victorian-era steel structure, dark red brick and overall industrial aesthetic work so well when it comes to creating a believable and cinematic world.
Besides perhaps the most famous instance of Peaky Blinders shooting in these parts, you can add multiple music videos, several Manchester United and Man City shirt launches, and so many more that we’re starting to lose track.
As for Clayface, this isn’t even the first time the upcoming DC ‘body-horror’ flick has popped up in Greater Manchester.
Last week saw the equally striking Art Deco facade of the old The Plaza Super Cinema in Stockport turned into a fictional movie premiere to stunning effect:
Speaking of, another childhood favourite is filming here in Manchester right now, too.
Besides perhaps the most famous instance of Peaky Blinders shooting in these parts, the new Narnia adaptation by Greta Gerwig may just be one of the biggest projects that has ever landed underneath the familiar ‘birdcage’.
ln fact, it just so happens that there are actually multiple noteworthy small and silver screen works fighting over the Castlefield shooting schedule at the moment…
Warrington-born Adolescence star Owen Cooper becomes youngest ever male Emmy winner
Emily Sergeant
Owen Cooper has made history.
The Warrington-born actor who burst onto the scene as a newcomer in the Netflix smash-hit drama series Adolescence, starring alongside other big names like Stephen Graham, Erin Doherty, and Ashley Walters, has become the youngest winner ever in any male acting category at last nights Emmy Awards 2025.
He took home the award for Best Supporting Actor in a Limited or Anthology Series.
Youngest Emmy winner ever in any male acting category.
At just 15 years old, Cooper beat out his fellow co-star Ashley Walters for the award, as well as other renowned actors like Javier Bardem, Peter Sarsgaard, and Rob Delaney.
Adolescence, if you haven’t had a chance to watch it yet, is a four-part limited series about a 13-year-old boy who is accused of murdering one of his classmates – with each episode remarkably being filmed in one unflinching and continuous shot.
The truly gripping story unfolds in real time as the main characters search for answers in the wake of a shocking tragedy.
Who is actually responsible? Why did it happen? And could it have been prevented?
Adolescence gained universal critical acclaim when it debuted on Netflix earlier this year / Credit: Netflix
Cooper was a complete screen newcomer starring as the young boy Eddie Miller, accused of murder, and the show tells the story of how a family’s world is turned upside because of it.
Taking to the stage to accept his award last night, Cooper – who began taking weekly acting lessons with The Drama Mob here in Manchester – said: “[The win] is just so surreal. Honestly, when I started these drama classes a couple years back, I didn’t expect to be even in the United States, never mind [at The Emmys].
“So I think tonight proves that if you listen and you focus and you step out your comfort zone, you can achieve anything in life.”
Elsewhere on the night, Adolescence cleaned up as a whole.
Co-creator and star of the show, Stephen Graham, took home the Best Lead Actor in a Limited or Anthology Series award, as well as a Writing award alongside co-writer Jack Thorne, while Erin Doherty claimed the Best Supporting Actress accolade in the same category, and director Philip Barantini won the Best Director award.