Coronation Street and Emmerdale production crews are said to have cancelled at least one day of filming this week following news of more cutbacks and a reduced schedule of programming.
The beloved British soaps have been up against it for some time now, with viewing figures and costs struggling at both ends of the spectrum, and the latest development doesn’t spell great news for the cast and crew, not to mention audiences.
According to Digital Spy, regularly scheduled filming was due to take place in Manchester and Leeds on Tuesday, 5 February, with each show shooting roughly six to eight weeks in advance of storylines.
However, following reports of more hits to the industry and the latest steps ITV, specifically, which will see fewer episodes of both Corrie and Emmerdale air each week, film crews are said to have been stood down as they await further updates.
Part of the Coronation Street set over in Salford Quays. (Credit: The Manc Group)
Announcing steps at the start of February, ITV confirmed that Coronation Street and Emmerdale are to see their content cut by an hour a week between them from next year.
ADVERTISEMENT
While Corrie currently broadcasts three hour-long episodes per week and Emmerdale four half-hour episodes plus one full-hour instalment, the new slate will see both soaps dial back to only air 30-minute episodes, with a so-called ‘soaps power hour’ every both shows at 8pm and 8:30pm.
Put in simplest terms, viewers will have half an hour less of their regular soaps to watch overall each week but with episodes airing at more regular intervals, which the network claims is “viewer-led” and will allow fans to enjoy the shows “in the most digestible way.”
ADVERTISEMENT
Metro writer Duncan Lindsay has labelled the decision as a tough one to make but something that could ultimately “save” the two long-standing soap operas in the long run.
On the other hand, this obviously means a big chunk of work being lost for those working on sets across the board, with ITV having already taken steps to cut costs ever since the pandemic, and the UK’s viewing public has given mixed reactions, to say the least.
The hour of scripted content saved from the overdue cut to Corrie and Emmerdale should be pumped into a new continuing drama. It’s the only way to justify the loss to the industry.
With an increased focus on streaming and making both shows more accessible, episodes will continue to be released from 7am on ITVX before airing on live telly later that evening.
ADVERTISEMENT
Responding to the changes, the performing arts union Equity admitted that the steps do cause “further cause for concern”, especially following the cancellation of other soaps like Doctors and Hollyoaks also having recently seen its schedule adjusted.
Meanwhile, there still remains a loyal and passionate viewership for both iconic UK shows and Corrie, in particular, notched yet another award for best soap/continuing drama at the 2025 Broadcast Awards.
Cast and crews are understood to have paused filming just for the day to address the situation and inform everyone working on the Coronation Street and Weatherfield sets, and we sincerely hope they’re back up and running as per usual.
What do you make of the cutbacks – is it a bittersweet step that could help freshen up the format and sustain it for years to come, or are you just gutted that the end result is simply less telly each week?
Castlefield is being transformed into Gotham amidst more Hollywood filming in Greater Manchester
Danny Jones
Castlefield, with its iconic viaduct and cobbled streets, is once again being used for big-budget filming as the latest Batman/DC Universe title, Clayface, looks to be setting up in the eye-catching Manc corner.
Whether it’s football kit reveals and brand shoots, BBC dramas or the next upcoming Netflix series, production crews can’t get enough of Castlefield, it would seem.
For those who hadn’t heard, work on the new Clayface movie revolving around the cult favourite Batman villain is well underway, and the North West has been used as the backdrop on multiple ocassions this month already.
You can see early glimpses of the set being put together down below.
Come on, how cool is it that we get to stumble on stuff like this right on our doorstep so often?
Speaking to The Manc, a source detailed that the set is being assembled today (Tuesday, 16 September) ahead of a single day of principal photography on what we can only assume is more Clayface filming sometime tomorrow.
While she could not confirm with us directly, she said, “If you’re a comic book nerd and look at the posters, you’ll be able to figure it out.” We’ve certainly been studying all the easter eggs already.
It might not quite be as dark and gritty as Gotham City, but this particular part of Manchester has been used in TV and film – especially period dramas – many times for good reason.
The Victorian-era steel structure, dark red brick and overall industrial aesthetic work so well when it comes to creating a believable and cinematic world.
Besides perhaps the most famous instance of Peaky Blinders shooting in these parts, you can add multiple music videos, several Manchester United and Man City shirt launches, and so many more that we’re starting to lose track.
As for Clayface, this isn’t even the first time the upcoming DC ‘body-horror’ flick has popped up in Greater Manchester.
Last week saw the equally striking Art Deco facade of the old The Plaza Super Cinema in Stockport turned into a fictional movie premiere to stunning effect:
Speaking of, another childhood favourite is filming here in Manchester right now, too.
Besides perhaps the most famous instance of Peaky Blinders shooting in these parts, the new Narnia adaptation by Greta Gerwig may just be one of the biggest projects that has ever landed underneath the familiar ‘birdcage’.
ln fact, it just so happens that there are actually multiple noteworthy small and silver screen works fighting over the Castlefield shooting schedule at the moment…
Warrington-born Adolescence star Owen Cooper becomes youngest ever male Emmy winner
Emily Sergeant
Owen Cooper has made history.
The Warrington-born actor who burst onto the scene as a newcomer in the Netflix smash-hit drama series Adolescence, starring alongside other big names like Stephen Graham, Erin Doherty, and Ashley Walters, has become the youngest winner ever in any male acting category at last nights Emmy Awards 2025.
He took home the award for Best Supporting Actor in a Limited or Anthology Series.
Youngest Emmy winner ever in any male acting category.
At just 15 years old, Cooper beat out his fellow co-star Ashley Walters for the award, as well as other renowned actors like Javier Bardem, Peter Sarsgaard, and Rob Delaney.
Adolescence, if you haven’t had a chance to watch it yet, is a four-part limited series about a 13-year-old boy who is accused of murdering one of his classmates – with each episode remarkably being filmed in one unflinching and continuous shot.
The truly gripping story unfolds in real time as the main characters search for answers in the wake of a shocking tragedy.
Who is actually responsible? Why did it happen? And could it have been prevented?
Adolescence gained universal critical acclaim when it debuted on Netflix earlier this year / Credit: Netflix
Cooper was a complete screen newcomer starring as the young boy Eddie Miller, accused of murder, and the show tells the story of how a family’s world is turned upside because of it.
Taking to the stage to accept his award last night, Cooper – who began taking weekly acting lessons with The Drama Mob here in Manchester – said: “[The win] is just so surreal. Honestly, when I started these drama classes a couple years back, I didn’t expect to be even in the United States, never mind [at The Emmys].
“So I think tonight proves that if you listen and you focus and you step out your comfort zone, you can achieve anything in life.”
Elsewhere on the night, Adolescence cleaned up as a whole.
Co-creator and star of the show, Stephen Graham, took home the Best Lead Actor in a Limited or Anthology Series award, as well as a Writing award alongside co-writer Jack Thorne, while Erin Doherty claimed the Best Supporting Actress accolade in the same category, and director Philip Barantini won the Best Director award.