TV & Showbiz

Snoop Dogg says he wants to replace Gregg Wallace on MasterChef – and so do we

Don't lie, every single one of you would watch that.

Danny Jones Danny Jones - 9th December 2024

With Gregg Wallace having been axed from MasterChef, one man has put himself forward to replace the long-standing presenter: Snoop Dogg.

Make that Snoop ‘Doggy’ Dogg, esquire and all-round foodie fancy pants, to you.

No, as we often feel we have to clarify sometimes, we’re not joking – the rapper and hip-hop legend apparently is very keen on the idea of becoming the next co-host of UK MasterChef.

It also goes without saying that we will never EVER get bored of writing headlines like these.

Credit: The Martha Stewart Show/BBC

Speaking to The Mirror, the 53-year-old music icon said, “You’ll best believe You better believe Snoop could be the new MasterChef judge.”

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According to Snoop, his time working on Martha & Snoop’s Potluck Dinner Party with well-known American cook, food writer and TV personality Martha Stewart means he already has prior experience and he also believes he has the backing of another big culinary name.

“My boy Gordon [Ramsay] judges on the US version of the show, and I know he would back me to be able to judge on the UK version”, he told the outlet, going on to add: “He knows I am not playing when it comes to food. He knows I can cook – I have even given him some tips.

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“I hosted a cooking show over here and I have always been vocal about wanting to work on a UK show. I love the place – and for real, this could be the perfect opportunity.”

His bid to join the BBC show might be less likely than many others, but we’ve already seen how well getting familiar entertainment faces on works for the Celebrity version of the show, not to mention juicing up the comedy with less serious analysis as seen on Channel 4’s rebrand of The Great British Bake Off.

You can see a selection of Snoop’s on-screen cooking highlights here.

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As for the latest on Wallace, he is still officially denying being involved in any inappropriate behaviour of a sexual nature on the show and various other TV projects, with a total of 13 people filing official historical complaints against the long-standing host over the course of a 17-year period.

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The 60-year-old is now accused not only of sexual comments in the workplace but groping and touching multiple former contestants and colleagues.

Despite sticking to his official position he has, however, come out to apologise for a response video he made following the second raft of allegations, in which his comments were deemed offensive and misogynistic by a Downing Street official.

We’re confident we already know the answer, so we’ll ask you this instead: just how much do you want to see Snoop Dogg presenting the next series of MasterChef?

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Featured Images — Super 45 (via Flickr)/Glenn Francis (via Wikimedia Commons)/BBC

TV & Showbiz

Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House

Danny Jones Danny Jones A Knight's Tale Manchester musical review

From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.

Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.

At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.

Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.

A Knight’s Tale the musical at Manchester Opera House. (Credit: Press Shot)

A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.

Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.

The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.

Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.

However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.

Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.

The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.

At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.

A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.

But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.

Credit: Supplied

Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.

The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility.
In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.

Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.

Put simply, this is a knight to remember – with a soundtrack that slays.

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Featured Images — Press Images (supplied)

TV & Showbiz

Eurovision 2025 final to be screened live in cinemas across Greater Manchester

Emily Sergeant Emily Sergeant Eurovision 2025 stage

The grand final of the Eurovision Song Contest is to be screened live in cinemas across Greater Manchester next month.

Following the success of the previous two years, initially starting back when the internationally renowned televised event was held on British soil in Liverpool in 2023, cinemas up and down the UK are, once again, set to come together to celebrate 2025’s edition of the major night in the music calendar by hosting the ultimate viewing events.

The epic Eurovision Song Contest Grand Final on Saturday 17 May will be broadcast live on BBC One, and streamed into more than 100 cinemas nationwide – including several in Greater Manchester.

Distributed by CinemaLive, the live stream events will allow Eurovision fans to gather under one roof and share in the unbeatable experience of celebrating the brightest and boldest music party of the year on the big screen.

People in the cinema
The Eurovision 2025 final will be screened live in cinemas across Greater Manchester / Credit: CinemaLive | Krists Luhaers (via Unsplash)

You may remember that Switzerland is hosting Eurovision this year, following the nation’s well-deserved victory at the 2024 contest with the song ‘The Code’ performed by Nemo.

But thanks to these live stream events, you won’t need to make the trip to Basel to get in on the action, as you’ll just need to nip down to your nearest participating cinema instead.

Not only will the long-awaited final of the show be streamed live onto the big screen in 5.1 surround sound, but fans are invited to bring their Eurovision parties from the front room to the cinema instead, as organisers say fancy dress is ‘heavily encouraged’, as are enthusiastic sing-alongs too.

Speaking ahead of the event next month, John Travers from distributors CinemaLive, said: “We’re delighted to be working with the BBC to bring Eurovision’s grand final live into cinemas across the UK for the third year in a row.

“There’s simply no better way to enjoy the biggest night in music than in a cinema.”

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Tickets are now live and available to book at your local cinema here.

Some of the participating Greater Manchester cinemas include Vue Manchester Printworks, Everymans in Manchester city centre and Altrincham, The Light in Stockport, and Cineworld in Didsbury, among others.

Featured Image – EBU

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