Pretty much everyone has been getting through the incredible yet harrowing experience of watching Adolescence on Netflix this month, and though it may have seemed unlikely at first, series star Stephen Graham recently discussed the possibility of a second season.
For those who aren’t aware, it was never expected that the four-part limited series surrounding a young boy accused of a violent crime would be the global phenomenon it has been, nor was it hoping to secure a deal for another season: the whole point of the show was to tell a powerful but self-contained story.
However, with it becoming the most-watched thing on the platform in just four days – not to mention notching all manner of streaming records – it’s no surprise that the suggestion of capitalising on its smash hit success has come up.
Many feel the kind of narrative it tells is so important that the idea should at least be explored.
“You throw the stone into a pond and this ripple effect has been huge… But we never meant it to have this impact, we just wanted to tell a truthful and honest story.” Co-writer and actor Stephen Graham reflects on his powerful new Netflix series Adolescence, which explores… pic.twitter.com/aO3JKNYH16
Speaking in a recent interview with Variety, co-creator and lead Graham sat down with his wife Hannah Walters, who also helped write and produce the show, to discuss the reaction
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When asked quite simply if any discussions have been had about an Adolescence season two, while it sounds like there’s nothing official yet, he didn’t dismiss the concept outright.
“Possibly, let’s see how the figures are, but yeah, there’s the possibility of developing another story”, says the 51-year-old from Kirkby.
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It might not be much to go as yet; however, just knowing that there’s room to tell another chapter is good enough – especially given the “smirk” the 51-year-old is said to have responded with during his answer.
Many fans thought the chances of a second series had been dashed early doors after fellow co-creator Jack Thorne recently went on This Morning and dismissed the potential pretty much altogether.
In his words: “I don’t think we’re the right people to tell Katie’s story […] I think there are other makers out there that could tell beautiful dramas about Katie or girls like Katie [the victim in the show], and that those shows should be made.”
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That being said, just because he doesn’t sound like he’d be involved will an Adolescence sequel, it doesn’t mean Graham might not be.
The impact of the show, especially here in the UK, cannot be overstated and not just because of the cross-generational viewing figures.
Fellow Adolescence actor Jo Hartley, who was born down the road in Oldham, joined countless celebrities in waxing lyrical over the importance of the show following what she called an “overwhelming” reaction in just the first few days.
In fact, the shockwaves it sent across Britain and beyond have been so strong that the writers have even been invited to Parliament to discuss the series’ themes and how to help tackle them better.
ITV is reviving an iconic music trivia gameshow Name That Tune from the 70s
Emily Sergeant
ITV is set to revive one of the most iconic music-themed gameshows of all time for a new generation.
That’s right – Name That Tune is making a comeback.
Based on the successful US format of the same name, and airing in the UK on its original run from 1976 through to 1987, before being rebooted for the first time by Channel 5 from 1997-98, Name That Tune is being revived for the third time and is set to hit screens on ITV early next year.
If you’re unfamiliar with the premise of the show, Name That Tune sees contestants pitted against each other as their music knowledge is put to the test in a series of fast-paced rounds that featuring tracks from some of the world’s best-loved music artists and bands across every genre, all building towards a nail-biting finale.
Competitors will be tasked with correctly deciphering iconic riffs, melodies and lyrics from some of the biggest songs on the planet.
Set to be presented by Alison Hammond, and with a studio audience singing along, the show’s reboot will invite viewers at home to play from their living rooms, making it the ultimate soundtrack for all generations.
Every round is designed to challenge music enthusiasts by asking them just one simple question – can you name that tune?
“As a massive music lover, my biggest challenge as a host will be trying not to grab the mic and start singing along when one of my all-time favourite tunes comes on,” commented Alison Hammond as she was announced as the host for the reboot.
“And trust me… that will take serious self control.
“I grew up absolutely loving the original show so being part of this now feels like a real full-circle moment. I cannot wait to get into the studio, put the contestants through their paces, and see who really knows their music.”
ITV has told viewers to expect the show to be ‘bigger, louder, and more feel-good than ever’ once it returns in January.
Featured Image – ITV
TV & Showbiz
BBC cancel three hit shows, including legendary stand-up series, Live at the Apollo
Danny Jones
The BBC have reportedly cancelled three of their hit TV shows, including the long-standing Live at the Apollo.
With the company facing even more cuts and the television industry facing the ever-changing obstacles set about by increasingly dominant digital platforms, the hit live stand-up series, which has run for over two decades, is the latest big IP on the chopping block.
But that’s not all: joining them in cancellation after long stints on the box are Celebrity Mastermind and the most recently rebooted version of British favourite, Blankety Blank, brought back with Bradley Walsh as host back in 2020.
With roughly 65 full-length seasons between them, and literally hundreds of episodes under their belt, the unfortunate trio have fallen foul for varying reasons.
At first I read that as Celebrity Masterchef, but that show is immortal.
Really surprised to see Live at the Apollo go. It can't cost much and has been instrumental in giving many comedians their big TV breaks. https://t.co/BrT8k2hoYd
While Walsh announced that he was quitting the programme after three series (the fourth was set to begin recording later this year) largely due to scheduling conflicts, the driving force behind the decision is the aforementioned cutbacks.
In case you hadn’t heard, the BBC has seen an approximately £500 million reduction in annual spending, which has meant that one or more productions were always going to be hit hard as a result.
They are aiming to save upwards of £100m annually, which is set to come in the form of 100-150 hours less originally telly by the end of 2028.
Issuing an official statement, they say: “We are incredibly proud of all three of these much-loved shows and would like to thank everyone involved, both in front of and behind the camera, for bringing them to screen and making them such a success over many years.
“Unfortunately, we have to make some really tough choices in light of our funding challenges, and these savings have been identified from the entertainment genre.”
With Live at the Apollo, in particular, having served as an important proving ground and spotlighting stage for rising comics, the UK mainstay originally hosted by Jack Dee is sadly going the way of Mock the Week by being pulled after 22 years on the air.
As you can see, it’s already been heavily mourned by performers around the comedy circuit and fans alike. It goes without saying that those within the industry know all too well how important it’s been.
Unfortunately, more announcements and cuts are expected throughout the remainder of the year as the BBC‘s entertainment arm tries to regain profitability.
This means that these three likely won’t be the last to be axed; who knows? Given that even the biggest of IPs don’t seem to be safe, maybe even mainline Mastermind could be in trouble…
It’s also worth noting that this news comes not long after the media giants launched their big campaign to reassert their domestic significance and beyond, with more and more people straying away from the TV licence in favour of modern streaming.
You can read the full ‘savings’ update right HERE.
Danny Jones -
31st March 2025 
